For Kathi Reichel a visit to the set proved unforgettable—being starstruck by the cast. Soon after came a first experience as a background actor in a German feature film; sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit.

Acting

The seeds of an acting career were sown early. With just thirty minutes of television permitted each day, a young aspiring performer made a beeline for “Hannah Montana” every evening. It wasn’t long before friends were recruited to join in impromptu skits, performing pop hits with a flair that hinted at future ambitions.

When her brothers landed roles in a German TV show, the competitive spirit was piqued. A visit to the set proved unforgettable—being starstruck by the cast, and perhaps developing a secret crush on the lead. Soon after came a first experience as a background actor in a German feature film. Sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit. This was a calling.

Medicine Vs Film

But life had other plans for a while. Attending a demanding school meant the focus shifted to academics and family. Growing up in a small town where the arts weren’t exactly encouraged, it was easy to drift away from that early spark. When it came time to choose a path of study, there was a sense of being torn—medicine or film? In the end, film won out.

Then COVID arrived. A hands-on, creative degree suddenly became entirely theoretical, mostly studied from bed. It wasn’t until the final two semesters that a passion for storytelling started to creep back in.

Kathi Reichel – New York

After graduation, a move to New York for an internship followed, but something just didn’t sit right—it all felt miles away from a true sense of purpose. One day, while burning up with a fever, there was a spontaneous decision to sign up for an acting class—one barely even remembered making. That class changed everything, helping to heal, restore confidence, and bring back laughter and dreams. For the first time in ages, there was a sense of feeling truly oneself.

Back in Germany, there was no time wasted searching for a summer acting programme—and that’s when the Lee Strasberg Theatre & Film Institute appeared on the radar. What was supposed to be a brief stint turned into something much more. It became a home, a place to rediscover parts of oneself lost along the way.

Auditions

Instincts said to enrol in the conservatory. After completing the programme, it was time to take full advantage of OPT, diving into auditions and building a growing portfolio. Among the student film credits is ‘Veradens’, which earned Best Horror at the Paradise Film Festival and accolades at the Rome Prisma Independent Film Awards, plus selection for the Lift-Off Global Network Film Festival.

Later, Kathi jetted off to Atlanta to work on the TV pilot/film “Asherah: A Love Odyssey”—a surreal experience, especially being on a set where massive productions, including ones from Marvel Studios, had been filmed.

Women Who Cut

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One of the most life-changing chapters for Kathi was joining Women Who Cut. The people she met there changed everything. They became more than collaborators—they became family. The project picked up several awards, and through her role as Mia, she grew massively as an actor and as a person.

Kathi also got the chance to work as an assistant director on a stage production, which pushed her creatively in brand new ways. Being on the other side of the process gave her a deeper understanding of storytelling and teamwork—and she loved every second of it.

Her final project before heading back to Germany was Women Who Cut Immersive, and it was an experience she’ll never forget. Leaving New York felt like leaving home—like leaving a bit of herself behind.

Creativity

The people she met, the work she created, and the growth she experienced during that time shaped Kathi in ways she never expected. Acting became more than just a job—it became a space for healing, connection, and honesty.

And if one thing’s clear to Kathi now, it’s this: she wants to go back to that place—not just physically, but creatively. That’s where she feels most alive, and that’s where she truly feels at home.

Breaking news: Kathi has just revealed she’s been cast in “Spider-Man: The Book of Peter”! Follow us on Instagram to keep up with her latest adventures.

Kathi Reichel – Credits

Website homepage image – Photography by: Alan Rexroth: @alan_rexroth_visuals

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From school stages in Mexico to the bright lights of New York, Manuel Zopiyaxtle’s journey is nothing short of extraordinary.

We’ve always had a soft spot for talented people, especially when it comes to that elusive spark that sets real go-getters apart from those who leave things to chance. There’s something fascinating about the drive behind the dream, and Manuel Zopiyaxtle fits that bill perfectly. Hailing from Mexico and now making waves in New York, Manuel’s journey in the arts kicked off early, thanks to a supportive family—his mum in particular. Let’s be honest, a bit of encouragement from those closest to us can work wonders for confidence, and Manuel’s got it in spades.

Creative

Creative to his core, Manuel found his calling in acting, which led him from the stages of Mexico to the bright lights of the New York Film Academy. He’s been labelled a natural storyteller—something confirmed by those who’ve shared a stage or screen with him—and he thrives on making each story he tells completely believable. From acclaimed short films and stage productions to voice work, Manuel’s been recognised at international festivals, with standout performances in pieces like “The Mime,” “For Lila,” and “The Missing Kitchen King.”

Manhattan

Once settled in Manhattan, Manuel threw himself into the NYFA whirlwind—studying with top industry pros and building the kind of creative friendships that last a lifetime. It’s true what they say: sometimes it’s not what you know, but who you know. For Manuel, the real magic of acting lies in the details, and his mantra quickly became all about authenticity and specificity. His first short film, “Gothic Girls Are Right,” made a splash at festivals worldwide and marked a turning point in his career. Since then, he’s scooped up awards, tackled everything from gruelling winter shoots to fully improvised features, and proved he’s just as at home on stage as on screen. Genuinely passionate about his craft and always up for the next challenge, Manuel Zopiyaxtle is definitely one to watch—he’s got his eyes on the future and firmly believes art is what makes life worth living.

Manuel Zopiyaxtle – Performing

Looking back, was there a particular moment in your childhood when you realised performing was more than just a hobby for you?

When I was 14, I was performing in Aladdin as part of a theatre workshop—back then, acting was just a hobby for me. It was opening night, and the mix of nerves and excitement was almost overwhelming. Playing Aladdin was my first time in a lead role, and I took it very seriously. I was on stage nearly the whole time, fully aware that my family, friends, and even people who weren’t my biggest fans were all out there in the audience. But I realised I had to give my all to everyone watching, regardless of who they were. That night, something shifted inside me. I finally understood why acting meant so much to me: no matter the circumstances, you always have to give your best and perform at 100%. I thought, “This is a tough discipline”,—but I could see myself doing it.

Manuel Zopiyaxtle – Big Moment

Then came the big moment. I had to step into Aladdin’s shoes and take the stage for my first musical number. The excitement was there, but so were the nerves—I honestly thought I might implode. Still, I had to go on, and as soon as I did, I felt an incredible sense of peace—a force more powerful than anything I’d experienced before. Suddenly, the nerves disappeared. I felt connected to everything: the audience, the lights, the stage, even the darkness beyond. In that moment, while singing Aladdin’s song, I thought to myself, “I want to do this for the rest of my life.”

Manuel Zopiyaxtle – Perspective

How did your move from Mérida to New York challenge your perspective, both as an artist and as a person?

It changed me a lot. New York is a tough city, honestly. There’s a phrase a close friend once told me: “New York is a city meant for strong-spirited people only.” I really believe that. Coming from Mérida, where people are always looking out for each other, everything felt different. Back home, everyone’s a bit more open, friendly, and welcoming. I love my country and the city I grew up in, so leaving was incredibly hard. When I arrived in New York, I quickly realised things weren’t the same. New Yorkers aren’t exactly friendly—they’re kind in their own way, just not warm and welcoming. If pushing you aside means they get somewhere two seconds faster, they won’t hesitate. I used to joke that if I collapsed on the street, not a single New Yorker would stop to help.

New York

That first year in New York was a real struggle. I felt incredibly lonely at times. But, bit by bit, the city made me stronger, more resilient, and more passionate. Eventually, I found my people and my community, and that brought me back to life. I rediscovered my passion and became relentless in everything I did. I took inspiration from the challenge itself—it felt like I’d managed to tame the city and merge with its energy. I became more committed than ever. It wasn’t easy, but I learnt to love the struggle and embrace the challenge. That’s what fuelled my life and my art. It lit a fire inside me, and I knew I wouldn’t stop until I achieved what I set out to do.

Manuel Zopiyaxtle – Creativity

Your mum played a big part in encouraging your creativity—are there any family traditions or values that still influence your work today?

So many of them. My mum and dad played huge roles in shaping the person I am today. Commitment, resilience, and a love for what you do—those were the big lessons they passed on to me as I was growing up. But above all, they taught me to be myself. Not to worry about other people’s opinions or what others might try to impose on me, but to stay true to who I am and always show my most authentic self.

They also instilled in me the importance of passion—carrying that flame with pride and love. They encouraged me never to shy away from what I care about, because it’s our passions that make life meaningful and push us to achieve more. I became a passionate person because of them.

Manuel Zopiyaxtle – Film Academy

When you think about your time at the New York Film Academy, what’s one lesson or experience that’s really stuck with you?

Professionalism might sound like a buzzword, but it’s absolutely vital. Whether you’re stepping onto set or meeting someone new in the industry, always aim to be the best version of yourself. That means being on time, staying engaged, and being responsive. Simply showing up isn’t enough—you need to be present in the room, ready to react, be respectful, and support those around you.

Wherever you go, bring an idea with you. Share your thoughts with the group; they might help, they might not, but what matters is that you’re contributing and putting yourself out there. The key thing is to take action—don’t just sit back and wait for something to happen. As actors, there’s a lot of waiting around, but if you’re going to be there for a while, at least bring your best attitude and energy to the job. It’s important to remember that we’re all in this together. Supporting each other and working as a team is what creates a truly collaborative environment. Staying committed to that sense of teamwork is, in my view, the essence of professionalism.

Impact

Is there a role you’ve played so far that’s felt especially close to your heart, or perhaps changed you in some way?

The Mime, written and directed by Veronika Hermann, was truly life-changing for me. In the film, I had to portray a street-working mime who was utterly exhausted by his circumstances. Many of the scenes involved genuine interactions with strangers and passers-by who had no idea we were filming. Often, people would ignore or even mistreat the mime—and that really got to me, not just as an actor, but as a person.

It opened my eyes to just how little attention we pay to those who make a living on the streets, and how isolated and invisible they must sometimes feel. The experience genuinely changed me, both personally and artistically. Especially in New York, where everyone is always in a rush, you rarely stop to speak to someone on the street. Playing this role taught me a great deal about empathy, kindness, and respect—not just for my character, but for every person I encounter.

Manuel Zopiyaxtle – The Mime

The film also delved into sensitive topics, such as giving up on life. At the time we were shooting, I was going through a rough patch myself—I felt lost and unsure about where I was heading, even in my career. Working on The Mime helped me reconnect with my art and my soul. It reminded me why I fell in love with acting in the first place and reignited my passion for the craft.

How do you keep your performances fresh and authentic when you’re juggling so many projects at once?

That’s a great question, and honestly, it’s one I often ask myself. At the end of the day, this is my job—and I feel incredibly privileged to call it that. Whether I’m learning lines, preparing my character, working on my voice and body, auditioning, or editing tapes, it’s all part of what I’ve trained to do. Every time I step into a new character, I approach it with as much respect as possible, honouring both the writer’s vision and the character itself, almost as if I’m meeting a new person.

Respect

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I have a huge amount of respect for the arts, and acting in particular. I approach my craft with a lot of care and passion, following a process that helps me truly connect with every role. Sometimes, I’m juggling three different characters at once, and it’s a challenge to manage them all. But I treat each character like a friend—you don’t forget your friends, or what makes them tick. I dig into the specifics of each project and develop a unique point of view for every role.

When I’m on set, I give it everything I’ve got. No matter how tired I might be, I always put in my maximum effort. I know how lucky I am to be a working actor, so I bring as much energy as I can, hoping it translates into a fresh and authentic performance. Most of the time, it does!

Challenge

What’s been the biggest obstacle you’ve faced on your journey, and how did you overcome it?

I’d say one of the biggest setbacks I’ve faced has been working with or befriending people who weren’t good for me. There have been times when I trusted people too easily, only to realise that not everyone wants to see you succeed—some are happy for you, but only as long as you’re not doing better than they are.

I’ve had moments when people turned out to be very different from who they claimed to be, or ended up treating me unkindly. It’s always disappointing and can leave you questioning yourself and your choices. I genuinely believe we’re meant to support one another, so when you encounter people who push you away or treat you badly, it can really affect your mental health.

I struggled with this, especially in a city like New York, where you can never be entirely sure of people’s intentions. These days, I’m much more careful about who I trust. Most importantly, I’ve learnt that while it’s important to have people around you, I also need enough belief in myself to keep moving forward, no matter what challenges I face.

Manuel Zopiyaxtle – Collaboration

Collaboration seems to be a big theme in your career—what do you look for in a creative partner?

Initiative really stands out to me. I love it when someone comes to me and says, “Let’s do something” or “Let’s create this.”

I believe creativity and imagination come from within—you have to truly want to make something happen. It’s inspiring to work with people who don’t just sit around waiting for a project to land in their lap. I enjoy collaborating with partners who are passionate about what they’re building, have a clear vision, and are mature enough to share the reins and let you help steer the ship.

Collaboration is something I genuinely love, and when you’re working with the right people, it can take you so far. Feeding off each other’s good ideas and energy always benefits the project, and that mutual spark is what makes creative work so rewarding.

Inspiration

Away from the stage and the camera, what inspires you or keeps you grounded in your day-to-day life?

What really inspires me is the question: “What if?” What if I actually achieve what I want? Success in this business is so subjective, and it’s never easy—but that’s exactly what drives me. When I wake up and remind myself how difficult it is to reach my goals, it lights a fire in me. I’ve always been drawn to things that are hard to get, and I think that’s part of the appeal. It’s easy to tell yourself, “It’s fine if it doesn’t happen,” but I always wonder, what if it does? What if I win, what if I get everything I’ve dreamed of, and more? That thought keeps me motivated. I love dreaming big and then actually taking steps towards those dreams, picturing myself achieving them. That’s what keeps me going.

Manuel Zopiyaxtle – Dreams

The other thing that inspires and grounds me is the people I meet along the way. I come from a place where so many people have huge dreams, but they’re held back by circumstances—money, opportunity, talent, or sometimes even their own families.

Whenever I step on stage or in front of the camera, I remind myself: “How many people would love to be in my shoes?” There are so many with a passion for acting who, for whatever reason, never get the chance. I do it for them—for those who can’t, and those who never could. I feel honoured and deeply privileged to be where I am, and I give it my all every time. The craft deserves it, and so do all the people who aren’t able to chase their dreams.

If you could go back and give your younger self one piece of advice about pursuing the arts, what would it be?

Trust the process. So often, we feel rushed, as if everything has a deadline and opportunities might pass us by. I’ve felt that way plenty of times, especially as an actor—you’re always wondering when your big break will come. But the truth is, you can only do so much. I give everything I can to pursue my goals, but beyond that, there are things and people I simply can’t control.

Trust

Learning to trust the process has helped me stay calm, even in high-pressure situations. If I could give my younger self any advice, it would be to hang in there, no matter what he’s up against. There have been moments when I felt trapped with nowhere to turn, but I’d tell him to keep going, to ride out the storm, and to trust that whatever happens—good or bad—is meant to be.

And most importantly, say yes to everything. If a project comes along and you know nothing about it, say yes. If the script’s great but there’s no pay, or even if the script’s awful and there’s still no pay—say yes. If there’s a short film shooting two hours away, or a hangout with people you don’t know, say yes. Take on roles that make you act tired, sad, or moody—just say yes. The more experiences you gather, the more they’ll enrich your craft and artistry. You never know, you might just find yourself in the right place at the right time and hit the jackpot. But you’ll only find out if you’re open to every opportunity.

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With relentless determination and a belief in the power of dreams, Juliette Cochet reminds us that we can create our own story and shine brightly.

Everyone possesses a unique superpower, but it can be difficult to carve out your own path when surrounded by those who share a similar gift. We shine the spotlight on Juliette Cochet, an exceptional actress who stands out in her field.

My introduction to Juliette came through Chelsea LeSage, a gifted friend known for her ability to connect with talented people. The Networking Magazine had the pleasure of interviewing Juliette for a candid conversation that sheds light on her inspiring journey, highlighting both the challenges she’s faced and the successes she’s achieved along the way.

Hollywood

Imagine this: a young girl from a quiet suburb in France, dreaming of Hollywood glamour and bright city lights. Many people have those dreams, but not everyone takes the leap. Juliette did! With ambition in her heart and a supportive family cheering her on from afar, she packed her bags and moved to the iconic New York City—fondly known as “the city that never sleeps.”

At the New York Film Academy, Juliette met amazing collaborators who would become her creative partners for years to come. When she wasn’t studying, she was busy auditioning for short films. Her first significant break came with “Mon Amour”, directed by Kaisar Maxutov, which earned a collection of festival awards. Talk about a strong start to her career!

“Stop waiting, stop dreaming, and start creating your own story”. – Juliette Cochet

Leading Role

Her dedication continued to shine with the film “I’m Afraid”, also directed by Maxutov, which earned her the ‘Best Actress’ award at the MultiDimensional Independent Film Festival. And if that wasn’t enough, she landed a lead role in the Off-Broadway play “Women Who Cut”, sharing the stage with industry legends like Chelsea LeSage, Kathi Reichel, and Monte Bezell. What an incredible team!

While dazzling audiences at the AMT Theatre, Juliette was also fully invested in her thesis film, “Eternity with You”, which won her another ‘Best Actress’ award at the Stockholm City Film Festival. Talk about multitasking! This touching story about motherhood was personal for her—a fitting conclusion to her years of education.

Surreal experience

Just when you thought her schedule couldn’t get any busier, Juliette landed a lead role in her first feature film, *The Blue Woman*, directed by Kyle Sharp. Although the film is still in post-production, she’s buzzing with excitement for its release. Working alongside a cast that quickly feels like family has been a surreal experience, especially with co-star Andrei Kogolenok, who makes the journey even more enjoyable.

In an unexpected turn, Juliette recently teamed up with Kaisar Maxutov for a fully improvised independent feature, embracing the spontaneity of the moment. Alongside talented actors like Manuel Zopiyaxtle, Dasha Zhykharska and Jaylen Stapleton, she learned to thrive in the chaos—it’s all about being present!

Interests

But there’s more! When she’s not dazzling on stage or film sets, Juliette explores other artistic interests. Whether learning piano as a tribute to her granddad, dabbling in photography, or immersing herself in dance and martial arts, her creative spirit knows no limits.

Juliette Cochet is indeed a force of nature. With relentless determination and a strong belief in her dreams, she’s relishing every moment in the greatest city in the world. And guess what? She’s just getting started!

Juliette Cochet – Create Your Story

If her journey teaches us anything, it’s that with the right support and a dash of optimism, you can achieve anything you set your mind to. If I were to take a page from Juliette’s book, it would read: stop waiting, stop dreaming, and start creating your own story. 

France

Juliette, when you were growing up in France, what sparked your dream of making it in Hollywood?

When I was younger, especially living outside the US, Hollywood seemed like the ultimate destination, the best place where dreams become reality. But what truly inspired me to become an actress is actually a funny story. I watched “Mission Impossible 4” for the first time, and being a young girl, I had a huge crush on Tom Cruise. 

I remember telling my family, ‘When I grow up, I’ll be working with Tom Cruise’—not realising there were so many other jobs that would allow me to be around him! My only thought was that I needed to become an actress to work with him. So far, I still haven’t shared the screen with Tom, but I know it will happen sooner rather than later. If he ever comes across this… please hire me!  

Moving

Moving to New York City is no small feat! What was the biggest challenge you faced when you made that leap?

The first challenge I faced was mainly in the language. I had a high level of English in France, but learning the slang of a country and a city specifically, learning some expressions that school will never teach you, as well as speaking, reading, writing, and thinking in English every day for years was definitely harder than I expected. For the first few months, my brain had a hard time getting used to it, but it became easier faster than expected.

The second, and definitely harder, challenge I faced was gaining my independence so quickly. I’ve always been independent, even when living with my family, but when you live alone, far from everything you thought you knew, it truly forces you to grow faster, without a choice, and that process is quite lonely. When you wish to talk to someone who lives on another continent with a big time difference and realise you can’t right away, it forces you to sit with yourself, make your own decision, and own up to it. 

New York

We heard you had some fantastic experiences at the New York Film Academy. Can you share a bit about the collaborators you met there and how they influenced your journey?

Everybody that I’ve worked with has influenced my journey one way or another. Whether it is by getting another point of view, learning about another culture, or just being inspired by them. I’ve met some of the most inspiring artists, who I believe should be better recognised for the work they put in, given how talented they are. 

I love asking questions to the crew on set, getting to understand their work and how they create this magic, and I’ve been fortunate to be around people who have been willing to teach me some of their craft. 

Craft

The cinematographers, grips, sound mixers, gaffers, assistant directors/camera and script supervisors have all taught me something about their craft, and it has made me, as an actress, more patient, grateful, and hardworking. When you know a group of people come before you and leave work after you to create an environment that will make you, the actor, comfortable enough to simply play, it makes you want to give all that you have to make all of their work worth it.

Some of the future greatest actors of our generation that I’ve met will never cease to inspire my craft. I learn so much just by watching them. We’re all on the same boat: we all love acting and want to learn, so, at the end of the day, actors will always be my biggest inspiration. It’s hard to open yourself up to someone in real life; it’s even harder when you do it in front of dozens of people while being filmed to be shown afterwards. So when I see an actor being truthfully open and vulnerable, it makes me so grateful to be there to experience it. 

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Juliette Cochet – Mon Amour

Your first big break was with *Mon Amour*. What was that experience like, and how did it feel to receive all those festival awards?

The shoot itself was so much fun! It was my first time feeling like I was shooting a movie! My co-stars were so talented, the story was interesting and fun, and the crew was full of energy! I remember doing the photoshoot for the poster, and my best friend from France was there, and she was just as in awe as I was! 

Receiving those festival awards felt unreal. I didn’t know much about it, so when I heard the news, I was shocked, euphoric and very proud! 

Achievements

You’ve had some significant achievements, like winning ‘Best Actress’ for “I’m Afraid”. What do these accolades mean to you personally, and how do they impact your work?

It’s quite unreal, to be honest. I try not to think about it too much, because though it means a lot, I want to keep the momentum going and use it as fuel for my future work! I want to keep in mind why I came here to do this. It’s a beautiful thing to receive, and it will help me move forward. 

Juliette Cochet – Balance

Balancing a lead role in “Women Who Cut” and your film “Eternity with You” sounds intense! How did you manage the pressure of multitasking on and off stage?

It was intense, that’s for sure! But the two characters were so different that switching between them was easier. Lila, from “Women Who Cut”, a comedy, is way more naive, younger, positive and very energetic. At the same time, Becca, from “Eternity with You”, is inspired by the dramatic play “Rabbit Hole”; she’s older, hurt by life’s experiences and grief, and way more grounded. I’d also worked with Becca for months before that shoot; I knew her in every way. 

Character

I knew her past, her present, her thoughts. I would also sometimes walk around the city and catch myself thinking the way Becca would be thinking: on her guard and attentive. At the same time, I was still learning about Lila and working on her. And to be fair, Lila was a light, fresh air to come back to after the heaviness of Becca. 

But the pressure itself doesn’t bother me, quite the opposite. I thrive on pressure. While my real pressure is when I have nothing to do: that’s the hard thing for me to deal with!

Juliette Cochet – First Feature Film

Tell us about “The Blue Woman”. What was it like working on your first feature film, and what are you most excited for audiences to see?

It was so cool working on my first Feature! Most actors will probably agree, but we love working on a character for a long period of time and getting to play with it under different scenarios, so I just loved playing Marie in “The Blue Woman” for a few days non-stop. Plus, we had a small crew with us, so we all bonded so well together, and we were all having so much fun!

Marie felt familiar to me in a certain way, even though she is quite different from who I am. I found myself wanting to care for her and protect her from the challenges she faced. While I can’t reveal too much, the story is very original, and my character is very ambiguous. I’m really looking forward to hearing people’s opinions about her. The audience’s perspectives on Marie will vary widely, which makes me even more excited to see their reactions!

Improvisation

You just wrapped up an improvised independent feature with Kaisar Maxutov. How did diving into improvisation change your approach to acting?

Yes, we did! It actually changed my approach drastically. Though improvisation was fun and stress-free because we didn’t have to prepare anything beyond our knowledge of the character, it reminded me of how important preparation is. And it made me, maybe, more serious about it as well. I would sometimes catch myself watching my co-stars act as if I were part of the audience, and I would find them funny, but I realised that my character wouldn’t find any of it funny. 

So, it made me work more on accepting the reality of the circumstances. Plus, though I’m a firm believer in following your instincts when acting, I also realised that, by making a feature fully improvised, a bit of improvisation is great, but following a script and a strict dialogue is where you can expand your creativity so much. I personally find ideas in somebody else’s ideas. When I have a script to decrypt, I can go extremely deep into it, finding crazy scenarios, and that is what I like the most, personally!

Creative Interests

Outside of acting, you explore a variety of creative interests. Could you tell us how your passions, such as learning Piano and photography, influence your work as an actress?

An actor plays different types of human beings, and even if their skills aren’t shown on screen, I still believe it is important that we know what our character can and likes to do outside of their work and their relationships. So the more I learn, the more I can use it for my acting. 

Learning new skills reminds me that no matter what you work towards, you need to practice a bit more every day to grow. I used to believe that when you learn acting, then that’s it, you don’t have anything else to do. I used to believe that Meryl Streep wasn’t practising every day because she was Meryl Streep. But I was drastically wrong! Acting is a skill like Piano or Photography, and you need to practice a bit every day to get better at it. 

There’s also a quote that I love that influences me to learn new skills every day: “Luck is when preparation meets opportunity”. And that is just so true. So I want to be prepared for anything so that if an opportunity comes, then I’ll be ready to jump in. 

Juliette Cochet – Credits

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Sophia Eleni‘s creative journey has seen her collaborate with leading studios such as the BBC, FOX21, and Paramount. Sophia made a striking entrance to the West End, earning critical praise for two solo performances.

For most people, a good thriller or horror film is all about that heart-racing excitement and a proper scare. These are the films you put on when you want to be kept guessing—packed with suspense, jumpy moments, and twists you never saw coming. Whether it’s a creepy supernatural tale or a tense psychological drama, they deliver a real adrenaline rush—especially if you’re watching with mates and can share a few laughs (or screams). It’s all about enjoying those nerves and chills, safe in the comfort of your own sofa.

Of course, there’s no denying that CGI and all the latest tech make films look incredible these days. Slick effects and clever camera angles can really set the scene. But at the end of the day, it’s believable characters that make a story stick with you. That’s where Sophia Eleni truly shines.

Sophia Eleni – Standout Performance

Meet Sophia Eleni—the rising star everyone’s talking about after her standout performance in the spine-tingling horror flick Bone Keeper. Just this morning, a photo of Sophia at the Glasgow Film Festival landed on my desk. What caught my eye wasn’t the usual red carpet glamour, but her expression—she absolutely radiates pride in her achievement. And who can blame her? She’s earned every bit of it.

With her infectious energy and down-to-earth charm, Sophia is quickly becoming an actress to watch—not just for her talent, but for the warmth she brings both on and off screen.

London

Born and raised in London, Sophia’s love for performing was clear from the start. She trained at Rose Bruford College of Theatre & Performance and The Estonian Academy of Music & Drama, perfecting her craft and developing the versatility that’s now her trademark. After a series of impressive roles on stage and TV—including memorable appearances in BBC’s Casualty—Sophia landed her breakout film role in Bone Keeper, a tense supernatural thriller that put her right at the centre of the action.

In Bone Keeper, Sophia plays a determined and resourceful lead, handling both the psychological twists and the physical demands of a horror movie with real skill. With this milestone under her belt, Sophia Eleni is clearly poised for even bigger things. As she takes on new challenges and unexpected roles, one thing is certain: Sophia is a force to be reckoned with, and her journey is only just getting started.

Sophia Eleni – Early Moments

What first inspired you to pursue acting, and were there pivotal early moments?

I think it started with an interest in people and their behaviours. I was always an intuitive and emotionally sensitive child, and acting gave that instinct somewhere to live. I’ve always believed our early experiences shape us, and acting became a way of transforming mine into something purposeful. One pivotal moment came early in training, when I realised that presence, stillness and listening could be far more powerful than pushing for size. That’s when I understood that authenticity — especially on screen — is the most compelling thing to watch.

Training

How did your training in both London and Estonia influence your approach to performance, and what key lessons have stayed with you throughout your career?

I started training from a very young age, around six, and then went straight to drama school once I’d completed my formal education. London gave me a rigorous, theatre-led foundation — discipline, stamina, and the technical craft of building a performance. Estonia stayed with me in a different way. It was where I properly dipped my toe into screen and voice work, and I fell in love with it immediately — it was exhilarating and felt like a calling. I often regard Estonia as the foundation of my work in screen and voice acting.

Sophia Eleni – Challenges

Can you share a few standout challenges or breakthroughs that marked turning points in your transition from stage to screen and voice acting?

One of the biggest challenges in moving from stage to screen was scale. On stage, you’re trained to project and hold the back row; on camera, the smallest shift in thought can read as a huge moment. The breakthrough for me was trusting stillness — letting the inner life do the work rather than “indicating” it.

Voice acting was another turning point, because you don’t have the support of your face or full physicality in the same way — everything lives in breath, intention and rhythm. You’re often working alone in the booth, which means relying far more on imagination and visualisation. I like to think of the microphone as a close-up camera! Once I treated it as full acting rather than “just voice,” it unlocked a whole new level of freedom and specificity.

The Voice Of Aava

You’re the voice of Aava, the lead character in the hugely successful survival-climbing game Cairn, which recently won an award at Tribeca in New York. What drew you to the project, and how did you prepare to bring such a central character to life?

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I was immediately drawn to Cairn because it has real emotional integrity. The narrative grabbed me because it’s survival with soul. Aava is central to the story, and the writing treats her like a full human being — not a stereotype. I prepared by building her psychology first, then grounding it in the physical reality of climbing: breath, effort, timing, and the way determination sounds when you’re running out of strength. I wanted her to feel truthful — not performed.

Sophia Eleni – Bone Keeper

You play Nadia in Bone Keeper opposite John Rhys-Davies. What can you tell us about the role — and is there a moment from set that’s stayed with you?

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Nadia is an interesting character because she genuinely wants to help her friends uncover the truth about this legendary creature in the caves — but she absolutely has her own agenda. She’s a scientist with a real curiosity for geology and biology, and she’s determined to be the first to work out what’s actually going on… partly because it could be the discovery of a lifetime and, yes, it would elevate her career. That makes her tough, prickly at times, and brilliantly unapologetic — she’s not here to soothe egos, and she’s especially sceptical of the men around her!

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And of course, working opposite John was a masterclass in presence. He has that rare ability to make a scene feel alive through timing and stillness, and it raises your game instantly. John often improvised scenes, and we all just ran with it! Quite a lot of the takes in the film were the ones where we improvised, actually.

The crossroads of film, TV, and next-gen voice acting and performance capture

Your career sits at the crossroads of film, TV, and next-gen voice acting and performance capture. How do you adapt your acting process for each medium, and what unique challenges do they each present?

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I adapt by keeping the same core truth, but changing the scale. On screen, it’s about restraint and specificity; in TV, it’s about consistency and speed; and in voice and performance capture, it’s about clarity – making the inner life audible and physical, even when you’re working in a booth or in a suit with no environment around you. I often say the microphone is like a film camera: it picks up nuance in exactly the same way.

The unique challenge across every medium is balancing technique with freedom. You have to be disciplined enough to meet the technical requirements, but free enough to stay alive and human in the moment.

Misconception

Performance capture and voice acting are rapidly evolving fields. What’s one misconception about this work that you’d love to set straight?

A common misconception is that performance capture and voice work are solitary or mechanical — that it’s “just voice,” or somehow lesser than on-camera acting. In reality, the tech only records what you give it. You’re doing full acting: intention, relationship, rhythm, breath, and emotional truth and often without the usual supports of set, costume, or even scene partners. It’s highly technical, but it’s still fundamentally human work.

And while you’re often in a booth or in a suit, frequently working alone, it’s deeply collaborative. You’re building a living character with writers, directors, animators, and designers — it’s acting that lives across an entire team, and then carries into new technology.

Technology and Storytelling

With technology and storytelling more intertwined than ever, where do you see the future of performance capture heading, and what excites you most about it?

I think games are becoming ever more cinematic – and the appetite for that kind of storytelling is only growing. What excites me is where performance capture is heading: more nuanced, actor-led work that feels as intimate as film, but inside immersive worlds audiences can actually step into, interact with, and actually alter narrative. That blend of emotional truth and interactive storytelling feels very current, and I believe it is paving the way for an exciting future in our creative industry!

The Entertainment World 

The entertainment world often expects individuals to fit into certain “boxes.” How have you navigated the industry while staying true to yourself and your passions?

It can be frustrating, because the industry often prefers shorthand — it wants to understand you quickly, and that can turn into typecasting. For me, the answer has been clarity and consistency: choosing roles that genuinely excite me, staying focused on craft, and making sure my materials and public work reflect the breadth of what I can do. I’ve learned you can’t control the boxes people try to put you in, but you can control the story your work is telling.

Sophia Eleni – Advice

You’ve built momentum in your career outside of traditional routes. What advice would you give to other actors looking to carve their own path in the industry?

I’d say: focus on craft and creating momentum you can control. That means having materials that truly represent you, making work where you can (quality work – you at your best) and being strategic about how you’re seen. Keep your message clear: what you do, what you’re best at, and what lane you’re building.

And don’t underestimate consistency. One good performance helps, sure, but a pattern of strong work is what changes how the industry responds to you. Be patient with the timeline and ruthless about the quality!

Credits

Website cover photography – Jasper Quinn ©

Photography permissions obtained by Sophia Eleni ©

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“Training_set is an absolute must-see for anyone intrigued by the evolving dynamics between AI and human relationships, this narrative bravely ventures into the complexities of love and intimacy in the digital age.” – Networking Magazine

Sitting comfortably at home, I was relaxing in my chair and watching the news when my phone pinged. At first glance, I thought it was just a text, but upon closer inspection, it turned out to be a Google Drive link.

I’m going to watch a play! It felt like my little way of helping to reduce a carbon footprint, but more on that later. The link led me to an exclusive sneak peek of the play “Training_set.” I absolutely love theatre; there’s something almost therapeutic about soaking up the atmosphere and ambience that comes with it.

Even though I was watching on a screen rather than in person, I still appreciated the experience. So, here’s my take on a play that carries a powerful message and explores the complex relationship between AI and humans.

In a world where technology seeps into every aspect of our lives—often getting in the way—Sonny Marwah’s “Training_set,” produced by Jenilyn N. Rodriguez, Chelsea LeSage, and Sonny Marwah (Golden X Productions), offers a captivating look at the delicate balance between artificial intelligence and our human experiences. Luckily, I got to catch this thought-provoking play thanks to that Google Drive link popping up on my phone—a real treat for a theatre lover, even if I was settled in my living room.

With my feet up, popcorn in hand, and the show cast onto my large screen, I did my best to recreate some of that theatre magic—well, I tried, anyway.

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Training_set – Narrative

The narrative introduces us to two millennial women—a spirited divorce lawyer and an innovative figure in the art world—who navigate the thrilling, complicated waters of their friendship while tackling the challenges of love in this tech-driven age. When a Gen-Z man enters the picture, it ignites a whirlwind of desires, revelations, and confrontations, raising important questions about what connection truly means in a world where privacy seems to vanish by the second.

Interactions

As the algorithm quietly observes their interactions, it learns to pick up on even the unspoken feelings between them. This clever twist (no spoilers) adds a fascinating layer to their relationship, urging the characters to examine what it means to love when every moment is under the watchful eye of technology. The story delves into the effects of tech on our emotions and connections, pushing the women to rethink what it means to open up their hearts when they know they’re being scrutinised.

“An audacious exploration of intimacy in the digital age, this narrative blends emotional depth with sharp societal commentary. The characters are vividly drawn, making their journey both relatable and thought-provoking—a must-read for anyone trying to navigate love in a time of constant observation.” — Networking Magazine

Chelsea LeSage and Jenilyn N. Rodriguez delivered standout performances in “Training_set,” each bringing depth and nuance to their characters. Chelsea, portraying the spirited divorce lawyer, infused her role with a mix of fierce determination and vulnerability, skillfully capturing the balancing act of professional ambition and personal relationships.

Jenilyn, an innovative figure in the art world, presented a layered performance that revealed her character’s complexity and emotional struggles. Her ability to convey the challenges of navigating friendships and love in a tech-saturated environment resonated deeply with the audience. Together, their chemistry and contrasting personalities created a dynamic interplay that underscored the play’s themes, making their performances both compelling and memorable.

The chemistry between them was indeed clever casting and personally lived up to the screenwriter’s creation.

Against a backdrop where friendships and romances unfold under the watchful gaze of AI, this narrative highlights the challenges of intimacy and the intricacies of modern love. Audiences will be drawn into an engaging exploration of desire, jealousy, and the lengths we go to for connection.

An innovative tale, where friendship and technology collide, creating a narrative that feels both timely and strikingly relevant. Although I didn’t get the chance to fly over and soak up all this play had to offer, I did get the next best thing!

Podcast

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Credits

Poster & Stills

Tamar Shemesh

Juliette Cochet

Portrait photo for Jenilyn – Cara D’Adamo

Portrait photo for Chelsea – Juan Carlos Espinoza Abrigo

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Kamba Entertainment’s portfolio is as diverse as it is impressive. From suspenseful short films and cinematic feature productions to sleek corporate videos and eye-catching showreels.

Masaku’s journey is a testament to the power of resilience and creativity. Kamba Entertainment, the independent film and production company he founded, has become synonymous with high-impact, visually stunning projects that resonate with diverse audiences. The company’s work spans genres and formats, consistently elevating the narrative power of independent cinema.

Stories that matter

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At Kamba Entertainment, every project begins with a mission: to tell stories that matter. The team is a close-knit collective of filmmakers, writers, and visual artists who approach each production with a blend of technical expertise and creative vision. From the earliest planning stages to the final edit, the company upholds the highest standards of quality and originality, ensuring every film, video, or showreel leaves a meaningful impression.

Kamba Entertainment’s portfolio is as diverse as it is impressive. From suspenseful short films and cinematic feature productions to sleek corporate videos and eye-catching showreels, their body of work demonstrates the full breadth of their creative vision. 

Simba Masaku – Adversity

Masaku’s personal story is as remarkable as his professional achievements. Raised in a challenging environment, he found solace in creativity at just eight years old, using filmmaking and writing to overcome adversity. This formative experience continues to drive his passion for authentic storytelling.

“It wasn’t easy to get started,” Masaku recalls. “I always thought I wasn’t good enough, that I was cut from another cloth.” Despite these doubts, his determination and work ethic propelled him forward, allowing him to transform obstacles into creative opportunities.

Passion

Nothing could deter Masaku from pursuing his passion. He persevered through setbacks, channelling his energy into the creative pursuits that would ultimately define his career and inspire others.

Determined to break the cycle, Simba began writing, filming, and improvising short scenes with his sister and friends. Armed with a Hi8 camcorder—lovingly referred to as ‘Mama’s camera’—he learned the basics of filmmaking by turning everyday moments into creative experiments.

Elevating his art

“Today, I am fortunate to have my own camera and friends who lend their equipment and expertise. Everything we use meets industry standards, with gear that is even Netflix-approved,” Simba says, expressing gratitude for the support network that has helped elevate his art.

Simba Masaku – Ambitious Goals for the Future

Looking ahead, Simba’s goals are both ambitious and inclusive. “I want to keep pushing forward and bring others with me,” he shares. “My hope is to secure funding from someone who believes in my vision so I can see my films on major streaming platforms.”

Ultimately, Simba dreams of becoming a full-time filmmaker, leaving his day job behind to devote himself fully to the art of storytelling. The pinnacle of success, he says, would be to smile at the Golden Globes and the Oscars, celebrating not just his own journey, but the collective achievements of his team.

Simba Masaku – Advice for Aspiring Filmmakers

Masaku offers this advice to aspiring filmmakers: “Make a film, no matter what. Whether it’s on a phone or any camera, just keep creating and never compare yourself to others.” His journey is proof that with resilience and passion, anyone can break barriers and achieve their creative goals.

Currently, Masaku is promoting two exciting projects: “Hope,” an ambitious science fiction series that explores the boundaries of human resilience, and “Enzo,” a gritty London-set thriller that delves into the complexities of urban life and survival. Both projects exemplify the range and depth of storytelling that Kamba Entertainment brings to the independent film scene.

Credits

Editing and production by – Jelly – @jellyfilmworks

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Lampros Kalfuntzos’s credits include some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”.

A versatile creative whose career seamlessly connects the worlds of film, photography, and design. Based in the UK with roots in Greece, he has carved out a distinctive path as both an actor and visual storyteller, infusing cinematic flair and artistic vision into every project.

As an actor, Lampros’s adaptability and on-screen presence have been showcased in some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”. He continues to expand his portfolio across film and television, including recent roles in independent shorts and upcoming international features.

Digital Magazine Extract

Photography

In addition to acting, Lampros is an accomplished photographer and visual designer. His work captures raw emotion and striking aesthetics, ranging from editorial fashion shoots to intimate portraits. His keen eye for detail, developed through years in visual design, translates into photography that feels both cinematic and deeply personal.

Balancing performance and imagery, Lampros thrives on storytelling in all its forms—whether through a character’s journey on screen or a single frame captured behind the lens. For him, acting and photography are not separate crafts but interconnected expressions of creativity, fueled by his lifelong passion for art, people, and the power of visual narratives.

Lampros Kalfuntzos – Interview

Creative Crossroads 

How do you see your experiences in acting, photography, and design influencing each other? Can you share a specific project where this interplay was particularly evident?

For me, acting, photography, and design all revolve around the same core principle: storytelling. Acting gives me the ability to inhabit emotions and narratives from the inside. At the same time, photography and design allow me to externalise those stories visually. A great example was the Private Sale campaign I worked on for Ralph Lauren, where my design shaped the overall visual identity. However, my background in film gave me the instinct to treat it cinematically, with motion, almost as if I were directing a scene. That mix helped me craft visuals that weren’t just stylish but emotionally resonant.

Cinematic Influences

Your work spans high-profile films like “Mission: Impossible” and “Murder on the Orient Express.” What aspects of these productions have shaped your understanding of storytelling in both film and photography?

What struck me most about those productions was the sets themselves. Walking onto the Murder on the Orient Express train was like stepping back in time. Every detail, from the upholstery to the lighting, was crafted to tell a story before a single line was spoken. On Mission: Impossible, the scale was immense, but again, the set design carried the narrative—every location was built or chosen to heighten tension and energy. Those experiences taught me that sets are more than backdrops; they are characters in their own right. In my photography, I approach locations in the same way—I don’t just see them as a stage, but as part of the narrative fabric. The environment shapes mood, influences performance, and often reveals as much about the subject as the subject itself.

Lampros Kalfuntzos – Cultural Roots

Being based in the UK with Greek roots, how do your cultural background and experiences influence your artistic vision and the creative stories you choose to tell?

My artistic vision is deeply rooted in Greece, and especially in Larissa, the town where I grew up. Larissa lies in the shadow of Mount Olympus, the mythical home of the 12 Gods. That presence was always part of my film imagination. Greek mythology taught me that every story has layers of human struggle, divine influence, and symbolic meaning, and those themes naturally flow into my photography and acting. While the UK has given me opportunities to expand and connect globally, it is my roots in Larissa and the mythology of Olympus that anchor me, inspiring me to create work that carries emotional depth and a sense of timeless storytelling.

Lampros Kalfuntzos – Emotional Connection

In your photography, you aim to capture raw emotion. What techniques do you use to connect with your subjects to produce those feelings in your work?

It always starts with trust. I spend time talking with my models before the camera is even set up. I ask questions that allow them to open up, and I observe their natural gestures and expressions. When we do start shooting, I try to create an environment where they can be themselves—music, humour, or even silence, depending on what brings out authenticity. My goal isn’t to pose, but to capture a fleeting moment that feels genuine and make them feel at ease.

Balancing Acts

How do you manage the balance between your acting, design and photography careers? Do you find that one influences or enhances the other in your creative process?

Balance is a challenge, but acting, design and photography are complementary rather than conflicting. Acting sharpens my empathy and helps me read people, which makes me a better photographer. Photography, on the other hand, strengthens my visual awareness—composition, light, texture—that I then bring into my acting, especially when working on screen. Each discipline feeds the other, so rather than separate them, I let them enrich one another.

Lampros Kalfuntzos – Artistic Vision

Can you describe your artistic vision when approaching a new project, whether it’s a film role or a photography shoot? What key elements do you focus on?

I always start with the question: What is the story here? Once I have that, I focus on three things—emotion, atmosphere, and detail. In acting, it’s about building a believable inner life for a character. In photography, it’s about creating a mood that evokes a feeling beyond the image. In both cases, the goal is to create work that resonates with and lingers in people’s minds, rather than merely being aesthetically pleasing.

Independent Projects

You’ve taken on roles in independent shorts and international features recently. What draws you to these types of projects, and how do they differ from your work in larger productions?

Independent projects often give me more creative freedom and a closer connection to the story. They may not have the enormous budgets of Hollywood films. Still, they allow for experimentation and risk-taking, which I find very rewarding for future productions. On big sets, everything is highly orchestrated. On smaller productions, there’s an authenticity and urgency that reminds me why I fell in love with cinema in the first place. Both are valuable, but in different ways.

Storytelling Techniques

You mention that you thrive on storytelling in all its forms. How do you approach storytelling differently in photography compared to acting?

In acting, storytelling is immersive—I live the story through my character. In photography, it’s observational—I shape the story through framing and light. The difference lies in perspective: acting is from the inside out, while photography is from the outside in. But both come down to truth, timing, and emotion.

Lampros Kalfuntzos – Future Aspirations

Looking ahead, are there any specific genres or themes in film or photography that you’re eager to explore? What excites you about these potential projects?

I’d love to explore more drama and action thrillers in film because they play with tension and nuance—elements I enjoy as an actor. In photography, I’m drawn to fashion editorial styles and underwater projects, which I pursue when I have the equipment, focusing on cultural identity and human resilience. What excites me most is the possibility of blending the two: utilising cinematic storytelling techniques in photography and incorporating photographic sensibilities into film.

Advice for Aspiring Creatives

What advice would you give to aspiring actors or photographers who wish to carve out their own unique path in the creative industry?

Don’t wait for anyone’s permission. Create your own opportunities. The industry is challenging and unpredictable, but your individuality is your strength. Keep experimenting, creating, and telling stories in your own voice, and surround yourself with people who believe in your vision. Most importantly, stay consistent—success often comes to those who keep showing up. Just have a little faith.

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“A human being is capable of doing more than just one thing. So, don’t confine yourself to just one box”. – Rebecca Hanser

Rebecca Hanser – Podcast

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Film, Theatre, and Motion Capture

Rebecca Hanser is a multi-talented actor, producer, writer, model and director based in London, working in film, theatre, and motion capture. She has gained recognition for her feature films, including Portal to the Abyss (2024), Parasitus (2021), and Blade of the Assassin (2021), as well as her short films such as Third Life Crisis (2023), the award-winning Ghosted (2022), and A Tribute to Frida (2021). Additionally, she contributed to the BAFTA-winning Netflix series The Witcher Season 3, which received accolades for Best Special, Visual, and Graphic Effects.

Passion For Films

From a young age, Rebecca developed a strong passion for films and credits watching movies as a key factor in learning English. Although she initially focused on writing, her interest in acting emerged later. She pursued an impressive academic career, earning a Bachelor’s degree in International Business Management from The Hague University and a Master’s degree in Anthropology and Journalism from Leiden University. To support herself through college, she worked in modelling and hospitality, which also allowed her to travel extensively. As a result, Rebecca is fluent in several languages, including Spanish, Portuguese, German, and French, in addition to her native Dutch and English.

Rebecca Hanser – Projects

Her growing interest in acting led her to several successful projects in Dutch cinema, such as Poolshoogte (2014). This prompted her move to London, where she trained at the esteemed Drama Centre London, earning a Master’s in Screen acting. The program’s unique structure, which paired actor and director students, provided her with valuable behind-the-camera experience. During this time, she became an in-house cast member of The People’s Company, playing the role of Titania in their production of A Midsummer Night’s Dream (2019) in partnership with the Southwark Playhouse. She also toured the UK with the Extreme Improv Comedy Club, directed by David Pustansky. Her passion for Flamenco dance blossomed during this period, culminating in the short documentary Andalusia (2018). Her latest stage performance was in the show “Pigs,” produced by SweinHaus at the Cockpit Theatre in London.

Skill Set

After appearing in the short film Before You Were Born (2017), Rebecca expanded her skill set by training in filmmaking, screenwriting, editing, and producing. She co-produced and wrote projects like Fallen from Grace (2018). Her horror films Panic (2019) and Tormented (2019) achieved success within London’s film festival circuit, receiving praise at the Raindance Film Festival. Rebecca is also dedicated to martial arts, practising Taekwondo, Muay Thai, Jiu Jitsu, and Kickboxing, as well as gymnastics and contemporary dance, making her a versatile physical actress known for her abilities in stage and screen combat.

Rebecca Hanser – Directing

She launched her directing career with the short film A Tribute to Frida (2021), for which she handled writing, editing, and acting duties. This experience laid the groundwork for her production company, Visualise Productions. After gaining valuable experience in VFX coordination at post-production firms like MPC/The Mill and Cinesite, and working on Netflix’s The Witcher Season 3, as well as films like The Family Plan and The Union, she decided to concentrate entirely on directing, writing, producing, and acting, establishing Visualise Productions as the core of her creative endeavours. Her most recent project, which she produced and directed entirely, is Third Life Crisis.

Rebecca Hanser – Interview

What motivated you to pursue a career in modelling, and how did you start your journey in the industry?

I was in college at the time, and although I was initially quite shy, a photographer friend asked me to model for him as part of a university project. 

As soon as I stood in front of the camera, it felt like I came alive. I became incredibly comfortable, creating characters, moving, and posing as the world around me disappeared. 

That’s when I realised that this was something I wanted to do more of. Through word of mouth, I began to receive more jobs, and eventually, I joined agencies. That was the beginning of my journey.

Can you describe a memorable moment from your modelling or runway experiences that stands out to you?

One memorable moment was a fashion show for a young designer called Debora Lima. Her collection was called Jungle Fever, and we had these lovely flowing dresses. 

Unfortunately, as I started my catwalk, I realised the train of my dress was stuck to my heels, and it was my turn to go. The team stood too far away to realise what was going on and too far away to help, so I had to put on my poker face.

As a perfectionist, it was frustrating, but I had to set aside my annoyance and just go for it! Somehow, I managed to make it through, and the show turned out to be a huge success. Fortunately, I am also an actress, which comes in handy as in those unexpected moments, I still need to remain confident and in control. Even if I feel like I don’t, you still have to pretend. They say “fake it till you make it”, and yes, that does sometimes help. Staying confident in moments when you want to run and hide becomes an art and an important lesson to learn in this business.

How do you prepare both physically and mentally before a fashion show or photoshoot?

I don’t have the same preparation process for modelling as I do for acting. When it comes to modelling, I usually do some stretches, especially if I know I’ll be in heels for an extended period. However, I try to relax as much as possible and enjoy the entire experience. I chat with the other models because a fashion show is a collaborative event that involves choreography. Getting along with everyone is definitely a big advantage.

What challenges have you faced as a model in the international fashion scene, and how have you overcome them?

The biggest challenge is probably competition and never really having the right size. I think it helps, first and foremost, to know yourself and your strengths. Just because you’re rejected for one job doesn’t mean you won’t get the next. 

This goes hand in hand with my acting, which requires the same level of confidence and awareness of personal identity and self-worth. In an industry where it’s all about aesthetics and looks, you need to realise one day you’re the it-girl and the next day, someone else is in the spotlight. Don’t let that define you. And that doesn’t make everyone else the enemy either. If you know your worth, getting or missing out on a job shouldn’t shake your world. 

Furthermore, it would be good to always have a backup plan and other skills to focus on. Unless you are Naomi Campbell, who can solely rely on modelling – but only because she made a brand out of herself- it’s always good to hustle in other ways. 

How do you balance the demands of your modelling career with your personal life?  

Effective planning, scheduling, and strategising require discipline and consistent habits. This approach allows you to manage a busy and demanding career, as everything is organised.

What advice would you give to aspiring models trying to break into the international market?  

Be yourself and know yourself! Prioritise your health and stay fit to ensure you’re in good shape. Remember, health comes before everything. As an aspiring model, it’s essential to prioritise your skin care and physical fitness. Always give your best effort and be kind and respectful to others, whether you’re participating in a show or attending a networking event.

Make sure you have both online and printed portfolios ready to showcase your work. Ensure all your social media channels maintain a professional appearance. Maintain your personal life’s privacy and always conduct yourself professionally, politely, and respectfully. Remember, you are your own brand!

In your opinion, how has the fashion industry changed in terms of diversity and inclusivity over the years?

The fashion industry has made significant improvements in terms of diversity, which I view as a positive development. As a woman of colour, I appreciate seeing diversity become a priority. Beauty comes in all shapes, sizes, and colours, and the fashion industry should embrace and reflect this reality. Beauty standards vary across different regions of the world; what is considered beautiful in the UK may not be the same in Peru or Korea, and that’s perfectly fine. There is growth potential in that uniqueness.

Credits

Website cover photographer: Amar Chundavadra

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Kristi Murdock’s recent credits showcase her versatility, from the holiday hit “Furry Little Christmas” to the romantic comedy “Technically Yours,” both of which are available for streaming on UpTV.

Kristi Murdock – Passion For Acting

Kristi Murdock is a versatile actress recognised for her performances in television movies, including leading roles in romantic comedies, holiday films, and suspenseful dramas. Originally from Garland, Texas, and later raised on the coast of North Carolina, Kristi earned her Bachelor’s degree in Theatre Arts from the University of North Carolina at Wilmington. During her time there, she was inducted into Alpha Psi Omega, the National Theatre Honor Society. She discovered her passion for acting while working as an extra on “Dawson’s Creek” during her senior year of high school.

Kristi Murdock – Credits

Kristi Murdock’s recent credits showcase her versatility, from the holiday hit “Furry Little Christmas” to the romantic comedy “Technically Yours,” both of which are available for streaming on UpTV. She has also secured a recurring role in Tyler Perry’s “Divorced Sistas” on BET+ and stars in the independent feature “The Leader”, alongside Vera Farmiga and Tim Blake Nelson. As a proud member of SAG-AFTRA and the Television Academy, Kristi divides her time between acting and creative development in Wilmington, NC.

Can you share more about your experience as an extra on “Dawson’s Creek” and how that moment influenced your decision to pursue acting?

Absolutely. I stumbled into acting in the most unexpected, serendipitous way. I was on a weekend trip with some friends in Wilmington, North Carolina, and we were driving around town when I noticed a bunch of big filming trucks lined up on one street. I asked my friends what they were for, and they casually told me they were filming Dawson’s Creek there. I instantly lit up—I was so excited. I said, “Oh my gosh, I want to be an extra!” They told me I could go to the casting office and sign up, so I did. They took my picture and asked if I could work the next night on an overnight shoot for a fraternity party scene. I said yes without hesitation.

Kristi Murdock – Preparation

I remember going to the mall to buy a few outfits for the scene because I wanted to be prepared. When I arrived on set, I waited for a long time before we were finally brought to set—and the moment I stepped onto it, something shifted in me. I looked up at the actors, the lights, the cameras, the whole atmosphere, and it was like a light bulb went off. I just knew: That’s what I want to do. I want to do that.

I went home to Jacksonville, North Carolina, and two weeks before the deadline, I applied to the University of North Carolina at Wilmington. I had already been accepted to East Carolina University. I had even picked out my dorm—but all of a sudden, everything changed. UNCW was a highly competitive school to get into, but I was somehow accepted. I declared a Theatre major before I had even taken my first acting class. It just felt like my path had revealed itself in that moment, and I never looked back.

You’ve portrayed a variety of characters in romantic comedies, holiday films, and suspenseful dramas. How do you prepare for such distinct roles?

Prepping for different genres can be a challenge, but it’s one of the things I really enjoy about being an actor. For suspense or thriller roles, the emotional stakes are incredibly high. You’re often asked to portray situations that most people haven’t experienced firsthand. In those moments, imagination and total commitment are essential. If I’m in a scene where I’m running from danger or reacting to someone I love being hurt, I have to let go of all self-consciousness and truly feel the fear. It needs to be real, both physically and emotionally.

Kristi Murdock – Authenticity 

I often draw on personal experiences or emotional parallels to lend authenticity to those roles. If a character is grieving or terrified for someone they love, I think about someone from my own life who has been in a similar situation. When you place a real person’s face onto the character you’re interacting with, the emotional response becomes more layered and instinctive because of the history and relationship you have with them. For me, using something from my real life to connect with the role tends to be more effective than creating something purely from imagination.

On the other hand, preparing for a romantic comedy or a holiday film is an entirely different experience. These roles are light, playful, and often filled with warmth. They’re like a breath of fresh air. While the conflict in these stories is usually more internal, the emotional journey is just as important. The characters often start off in a place where they prioritise work or control over love and vulnerability. As the story unfolds, they soften. They learn to open their hearts and let someone in. That’s the real arc in these stories—moving from living in your head to living from your heart. And that’s something I think everyone can relate to.

You mentioned splitting your time between performance and creative development. Could you elaborate on the creative projects you are currently involved with?

In addition to acting, I’ve recently found myself drawn to the creative side of development, especially within the world of made-for-TV holiday movies. After starring in numerous films over the years, I’ve come to truly appreciate how much people love them, especially Christmas movies. There’s something so comforting about them, and being part of that joy has been incredibly rewarding.

Kristi Murdock – Collaboration

Every Christmas movie I’ve had the opportunity to star in has been a true pleasure. There hasn’t been a single moment on set where it didn’t feel special. There’s a real sense of collaboration, where everyone is working toward the same goal—to create something warm, charming, and heart-centered. That experience, time and again, has inspired me to want to make films like these myself.

I’ve started writing and developing original story concepts with the hope of producing them, ideally right here in Wilmington, North Carolina. The town has such a magical backdrop and a rich history in film and television, and I’d love to help reestablish it as a destination for uplifting, feel-good stories. I’m currently working on building a slate of holiday projects, developing pitch decks, and collaborating with other creatives. My goal is to take the joy I’ve found on set as an actress and pour that into the storytelling process, using my imagination to create films that audiences would genuinely love to see.

What was it like working alongside renowned actors like Vera Farmiga and Tim Blake Nelson in “The Leader”? How did that experience shape your craft and inspire your journey?

Inspiring

Working on The Leader was such a meaningful experience for me. Watching Vera Farmiga and Tim Blake Nelson, two actors I deeply admire and respect, was truly inspiring. What struck me most was how calm, serene, and grounded their performances were. There was nothing showy or forced—just subtle, powerful work that came from a place of deep truth. Their choices were so understated, yet they carried so much emotional weight. It was a masterclass in stillness and presence, and I felt incredibly lucky to witness that dynamic up close.

Being part of an indie film like The Leader also brought a special kind of energy to the set. There’s an intimacy to the process where everyone involved is passionate about the project and fully invested in the storytelling. That kind of atmosphere challenges you as an actor to really trust your instincts and strip away anything that feels performative. It reminded me of the importance of honesty in performance and the beauty of quiet moments.

How did your Bachelor’s degree in Theatre Arts from UNC Wilmington prepare you for the challenges of the acting industry?

Kristi Murdock – Education

My time at UNC Wilmington was truly foundational in shaping me as an artist. The Theatre Arts program offered so much more than just acting classes. It provided me with a well-rounded education in every aspect of theatrical production, which not only made me a stronger performer but also instilled in me a deep appreciation for the art of storytelling as a whole.

What I loved most was how different parts of me were able to blossom through such a variety of courses. I took a corset and millinery class, having never sewn before, and by the end of the semester, I had made corsets and hats with my own two hands. It was incredibly fulfilling to walk away with something tangible that I had created. I also took scene painting courses, which deeply connected with my original passion for art. I had once planned to become an art teacher, so painting and drawing have always been a love of mine. I went all the way through advanced scenic painting and loved every moment of it. I also studied theatrical and special effects makeup, which was so fun and creative. 

Kristi Murdock – Mentors

It really felt like every class woke up a different part of me. Of course, the performance training was equally valuable. I had the privilege of studying with two professors who are still mentors in my life today—Ed Wagenseller and Dr. Renee Vincent. Ed taught me acting for the camera, and Dr. Vincent taught acting technique. Both of them had a lasting impact on my growth, and I still turn to them regularly for guidance. When I moved back to Wilmington from Los Angeles, Ed even invited me to speak to his current students as a guest in his acting for the camera class. That moment felt so full circle and deeply rewarding.

With “Furry Little Christmas” being a recent hit, what do you think makes holiday films resonate so deeply with audiences?

Connections

I think holiday films resonate so deeply with people because they tap into a sense of nostalgia, comfort, and emotional warmth that we all crave, especially during the holidays. There’s something about the simplicity and sincerity of these stories that gives people a break from the chaos of everyday life. They offer hope, love, and a reminder that meaningful connections are still possible, even when life feels complicated.

Furry Little Christmas

Furry Little Christmas was such a joy to be part of. I think what made it especially relatable was its combination of light-hearted humour, romantic charm, and the magic of the holiday spirit, with a sweet little dog to pull on everyone’s heartstrings. Audiences love watching characters rediscover what really matters, whether it’s love, family, or just slowing down and being present. These stories allow people to believe again, if only for 90 minutes, in a world where happy endings are still possible.

For me, being part of holiday films feels like giving people a warm hug through the screen. It’s a reminder that love shows up when you least expect it, and that kindness, forgiveness, and joy are always worth rooting for.

Who are some of your biggest influences in the acting world, and how have they inspired your career?

Kristi Murdock – Emotional Honesty

There are so many actors I admire, but a few have really stood out to me for their emotional honesty and range. Naomi Watts is someone I’ve always loved. There’s something so raw and grounded about her performances, and I think that comes from who she is as a person. She brings a real vulnerability to her characters that makes them feel completely lived-in.

I also tend to watch everything Rachel McAdams does. I love the projects she chooses, and I’ve often been compared to her throughout my career, which is always such a compliment. There’s something so relatable about her, and she has this ability to make every character feel both effortless and layered.

Compelling

Sarah Paulson is another actress I really admire. She has this quiet stillness in her performances, but underneath that, you can feel everything bubbling just below the surface—sadness, rage, fear, even danger. She’s in such command of her emotional instrument, and I find that fascinating to watch. Elizabeth Moss is similar in that way—completely fearless, emotionally raw, and always compelling.

And then there’s Toni Collette, who I absolutely adore. Her range is astounding. She can be the warmest, approachable, and loving character. Then in a heartbeat, she can embody someone filled with rage or heartbreak and let it pour out without holding anything back. That kind of emotional freedom and honesty is something I deeply admire and strive for in my own work.

Can you give us a sneak peek into any upcoming projects you’re excited about?

Proud

I have a few exciting things coming up that I’m really looking forward to. I have a couple more episodes of Divorced Sistas on BET+ that haven’t aired yet, so I’m excited to see those when they come out. It’s been such a fun project to be part of, and I’m really proud of the work.

I also recently wrapped filming a Christmas movie in Modesto, California, which was a genuinely great experience. I’m hopeful that it will air during the 2025 holiday season, and I’m eager to see how it all comes together. There’s something so special about being part of a holiday film, especially when you’re surrounded by such a passionate and joyful team.

Indie Film

On the indie film side, I had a small supporting role in The Leader, which is expected to be released soon. It was an honour to be part of a project with such an incredible cast and creative team.

And beyond acting, I’m currently developing a slate of my own holiday movie ideas. I’ve really fallen in love with the process of creating these stories, and I’m excited about the possibility of producing them in the near future. It’s been such a rewarding challenge to step into that role and bring my own voice to the kinds of films I know people love to watch.

How does living in Wilmington, NC, influence your work and creative process as an actress?

Kristi Murdock – Wilmington

Living in Wilmington has had a huge influence on me, both creatively and personally. There’s something about this town that has always tugged at my heart. It’s incredibly charming—everywhere you look, there’s beauty and history and a sense of community that’s hard to find elsewhere. I think that’s why so many people who come here to film end up wanting to stay. It has this magnetic pull.

From the cobblestone streets and horse-drawn carriage rides downtown to the historic century-old buildings and the peaceful riverwalk, there’s a magic here that you can’t really describe until you experience it. You’ve got local boutiques and restaurants that people have poured their hearts into, each one unique and full of character. There’s even a riverboat that offers dinner cruises, which feels like something out of a movie. And then, of course, you have the beaches and the intercoastal waterway, where boating is a big part of life. It’s beautiful and deeply connected to nature and community.

Kristi Murdock – Storytelling

One of my favourite things is how closely knit everything feels. Local fishermen bring in fresh catches that are delivered straight to nearby fish markets and end up on the menus of local restaurants the next day. That kind of rhythm to life is inspiring. It makes me feel more present, more rooted—and that carries over into my work. Being in Wilmington allows me the mental space to reflect, to create, and to stay connected to what matters. It’s a place that invites storytelling. 

What advice would you give to young actors who are just starting out in the industry, particularly those looking to break into film and television?

Momentum

One of the biggest pieces of advice I’d give to someone just starting out is not to look up at the mountain and feel overwhelmed by how far there is to go. It’s really easy to stand at the bottom, stare up, and think, “How will I ever get there?” However, the truth is that it’s just one step at a time. One foot in front of the other. Eventually, you’ll turn around and realise how far you’ve climbed—but it only happened because you kept moving. And sometimes you’ll need a little help—someone to pull you up, or give you a push when you’re stuck. That’s okay too. Momentum is momentum, whether it’s coming from within or from someone else.

Kristi Murdock – Take Action

If you feel stuck or stagnant, create your own movement. Take action. Even small steps matter. If you don’t have a project to work on, make one. Find a monologue that inspires you, something that challenges you, and work on it until it feels like yours. Then put it on tape. Film it in a way that has a cinematic look. Use a friend to sit in front of the camera and create an over-the-shoulder shot so it feels like a real scene. That’s exactly what I did when I didn’t have much footage—I just made my own. And it worked. Whether it’s Shakespeare, a contemporary play, or something you write yourself, just create and put it out there.

Consistent

Stay consistent. Do something every day, even if it’s small. Write a scene. Reach out to another actor. Sign up for a class. Acting classes are so important because your body, your voice, your emotions—that’s your tool. And like any tool, you have to keep it sharp. Practice. Rehearse. Do cold reads. Work on scenes with other actors. Just keep showing up.

And above all, find your people. Surround yourself with others who are just as passionate and driven as you are. This is a tough business, and your support system can make all the difference. When you find people who share your goals and work ethic, hold onto them. Encourage each other. Help each other rise. And don’t ever give up.

Do you have a favourite quote you would like to share?

Kristi Murdock – Favourite Quote

One of my favourite quotes is from the poet Ovid, from his poem Amores. He wrote, “Someday this pain will be useful to you.” That line has stayed with me for years, and it’s something I return to often—especially during difficult seasons in life.

As an actress, I pull so much from my own lived experiences to inform the characters I play and to connect deeply with the story. It’s through those experiences—especially the painful ones—that I’m able to bring truth and vulnerability to my work. So when I find myself going through something that feels incredibly difficult, even unbearable, I try to remind myself that this pain is a tool. That someday, I’ll use it.

Time

It helps me to stop resisting what I’m feeling and just let it move through me. To feel it fully. To trust that there’s a higher purpose for what I’m experiencing, even if I can’t see it yet. In time, I’ve learned that pain can be transformed—it can be alchemised into something beautiful. And more often than not, that beauty shows up in the work. In a scene. In a moment of connection. That quote reminds me that nothing is ever wasted.

Can you share something with our audience that not many people know about you?

Kristi Murdock – Anxiety

Something not many people know about me is that I struggle with extreme anxiety. It’s something I deal with every single day, and honestly, it’s one of the hardest things I’ve had to navigate in my life. It affects how I move through the world, how I experience relationships, and even how I show up for my work. And yet, from the outside, people might never know it’s there.

Mental health is still something so many of us keep hidden. It often feels like a quiet battle, and it can be really isolating. I’ve been incredibly inspired by people like Mark Duplass, who has spoken so openly and courageously about his own experiences with anxiety and depression. Seeing someone I admire be so honest helped give me permission to speak up, too. It made me realise how healing it can be to hear, “You’re not alone.”

Transparent

When I saw this question, I considered sharing something quirky or fun—and I have plenty of those sides to me, too—but I felt like this was an opportunity to share something that’s raw and real. My hope is that by being transparent about my struggles, it creates space for someone else to feel seen and safe enough to open up about their own. The more we talk about these things, the more we normalise them. And maybe, just maybe, it makes us all a little more compassionate toward each other.

We’re all carrying something that most people can’t see. I know I am. And I think it’s okay to acknowledge the imperfect parts of ourselves. It doesn’t make us weak—it makes us human. -Kristi Murdock

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Matt Drago is forging his own path in the industry with his production company, which is currently developing its first feature film.

Based in Los Angeles, Matt Drago is making a significant impact in the entertainment industry. Best known for his compelling portrayal of Fabian in the acclaimed film “Somewhere in Montana”, Matt has demonstrated his versatility across a variety of projects. His impressive body of work includes roles in Disney’s viral sensation “Counting Scars”, the thought-provoking film “What Would Jesus Do: The Journey Continues”, and Ridley Scott’s innovative series “Prophets of Science Fiction”. In addition, he engages audiences with his performances in the popular audio drama podcast “No Other Way”.

Beyond his impressive acting career, Matt is forging his unique path within the entertainment industry through his production company. Currently in development on its highly anticipated inaugural feature film, this venture showcases his deep-seated passion for storytelling and his commitment to producing compelling content. With a vision to create narratives that genuinely connect with audiences, Matt is dedicated to bringing fresh and engaging stories to the screen, reflecting both creativity and a keen understanding of what engages viewers.

Matt Drago – Martial Artist

Matt’s talents extend beyond his on-screen abilities. He is a dedicated martial artist, proudly holding a 4th-degree black belt in Karate, which reflects his discipline and commitment. Additionally, he has a strong passion for sports, skillfully balancing his artistic pursuits with a love for athletic competition.

Represented by HRI Talent and Ignite Talent Management, Matt is a proud member of both SAG-AFTRA and Actors’ Equity. Networking Magazine talks to Matt Drago about his personal and professional journey.

Questions

From Stage to Screen

You’ve showcased your talents in various projects, including film, television, and audio drama. How do you approach acting differently in each format?

Storytelling

Such a phenomenal first question! Nothing has inspired me more in life than the craft of acting and storytelling. It’s something that grounds me, connects me to my humanity, nurtures me through the highs & lows, and inspires me to connect others to this thing we all call life. As it pertains to different projects & genres, it’s simple. I get curious.

Curious about all things. From the collaborators & their previous works. To the production companies and studios they’ve partnered with, which can influence the worlds they seek to create. From the material itself & what it’s trying to say, do. And from the medium it lives in: whether it be on the stage, TV (and the many genres within), or film (with a whole world of possibilities).

Toolbox

Next, I get out my toolbox. One thing I did in NYC was earn a substantial amount of money in the bars/restaurants, and then invested most of it in training with the best. From studying scene work with Terry Schreiber in his 12-person class, or studying voice with Ron Shetler, or audition technique with Michael Lavine, I always believed that to be the best, train with the best. Oh, I did all that while I was getting my acting degree with a musical theatre minor, all while doing that.

I don’t say any of that to gloat at all, this journey has & will forever continue to humble me, because it has challenged me, broken my heart more times than I care to count, and seemingly put me back together again when I needed it most.

So, for that, I say, I absolutely love to do the work. Because I LOVE the work.

Character Connection

Your role as Fabian in “Somewhere in Montana” has captured much attention. What drew you to this character, and how did you prepare for the role?

Everything, to be honest. This was a role I’ve dreamed of playing my whole life. A role—and more importantly, a story — that I felt really said something. Did something. And this one meets the moment in every way.

In preparation, I won’t lie, I became obsessive. I felt like Brandon Smith (Writer/Director) & Eden Matson (Producer) had given me such a profound gift that I was going to give them everything I had to bring life into a very complex character.

Inspirational Teachers

Because I go back to my inspirational teachers I’ve learned & grown from, I went back to all of the types of training techniques I’ve learned along the way…And I simply picked one that I felt met the needs of how to breathe all of my life into this layered role.

I decided to go a full method approach which was taught to me by Terry as he had been a colleague of its founder Lee Strasburg in NYC. Because I felt so much of this character aligning with me & I was given the gift of workshopping it with Brandon who created it, I found myself letting myself fall into Fabian’s psyche & understanding the inner workings on what made him tick.

Matt Drago – Method Acting

The truth about method acting is that it can be very gratifying, especially if you tailor it to a character that will also help you grow as a person. Fabian taught me a lot about forgiveness, compassion, strength, and resilience.

And because of that, I know I will always consider it a momentous role in my life. Because of the gift it was, is, and continues to be.

Behind the Scenes

You have your own production company in development. What inspired you to take on the role of producer, and what can you tell us about your upcoming feature film project?

I think I learned from Fabian that I not only love acting, I love collaborating.

I love seeing the many masters of craft on a set, and this experience for “Somewhere In Montana” was special. The cast & crew were & are so close: we’d go on hikes together, share our meals together, go on the lake together, and really couldn’t get enough of each other. It really became a family.

So, because of that, I wanted to take that experience of creating new families with like-minded souls that love the art of storytelling, and like Fabian, share stories in little pockets of our country that feel like they don’t have a voice.

We are currently on script for a feature film, which will be set in the town I’m originally from.

Viral Success

Your appearance in Disney’s “Counting Scars” became a viral sensation. What was that experience like, and how has it impacted your career?

Disney is too much fun & the production was an absolute blast! So much joy going to Disney Studios & figuring out the costuming, the makeup, the eyes, the recording sessions, the music video sessions – all of it.

We had such a talented cast & crew & the video was a huge success, to the point where they started playing it at Disneyland! Such a cool project to be a part of!

Influences and Inspirations

Who are some of your biggest influences in the acting world, and how have they shaped your own acting style?

I used to live right across the street from the actor that I’ve most idolised in my life, Al Pacino. We’d go to the same diner on the Upper West Side, and occasionally I was brave enough to wave to him or say a quick hello to him.

History

I think your history plays a part in your ability to see a place for yourself in this industry. Because there is no concrete path. And, as Al says, in many ways, have a vision.

I think it’s because of his depth & mastery of craft, and because we both share many of the same roots, that he was someone I was instantly & effortlessly inspired by early on. Then, to see him around my neighbourhood on the Upper West Side…Pretty cool.

Martial Arts Mastery

As a 4th-degree black belt in Karate, how does your training influence your approach to acting and physicality in your roles?

What many people don’t know about me is that I was born into a Dojo. My father is my Sensei. And I’ve been practising Karate since I can remember.

What I’ve always loved most about my practice is, like acting, it is an art. -A Martial Art. 

Okinawa

And it is a self-practice. One that was developed in my case from some of the longest living people in the world. On the island of Okinawa.

Okinawan Shorin Ryu was created by farmers & gentle souls merely to protect themselves with what they had. We have weapons like the tonfa, used to mash grain, the sai, used to till the land, and the eiku (my favourite), which is an oar to row.

I love getting physical with my roles. Carrying the body of the character within my own, in the best way possible, to feel the connection to who he is.

Matt Drago – Storytelling

I know that might sound weird, but for me it’s part of the work. For Fabian, I lost 25 pounds & leaned out significantly because I felt him as someone who forgot to eat meals, someone who was driven, on the verge of hyper, sometimes with the passion that he has for storytelling. 

I have trained in Japanese acting styles, including Suzuki work, which really connects you to the deepest parts of your body language within the character.

Balancing Act

With so many projects on your plate, how do you manage to balance your acting career with your personal interests, like sports?

Sports are the ultimate escape for me. I grew up playing most sports: baseball, tennis, football & basketball; as well as scuba diving, which I’m not sure is a sport, but it should be, & wow, is it an exhilarating escape to another world.

From following an NFL season intently or escaping to playoffs in NBA, NHL, MLB, sports feel like stories told in real time & ever growing, and because of that, they are a new balance that brings me a lot of joy in life.

Matt Drago – Future Endeavours

Where do you see yourself in the next five years? Are there any specific goals or projects you’re particularly excited about?

Honestly, my specific goal right now is to continue to search for collaborators, whether it be acting, producing or otherwise.

I am so grateful to my reps who constantly & consistently push for me to get into doors, and I want to keep delivering the best work I can, and see where it will take me.

Like I said, this journey has humbled me greatly, so I am always joyous when I get to do what I love around like-minded souls who love it just as much.

Community and Collaboration

Being a member of SAG-AFTRA and Actors’ Equity, how important do you think it is for actors to support one another in the industry?

It’s crucial that support is provided. However, the union also needs to offer its assistance. This is a particularly challenging time, given the rise of AI, the complexity of contracts, changes in how TV shows are produced and distributed, and the evolving methods of film releases, among many other issues.

The one thing I’ve always believed in first & foremost is that people in all industries need to be compensated fairly for their work. And I mean everyone. In the film & tv world, we had not just one but four simultaneous strikes because these days are long, and the work is hard. Our crews are incredible, and the labour is arduous. The producer’s day never really ends with the many plates they have to spin. The directors have so much responsibility that pertains to every single soul on their sets. And I could go on & on.

Matt Drago – Passion

And even though we might love what we do, it does not mean we should be compensated less for it? Remember, many profit from our work. Like in sports, if the players weren’t on the fields of play, the arenas & stadiums would be empty.

I hope, most importantly, for a fairer approach to endure; unfortunately, I know that our industry faces many challenges in modern times.

Personal Touch

What do you enjoy doing outside of acting and martial arts? How do you unwind and recharge in the fast-paced entertainment world?

My greatest passion outside of acting & martial arts is travelling. Exploring the vastness of this great big world we live in is the ultimate reset for me. It makes me feel connected, grounded, refreshed, inspired, and joyous.

I went to Sicily with my cousin a couple of years ago, and that journey had a profound impact on my life. From the moment I got off the plane, I felt at home somehow. We journeyed all over the island, but ended the trip in the Sicilian hills of Calascibetta, where my Drago family is originally from.

The trip brought a wealth of family connection, tears of joy, and most importantly, made me feel connected to my own story, as a storyteller. There’s nothing better than that.

Matt Drago – Credits

Website Cover Photography by Kelly Balch © – @Kellybalch

Matt Drago – Instagram

www.mattdrago.com

matt@mattdrago.com

Facebook – Actor

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