Lampros Kalfuntzos’s credits include some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”.

A versatile creative whose career seamlessly connects the worlds of film, photography, and design. Based in the UK with roots in Greece, he has carved out a distinctive path as both an actor and visual storyteller, infusing cinematic flair and artistic vision into every project.

As an actor, Lampros’s adaptability and on-screen presence have been showcased in some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”. He continues to expand his portfolio across film and television, including recent roles in independent shorts and upcoming international features.

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Photography

In addition to acting, Lampros is an accomplished photographer and visual designer. His work captures raw emotion and striking aesthetics, ranging from editorial fashion shoots to intimate portraits. His keen eye for detail, developed through years in visual design, translates into photography that feels both cinematic and deeply personal.

Balancing performance and imagery, Lampros thrives on storytelling in all its forms—whether through a character’s journey on screen or a single frame captured behind the lens. For him, acting and photography are not separate crafts but interconnected expressions of creativity, fueled by his lifelong passion for art, people, and the power of visual narratives.

Lampros Kalfuntzos – Interview

Creative Crossroads 

How do you see your experiences in acting, photography, and design influencing each other? Can you share a specific project where this interplay was particularly evident?

For me, acting, photography, and design all revolve around the same core principle: storytelling. Acting gives me the ability to inhabit emotions and narratives from the inside. At the same time, photography and design allow me to externalise those stories visually. A great example was the Private Sale campaign I worked on for Ralph Lauren, where my design shaped the overall visual identity. However, my background in film gave me the instinct to treat it cinematically, with motion, almost as if I were directing a scene. That mix helped me craft visuals that weren’t just stylish but emotionally resonant.

Cinematic Influences

Your work spans high-profile films like “Mission: Impossible” and “Murder on the Orient Express.” What aspects of these productions have shaped your understanding of storytelling in both film and photography?

What struck me most about those productions was the sets themselves. Walking onto the Murder on the Orient Express train was like stepping back in time. Every detail, from the upholstery to the lighting, was crafted to tell a story before a single line was spoken. On Mission: Impossible, the scale was immense, but again, the set design carried the narrative—every location was built or chosen to heighten tension and energy. Those experiences taught me that sets are more than backdrops; they are characters in their own right. In my photography, I approach locations in the same way—I don’t just see them as a stage, but as part of the narrative fabric. The environment shapes mood, influences performance, and often reveals as much about the subject as the subject itself.

Lampros Kalfuntzos – Cultural Roots

Being based in the UK with Greek roots, how do your cultural background and experiences influence your artistic vision and the creative stories you choose to tell?

My artistic vision is deeply rooted in Greece, and especially in Larissa, the town where I grew up. Larissa lies in the shadow of Mount Olympus, the mythical home of the 12 Gods. That presence was always part of my film imagination. Greek mythology taught me that every story has layers of human struggle, divine influence, and symbolic meaning, and those themes naturally flow into my photography and acting. While the UK has given me opportunities to expand and connect globally, it is my roots in Larissa and the mythology of Olympus that anchor me, inspiring me to create work that carries emotional depth and a sense of timeless storytelling.

Lampros Kalfuntzos – Emotional Connection

In your photography, you aim to capture raw emotion. What techniques do you use to connect with your subjects to produce those feelings in your work?

It always starts with trust. I spend time talking with my models before the camera is even set up. I ask questions that allow them to open up, and I observe their natural gestures and expressions. When we do start shooting, I try to create an environment where they can be themselves—music, humour, or even silence, depending on what brings out authenticity. My goal isn’t to pose, but to capture a fleeting moment that feels genuine and make them feel at ease.

Balancing Acts

How do you manage the balance between your acting, design and photography careers? Do you find that one influences or enhances the other in your creative process?

Balance is a challenge, but acting, design and photography are complementary rather than conflicting. Acting sharpens my empathy and helps me read people, which makes me a better photographer. Photography, on the other hand, strengthens my visual awareness—composition, light, texture—that I then bring into my acting, especially when working on screen. Each discipline feeds the other, so rather than separate them, I let them enrich one another.

Lampros Kalfuntzos – Artistic Vision

Can you describe your artistic vision when approaching a new project, whether it’s a film role or a photography shoot? What key elements do you focus on?

I always start with the question: What is the story here? Once I have that, I focus on three things—emotion, atmosphere, and detail. In acting, it’s about building a believable inner life for a character. In photography, it’s about creating a mood that evokes a feeling beyond the image. In both cases, the goal is to create work that resonates with and lingers in people’s minds, rather than merely being aesthetically pleasing.

Independent Projects

You’ve taken on roles in independent shorts and international features recently. What draws you to these types of projects, and how do they differ from your work in larger productions?

Independent projects often give me more creative freedom and a closer connection to the story. They may not have the enormous budgets of Hollywood films. Still, they allow for experimentation and risk-taking, which I find very rewarding for future productions. On big sets, everything is highly orchestrated. On smaller productions, there’s an authenticity and urgency that reminds me why I fell in love with cinema in the first place. Both are valuable, but in different ways.

Storytelling Techniques

You mention that you thrive on storytelling in all its forms. How do you approach storytelling differently in photography compared to acting?

In acting, storytelling is immersive—I live the story through my character. In photography, it’s observational—I shape the story through framing and light. The difference lies in perspective: acting is from the inside out, while photography is from the outside in. But both come down to truth, timing, and emotion.

Lampros Kalfuntzos – Future Aspirations

Looking ahead, are there any specific genres or themes in film or photography that you’re eager to explore? What excites you about these potential projects?

I’d love to explore more drama and action thrillers in film because they play with tension and nuance—elements I enjoy as an actor. In photography, I’m drawn to fashion editorial styles and underwater projects, which I pursue when I have the equipment, focusing on cultural identity and human resilience. What excites me most is the possibility of blending the two: utilising cinematic storytelling techniques in photography and incorporating photographic sensibilities into film.

Advice for Aspiring Creatives

What advice would you give to aspiring actors or photographers who wish to carve out their own unique path in the creative industry?

Don’t wait for anyone’s permission. Create your own opportunities. The industry is challenging and unpredictable, but your individuality is your strength. Keep experimenting, creating, and telling stories in your own voice, and surround yourself with people who believe in your vision. Most importantly, stay consistent—success often comes to those who keep showing up. Just have a little faith.

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“A human being is capable of doing more than just one thing. So, don’t confine yourself to just one box”. – Rebecca Hanser

Rebecca Hanser – Podcast

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Film, Theatre, and Motion Capture

Rebecca Hanser is a multi-talented actor, producer, writer, model and director based in London, working in film, theatre, and motion capture. She has gained recognition for her feature films, including Portal to the Abyss (2024), Parasitus (2021), and Blade of the Assassin (2021), as well as her short films such as Third Life Crisis (2023), the award-winning Ghosted (2022), and A Tribute to Frida (2021). Additionally, she contributed to the BAFTA-winning Netflix series The Witcher Season 3, which received accolades for Best Special, Visual, and Graphic Effects.

Passion For Films

From a young age, Rebecca developed a strong passion for films and credits watching movies as a key factor in learning English. Although she initially focused on writing, her interest in acting emerged later. She pursued an impressive academic career, earning a Bachelor’s degree in International Business Management from The Hague University and a Master’s degree in Anthropology and Journalism from Leiden University. To support herself through college, she worked in modelling and hospitality, which also allowed her to travel extensively. As a result, Rebecca is fluent in several languages, including Spanish, Portuguese, German, and French, in addition to her native Dutch and English.

Rebecca Hanser – Projects

Her growing interest in acting led her to several successful projects in Dutch cinema, such as Poolshoogte (2014). This prompted her move to London, where she trained at the esteemed Drama Centre London, earning a Master’s in Screen acting. The program’s unique structure, which paired actor and director students, provided her with valuable behind-the-camera experience. During this time, she became an in-house cast member of The People’s Company, playing the role of Titania in their production of A Midsummer Night’s Dream (2019) in partnership with the Southwark Playhouse. She also toured the UK with the Extreme Improv Comedy Club, directed by David Pustansky. Her passion for Flamenco dance blossomed during this period, culminating in the short documentary Andalusia (2018). Her latest stage performance was in the show “Pigs,” produced by SweinHaus at the Cockpit Theatre in London.

Skill Set

After appearing in the short film Before You Were Born (2017), Rebecca expanded her skill set by training in filmmaking, screenwriting, editing, and producing. She co-produced and wrote projects like Fallen from Grace (2018). Her horror films Panic (2019) and Tormented (2019) achieved success within London’s film festival circuit, receiving praise at the Raindance Film Festival. Rebecca is also dedicated to martial arts, practising Taekwondo, Muay Thai, Jiu Jitsu, and Kickboxing, as well as gymnastics and contemporary dance, making her a versatile physical actress known for her abilities in stage and screen combat.

Rebecca Hanser – Directing

She launched her directing career with the short film A Tribute to Frida (2021), for which she handled writing, editing, and acting duties. This experience laid the groundwork for her production company, Visualise Productions. After gaining valuable experience in VFX coordination at post-production firms like MPC/The Mill and Cinesite, and working on Netflix’s The Witcher Season 3, as well as films like The Family Plan and The Union, she decided to concentrate entirely on directing, writing, producing, and acting, establishing Visualise Productions as the core of her creative endeavours. Her most recent project, which she produced and directed entirely, is Third Life Crisis.

Rebecca Hanser – Interview

What motivated you to pursue a career in modelling, and how did you start your journey in the industry?

I was in college at the time, and although I was initially quite shy, a photographer friend asked me to model for him as part of a university project. 

As soon as I stood in front of the camera, it felt like I came alive. I became incredibly comfortable, creating characters, moving, and posing as the world around me disappeared. 

That’s when I realised that this was something I wanted to do more of. Through word of mouth, I began to receive more jobs, and eventually, I joined agencies. That was the beginning of my journey.

Can you describe a memorable moment from your modelling or runway experiences that stands out to you?

One memorable moment was a fashion show for a young designer called Debora Lima. Her collection was called Jungle Fever, and we had these lovely flowing dresses. 

Unfortunately, as I started my catwalk, I realised the train of my dress was stuck to my heels, and it was my turn to go. The team stood too far away to realise what was going on and too far away to help, so I had to put on my poker face.

As a perfectionist, it was frustrating, but I had to set aside my annoyance and just go for it! Somehow, I managed to make it through, and the show turned out to be a huge success. Fortunately, I am also an actress, which comes in handy as in those unexpected moments, I still need to remain confident and in control. Even if I feel like I don’t, you still have to pretend. They say “fake it till you make it”, and yes, that does sometimes help. Staying confident in moments when you want to run and hide becomes an art and an important lesson to learn in this business.

How do you prepare both physically and mentally before a fashion show or photoshoot?

I don’t have the same preparation process for modelling as I do for acting. When it comes to modelling, I usually do some stretches, especially if I know I’ll be in heels for an extended period. However, I try to relax as much as possible and enjoy the entire experience. I chat with the other models because a fashion show is a collaborative event that involves choreography. Getting along with everyone is definitely a big advantage.

What challenges have you faced as a model in the international fashion scene, and how have you overcome them?

The biggest challenge is probably competition and never really having the right size. I think it helps, first and foremost, to know yourself and your strengths. Just because you’re rejected for one job doesn’t mean you won’t get the next. 

This goes hand in hand with my acting, which requires the same level of confidence and awareness of personal identity and self-worth. In an industry where it’s all about aesthetics and looks, you need to realise one day you’re the it-girl and the next day, someone else is in the spotlight. Don’t let that define you. And that doesn’t make everyone else the enemy either. If you know your worth, getting or missing out on a job shouldn’t shake your world. 

Furthermore, it would be good to always have a backup plan and other skills to focus on. Unless you are Naomi Campbell, who can solely rely on modelling – but only because she made a brand out of herself- it’s always good to hustle in other ways. 

How do you balance the demands of your modelling career with your personal life?  

Effective planning, scheduling, and strategising require discipline and consistent habits. This approach allows you to manage a busy and demanding career, as everything is organised.

What advice would you give to aspiring models trying to break into the international market?  

Be yourself and know yourself! Prioritise your health and stay fit to ensure you’re in good shape. Remember, health comes before everything. As an aspiring model, it’s essential to prioritise your skin care and physical fitness. Always give your best effort and be kind and respectful to others, whether you’re participating in a show or attending a networking event.

Make sure you have both online and printed portfolios ready to showcase your work. Ensure all your social media channels maintain a professional appearance. Maintain your personal life’s privacy and always conduct yourself professionally, politely, and respectfully. Remember, you are your own brand!

In your opinion, how has the fashion industry changed in terms of diversity and inclusivity over the years?

The fashion industry has made significant improvements in terms of diversity, which I view as a positive development. As a woman of colour, I appreciate seeing diversity become a priority. Beauty comes in all shapes, sizes, and colours, and the fashion industry should embrace and reflect this reality. Beauty standards vary across different regions of the world; what is considered beautiful in the UK may not be the same in Peru or Korea, and that’s perfectly fine. There is growth potential in that uniqueness.

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Kristi Murdock’s recent credits showcase her versatility, from the holiday hit “Furry Little Christmas” to the romantic comedy “Technically Yours,” both of which are available for streaming on UpTV.

Kristi Murdock – Passion For Acting

Kristi Murdock is a versatile actress recognised for her performances in television movies, including leading roles in romantic comedies, holiday films, and suspenseful dramas. Originally from Garland, Texas, and later raised on the coast of North Carolina, Kristi earned her Bachelor’s degree in Theatre Arts from the University of North Carolina at Wilmington. During her time there, she was inducted into Alpha Psi Omega, the National Theatre Honor Society. She discovered her passion for acting while working as an extra on “Dawson’s Creek” during her senior year of high school.

Kristi Murdock – Credits

Kristi Murdock’s recent credits showcase her versatility, from the holiday hit “Furry Little Christmas” to the romantic comedy “Technically Yours,” both of which are available for streaming on UpTV. She has also secured a recurring role in Tyler Perry’s “Divorced Sistas” on BET+ and stars in the independent feature “The Leader”, alongside Vera Farmiga and Tim Blake Nelson. As a proud member of SAG-AFTRA and the Television Academy, Kristi divides her time between acting and creative development in Wilmington, NC.

Can you share more about your experience as an extra on “Dawson’s Creek” and how that moment influenced your decision to pursue acting?

Absolutely. I stumbled into acting in the most unexpected, serendipitous way. I was on a weekend trip with some friends in Wilmington, North Carolina, and we were driving around town when I noticed a bunch of big filming trucks lined up on one street. I asked my friends what they were for, and they casually told me they were filming Dawson’s Creek there. I instantly lit up—I was so excited. I said, “Oh my gosh, I want to be an extra!” They told me I could go to the casting office and sign up, so I did. They took my picture and asked if I could work the next night on an overnight shoot for a fraternity party scene. I said yes without hesitation.

Kristi Murdock – Preparation

I remember going to the mall to buy a few outfits for the scene because I wanted to be prepared. When I arrived on set, I waited for a long time before we were finally brought to set—and the moment I stepped onto it, something shifted in me. I looked up at the actors, the lights, the cameras, the whole atmosphere, and it was like a light bulb went off. I just knew: That’s what I want to do. I want to do that.

I went home to Jacksonville, North Carolina, and two weeks before the deadline, I applied to the University of North Carolina at Wilmington. I had already been accepted to East Carolina University. I had even picked out my dorm—but all of a sudden, everything changed. UNCW was a highly competitive school to get into, but I was somehow accepted. I declared a Theatre major before I had even taken my first acting class. It just felt like my path had revealed itself in that moment, and I never looked back.

You’ve portrayed a variety of characters in romantic comedies, holiday films, and suspenseful dramas. How do you prepare for such distinct roles?

Prepping for different genres can be a challenge, but it’s one of the things I really enjoy about being an actor. For suspense or thriller roles, the emotional stakes are incredibly high. You’re often asked to portray situations that most people haven’t experienced firsthand. In those moments, imagination and total commitment are essential. If I’m in a scene where I’m running from danger or reacting to someone I love being hurt, I have to let go of all self-consciousness and truly feel the fear. It needs to be real, both physically and emotionally.

Kristi Murdock – Authenticity 

I often draw on personal experiences or emotional parallels to lend authenticity to those roles. If a character is grieving or terrified for someone they love, I think about someone from my own life who has been in a similar situation. When you place a real person’s face onto the character you’re interacting with, the emotional response becomes more layered and instinctive because of the history and relationship you have with them. For me, using something from my real life to connect with the role tends to be more effective than creating something purely from imagination.

On the other hand, preparing for a romantic comedy or a holiday film is an entirely different experience. These roles are light, playful, and often filled with warmth. They’re like a breath of fresh air. While the conflict in these stories is usually more internal, the emotional journey is just as important. The characters often start off in a place where they prioritise work or control over love and vulnerability. As the story unfolds, they soften. They learn to open their hearts and let someone in. That’s the real arc in these stories—moving from living in your head to living from your heart. And that’s something I think everyone can relate to.

You mentioned splitting your time between performance and creative development. Could you elaborate on the creative projects you are currently involved with?

In addition to acting, I’ve recently found myself drawn to the creative side of development, especially within the world of made-for-TV holiday movies. After starring in numerous films over the years, I’ve come to truly appreciate how much people love them, especially Christmas movies. There’s something so comforting about them, and being part of that joy has been incredibly rewarding.

Kristi Murdock – Collaboration

Every Christmas movie I’ve had the opportunity to star in has been a true pleasure. There hasn’t been a single moment on set where it didn’t feel special. There’s a real sense of collaboration, where everyone is working toward the same goal—to create something warm, charming, and heart-centered. That experience, time and again, has inspired me to want to make films like these myself.

I’ve started writing and developing original story concepts with the hope of producing them, ideally right here in Wilmington, North Carolina. The town has such a magical backdrop and a rich history in film and television, and I’d love to help reestablish it as a destination for uplifting, feel-good stories. I’m currently working on building a slate of holiday projects, developing pitch decks, and collaborating with other creatives. My goal is to take the joy I’ve found on set as an actress and pour that into the storytelling process, using my imagination to create films that audiences would genuinely love to see.

What was it like working alongside renowned actors like Vera Farmiga and Tim Blake Nelson in “The Leader”? How did that experience shape your craft and inspire your journey?

Inspiring

Working on The Leader was such a meaningful experience for me. Watching Vera Farmiga and Tim Blake Nelson, two actors I deeply admire and respect, was truly inspiring. What struck me most was how calm, serene, and grounded their performances were. There was nothing showy or forced—just subtle, powerful work that came from a place of deep truth. Their choices were so understated, yet they carried so much emotional weight. It was a masterclass in stillness and presence, and I felt incredibly lucky to witness that dynamic up close.

Being part of an indie film like The Leader also brought a special kind of energy to the set. There’s an intimacy to the process where everyone involved is passionate about the project and fully invested in the storytelling. That kind of atmosphere challenges you as an actor to really trust your instincts and strip away anything that feels performative. It reminded me of the importance of honesty in performance and the beauty of quiet moments.

How did your Bachelor’s degree in Theatre Arts from UNC Wilmington prepare you for the challenges of the acting industry?

Kristi Murdock – Education

My time at UNC Wilmington was truly foundational in shaping me as an artist. The Theatre Arts program offered so much more than just acting classes. It provided me with a well-rounded education in every aspect of theatrical production, which not only made me a stronger performer but also instilled in me a deep appreciation for the art of storytelling as a whole.

What I loved most was how different parts of me were able to blossom through such a variety of courses. I took a corset and millinery class, having never sewn before, and by the end of the semester, I had made corsets and hats with my own two hands. It was incredibly fulfilling to walk away with something tangible that I had created. I also took scene painting courses, which deeply connected with my original passion for art. I had once planned to become an art teacher, so painting and drawing have always been a love of mine. I went all the way through advanced scenic painting and loved every moment of it. I also studied theatrical and special effects makeup, which was so fun and creative. 

Kristi Murdock – Mentors

It really felt like every class woke up a different part of me. Of course, the performance training was equally valuable. I had the privilege of studying with two professors who are still mentors in my life today—Ed Wagenseller and Dr. Renee Vincent. Ed taught me acting for the camera, and Dr. Vincent taught acting technique. Both of them had a lasting impact on my growth, and I still turn to them regularly for guidance. When I moved back to Wilmington from Los Angeles, Ed even invited me to speak to his current students as a guest in his acting for the camera class. That moment felt so full circle and deeply rewarding.

With “Furry Little Christmas” being a recent hit, what do you think makes holiday films resonate so deeply with audiences?

Connections

I think holiday films resonate so deeply with people because they tap into a sense of nostalgia, comfort, and emotional warmth that we all crave, especially during the holidays. There’s something about the simplicity and sincerity of these stories that gives people a break from the chaos of everyday life. They offer hope, love, and a reminder that meaningful connections are still possible, even when life feels complicated.

Furry Little Christmas

Furry Little Christmas was such a joy to be part of. I think what made it especially relatable was its combination of light-hearted humour, romantic charm, and the magic of the holiday spirit, with a sweet little dog to pull on everyone’s heartstrings. Audiences love watching characters rediscover what really matters, whether it’s love, family, or just slowing down and being present. These stories allow people to believe again, if only for 90 minutes, in a world where happy endings are still possible.

For me, being part of holiday films feels like giving people a warm hug through the screen. It’s a reminder that love shows up when you least expect it, and that kindness, forgiveness, and joy are always worth rooting for.

Who are some of your biggest influences in the acting world, and how have they inspired your career?

Kristi Murdock – Emotional Honesty

There are so many actors I admire, but a few have really stood out to me for their emotional honesty and range. Naomi Watts is someone I’ve always loved. There’s something so raw and grounded about her performances, and I think that comes from who she is as a person. She brings a real vulnerability to her characters that makes them feel completely lived-in.

I also tend to watch everything Rachel McAdams does. I love the projects she chooses, and I’ve often been compared to her throughout my career, which is always such a compliment. There’s something so relatable about her, and she has this ability to make every character feel both effortless and layered.

Compelling

Sarah Paulson is another actress I really admire. She has this quiet stillness in her performances, but underneath that, you can feel everything bubbling just below the surface—sadness, rage, fear, even danger. She’s in such command of her emotional instrument, and I find that fascinating to watch. Elizabeth Moss is similar in that way—completely fearless, emotionally raw, and always compelling.

And then there’s Toni Collette, who I absolutely adore. Her range is astounding. She can be the warmest, approachable, and loving character. Then in a heartbeat, she can embody someone filled with rage or heartbreak and let it pour out without holding anything back. That kind of emotional freedom and honesty is something I deeply admire and strive for in my own work.

Can you give us a sneak peek into any upcoming projects you’re excited about?

Proud

I have a few exciting things coming up that I’m really looking forward to. I have a couple more episodes of Divorced Sistas on BET+ that haven’t aired yet, so I’m excited to see those when they come out. It’s been such a fun project to be part of, and I’m really proud of the work.

I also recently wrapped filming a Christmas movie in Modesto, California, which was a genuinely great experience. I’m hopeful that it will air during the 2025 holiday season, and I’m eager to see how it all comes together. There’s something so special about being part of a holiday film, especially when you’re surrounded by such a passionate and joyful team.

Indie Film

On the indie film side, I had a small supporting role in The Leader, which is expected to be released soon. It was an honour to be part of a project with such an incredible cast and creative team.

And beyond acting, I’m currently developing a slate of my own holiday movie ideas. I’ve really fallen in love with the process of creating these stories, and I’m excited about the possibility of producing them in the near future. It’s been such a rewarding challenge to step into that role and bring my own voice to the kinds of films I know people love to watch.

How does living in Wilmington, NC, influence your work and creative process as an actress?

Kristi Murdock – Wilmington

Living in Wilmington has had a huge influence on me, both creatively and personally. There’s something about this town that has always tugged at my heart. It’s incredibly charming—everywhere you look, there’s beauty and history and a sense of community that’s hard to find elsewhere. I think that’s why so many people who come here to film end up wanting to stay. It has this magnetic pull.

From the cobblestone streets and horse-drawn carriage rides downtown to the historic century-old buildings and the peaceful riverwalk, there’s a magic here that you can’t really describe until you experience it. You’ve got local boutiques and restaurants that people have poured their hearts into, each one unique and full of character. There’s even a riverboat that offers dinner cruises, which feels like something out of a movie. And then, of course, you have the beaches and the intercoastal waterway, where boating is a big part of life. It’s beautiful and deeply connected to nature and community.

Kristi Murdock – Storytelling

One of my favourite things is how closely knit everything feels. Local fishermen bring in fresh catches that are delivered straight to nearby fish markets and end up on the menus of local restaurants the next day. That kind of rhythm to life is inspiring. It makes me feel more present, more rooted—and that carries over into my work. Being in Wilmington allows me the mental space to reflect, to create, and to stay connected to what matters. It’s a place that invites storytelling. 

What advice would you give to young actors who are just starting out in the industry, particularly those looking to break into film and television?

Momentum

One of the biggest pieces of advice I’d give to someone just starting out is not to look up at the mountain and feel overwhelmed by how far there is to go. It’s really easy to stand at the bottom, stare up, and think, “How will I ever get there?” However, the truth is that it’s just one step at a time. One foot in front of the other. Eventually, you’ll turn around and realise how far you’ve climbed—but it only happened because you kept moving. And sometimes you’ll need a little help—someone to pull you up, or give you a push when you’re stuck. That’s okay too. Momentum is momentum, whether it’s coming from within or from someone else.

Kristi Murdock – Take Action

If you feel stuck or stagnant, create your own movement. Take action. Even small steps matter. If you don’t have a project to work on, make one. Find a monologue that inspires you, something that challenges you, and work on it until it feels like yours. Then put it on tape. Film it in a way that has a cinematic look. Use a friend to sit in front of the camera and create an over-the-shoulder shot so it feels like a real scene. That’s exactly what I did when I didn’t have much footage—I just made my own. And it worked. Whether it’s Shakespeare, a contemporary play, or something you write yourself, just create and put it out there.

Consistent

Stay consistent. Do something every day, even if it’s small. Write a scene. Reach out to another actor. Sign up for a class. Acting classes are so important because your body, your voice, your emotions—that’s your tool. And like any tool, you have to keep it sharp. Practice. Rehearse. Do cold reads. Work on scenes with other actors. Just keep showing up.

And above all, find your people. Surround yourself with others who are just as passionate and driven as you are. This is a tough business, and your support system can make all the difference. When you find people who share your goals and work ethic, hold onto them. Encourage each other. Help each other rise. And don’t ever give up.

Do you have a favourite quote you would like to share?

Kristi Murdock – Favourite Quote

One of my favourite quotes is from the poet Ovid, from his poem Amores. He wrote, “Someday this pain will be useful to you.” That line has stayed with me for years, and it’s something I return to often—especially during difficult seasons in life.

As an actress, I pull so much from my own lived experiences to inform the characters I play and to connect deeply with the story. It’s through those experiences—especially the painful ones—that I’m able to bring truth and vulnerability to my work. So when I find myself going through something that feels incredibly difficult, even unbearable, I try to remind myself that this pain is a tool. That someday, I’ll use it.

Time

It helps me to stop resisting what I’m feeling and just let it move through me. To feel it fully. To trust that there’s a higher purpose for what I’m experiencing, even if I can’t see it yet. In time, I’ve learned that pain can be transformed—it can be alchemised into something beautiful. And more often than not, that beauty shows up in the work. In a scene. In a moment of connection. That quote reminds me that nothing is ever wasted.

Can you share something with our audience that not many people know about you?

Kristi Murdock – Anxiety

Something not many people know about me is that I struggle with extreme anxiety. It’s something I deal with every single day, and honestly, it’s one of the hardest things I’ve had to navigate in my life. It affects how I move through the world, how I experience relationships, and even how I show up for my work. And yet, from the outside, people might never know it’s there.

Mental health is still something so many of us keep hidden. It often feels like a quiet battle, and it can be really isolating. I’ve been incredibly inspired by people like Mark Duplass, who has spoken so openly and courageously about his own experiences with anxiety and depression. Seeing someone I admire be so honest helped give me permission to speak up, too. It made me realise how healing it can be to hear, “You’re not alone.”

Transparent

When I saw this question, I considered sharing something quirky or fun—and I have plenty of those sides to me, too—but I felt like this was an opportunity to share something that’s raw and real. My hope is that by being transparent about my struggles, it creates space for someone else to feel seen and safe enough to open up about their own. The more we talk about these things, the more we normalise them. And maybe, just maybe, it makes us all a little more compassionate toward each other.

We’re all carrying something that most people can’t see. I know I am. And I think it’s okay to acknowledge the imperfect parts of ourselves. It doesn’t make us weak—it makes us human. -Kristi Murdock

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Matt Drago is forging his own path in the industry with his production company, which is currently developing its first feature film.

Based in Los Angeles, Matt Drago is making a significant impact in the entertainment industry. Best known for his compelling portrayal of Fabian in the acclaimed film “Somewhere in Montana”, Matt has demonstrated his versatility across a variety of projects. His impressive body of work includes roles in Disney’s viral sensation “Counting Scars”, the thought-provoking film “What Would Jesus Do: The Journey Continues”, and Ridley Scott’s innovative series “Prophets of Science Fiction”. In addition, he engages audiences with his performances in the popular audio drama podcast “No Other Way”.

Beyond his impressive acting career, Matt is forging his unique path within the entertainment industry through his production company. Currently in development on its highly anticipated inaugural feature film, this venture showcases his deep-seated passion for storytelling and his commitment to producing compelling content. With a vision to create narratives that genuinely connect with audiences, Matt is dedicated to bringing fresh and engaging stories to the screen, reflecting both creativity and a keen understanding of what engages viewers.

Matt Drago – Martial Artist

Matt’s talents extend beyond his on-screen abilities. He is a dedicated martial artist, proudly holding a 4th-degree black belt in Karate, which reflects his discipline and commitment. Additionally, he has a strong passion for sports, skillfully balancing his artistic pursuits with a love for athletic competition.

Represented by HRI Talent and Ignite Talent Management, Matt is a proud member of both SAG-AFTRA and Actors’ Equity. Networking Magazine talks to Matt Drago about his personal and professional journey.

Questions

From Stage to Screen

You’ve showcased your talents in various projects, including film, television, and audio drama. How do you approach acting differently in each format?

Storytelling

Such a phenomenal first question! Nothing has inspired me more in life than the craft of acting and storytelling. It’s something that grounds me, connects me to my humanity, nurtures me through the highs & lows, and inspires me to connect others to this thing we all call life. As it pertains to different projects & genres, it’s simple. I get curious.

Curious about all things. From the collaborators & their previous works. To the production companies and studios they’ve partnered with, which can influence the worlds they seek to create. From the material itself & what it’s trying to say, do. And from the medium it lives in: whether it be on the stage, TV (and the many genres within), or film (with a whole world of possibilities).

Toolbox

Next, I get out my toolbox. One thing I did in NYC was earn a substantial amount of money in the bars/restaurants, and then invested most of it in training with the best. From studying scene work with Terry Schreiber in his 12-person class, or studying voice with Ron Shetler, or audition technique with Michael Lavine, I always believed that to be the best, train with the best. Oh, I did all that while I was getting my acting degree with a musical theatre minor, all while doing that.

I don’t say any of that to gloat at all, this journey has & will forever continue to humble me, because it has challenged me, broken my heart more times than I care to count, and seemingly put me back together again when I needed it most.

So, for that, I say, I absolutely love to do the work. Because I LOVE the work.

Character Connection

Your role as Fabian in “Somewhere in Montana” has captured much attention. What drew you to this character, and how did you prepare for the role?

Everything, to be honest. This was a role I’ve dreamed of playing my whole life. A role—and more importantly, a story — that I felt really said something. Did something. And this one meets the moment in every way.

In preparation, I won’t lie, I became obsessive. I felt like Brandon Smith (Writer/Director) & Eden Matson (Producer) had given me such a profound gift that I was going to give them everything I had to bring life into a very complex character.

Inspirational Teachers

Because I go back to my inspirational teachers I’ve learned & grown from, I went back to all of the types of training techniques I’ve learned along the way…And I simply picked one that I felt met the needs of how to breathe all of my life into this layered role.

I decided to go a full method approach which was taught to me by Terry as he had been a colleague of its founder Lee Strasburg in NYC. Because I felt so much of this character aligning with me & I was given the gift of workshopping it with Brandon who created it, I found myself letting myself fall into Fabian’s psyche & understanding the inner workings on what made him tick.

Matt Drago – Method Acting

The truth about method acting is that it can be very gratifying, especially if you tailor it to a character that will also help you grow as a person. Fabian taught me a lot about forgiveness, compassion, strength, and resilience.

And because of that, I know I will always consider it a momentous role in my life. Because of the gift it was, is, and continues to be.

Behind the Scenes

You have your own production company in development. What inspired you to take on the role of producer, and what can you tell us about your upcoming feature film project?

I think I learned from Fabian that I not only love acting, I love collaborating.

I love seeing the many masters of craft on a set, and this experience for “Somewhere In Montana” was special. The cast & crew were & are so close: we’d go on hikes together, share our meals together, go on the lake together, and really couldn’t get enough of each other. It really became a family.

So, because of that, I wanted to take that experience of creating new families with like-minded souls that love the art of storytelling, and like Fabian, share stories in little pockets of our country that feel like they don’t have a voice.

We are currently on script for a feature film, which will be set in the town I’m originally from.

Viral Success

Your appearance in Disney’s “Counting Scars” became a viral sensation. What was that experience like, and how has it impacted your career?

Disney is too much fun & the production was an absolute blast! So much joy going to Disney Studios & figuring out the costuming, the makeup, the eyes, the recording sessions, the music video sessions – all of it.

We had such a talented cast & crew & the video was a huge success, to the point where they started playing it at Disneyland! Such a cool project to be a part of!

Influences and Inspirations

Who are some of your biggest influences in the acting world, and how have they shaped your own acting style?

I used to live right across the street from the actor that I’ve most idolised in my life, Al Pacino. We’d go to the same diner on the Upper West Side, and occasionally I was brave enough to wave to him or say a quick hello to him.

History

I think your history plays a part in your ability to see a place for yourself in this industry. Because there is no concrete path. And, as Al says, in many ways, have a vision.

I think it’s because of his depth & mastery of craft, and because we both share many of the same roots, that he was someone I was instantly & effortlessly inspired by early on. Then, to see him around my neighbourhood on the Upper West Side…Pretty cool.

Martial Arts Mastery

As a 4th-degree black belt in Karate, how does your training influence your approach to acting and physicality in your roles?

What many people don’t know about me is that I was born into a Dojo. My father is my Sensei. And I’ve been practising Karate since I can remember.

What I’ve always loved most about my practice is, like acting, it is an art. -A Martial Art. 

Okinawa

And it is a self-practice. One that was developed in my case from some of the longest living people in the world. On the island of Okinawa.

Okinawan Shorin Ryu was created by farmers & gentle souls merely to protect themselves with what they had. We have weapons like the tonfa, used to mash grain, the sai, used to till the land, and the eiku (my favourite), which is an oar to row.

I love getting physical with my roles. Carrying the body of the character within my own, in the best way possible, to feel the connection to who he is.

Matt Drago – Storytelling

I know that might sound weird, but for me it’s part of the work. For Fabian, I lost 25 pounds & leaned out significantly because I felt him as someone who forgot to eat meals, someone who was driven, on the verge of hyper, sometimes with the passion that he has for storytelling. 

I have trained in Japanese acting styles, including Suzuki work, which really connects you to the deepest parts of your body language within the character.

Balancing Act

With so many projects on your plate, how do you manage to balance your acting career with your personal interests, like sports?

Sports are the ultimate escape for me. I grew up playing most sports: baseball, tennis, football & basketball; as well as scuba diving, which I’m not sure is a sport, but it should be, & wow, is it an exhilarating escape to another world.

From following an NFL season intently or escaping to playoffs in NBA, NHL, MLB, sports feel like stories told in real time & ever growing, and because of that, they are a new balance that brings me a lot of joy in life.

Matt Drago – Future Endeavours

Where do you see yourself in the next five years? Are there any specific goals or projects you’re particularly excited about?

Honestly, my specific goal right now is to continue to search for collaborators, whether it be acting, producing or otherwise.

I am so grateful to my reps who constantly & consistently push for me to get into doors, and I want to keep delivering the best work I can, and see where it will take me.

Like I said, this journey has humbled me greatly, so I am always joyous when I get to do what I love around like-minded souls who love it just as much.

Community and Collaboration

Being a member of SAG-AFTRA and Actors’ Equity, how important do you think it is for actors to support one another in the industry?

It’s crucial that support is provided. However, the union also needs to offer its assistance. This is a particularly challenging time, given the rise of AI, the complexity of contracts, changes in how TV shows are produced and distributed, and the evolving methods of film releases, among many other issues.

The one thing I’ve always believed in first & foremost is that people in all industries need to be compensated fairly for their work. And I mean everyone. In the film & tv world, we had not just one but four simultaneous strikes because these days are long, and the work is hard. Our crews are incredible, and the labour is arduous. The producer’s day never really ends with the many plates they have to spin. The directors have so much responsibility that pertains to every single soul on their sets. And I could go on & on.

Matt Drago – Passion

And even though we might love what we do, it does not mean we should be compensated less for it? Remember, many profit from our work. Like in sports, if the players weren’t on the fields of play, the arenas & stadiums would be empty.

I hope, most importantly, for a fairer approach to endure; unfortunately, I know that our industry faces many challenges in modern times.

Personal Touch

What do you enjoy doing outside of acting and martial arts? How do you unwind and recharge in the fast-paced entertainment world?

My greatest passion outside of acting & martial arts is travelling. Exploring the vastness of this great big world we live in is the ultimate reset for me. It makes me feel connected, grounded, refreshed, inspired, and joyous.

I went to Sicily with my cousin a couple of years ago, and that journey had a profound impact on my life. From the moment I got off the plane, I felt at home somehow. We journeyed all over the island, but ended the trip in the Sicilian hills of Calascibetta, where my Drago family is originally from.

The trip brought a wealth of family connection, tears of joy, and most importantly, made me feel connected to my own story, as a storyteller. There’s nothing better than that.

Matt Drago – Credits

Website Cover Photography by Kelly Balch © – @Kellybalch

Matt Drago – Instagram

www.mattdrago.com

matt@mattdrago.com

Facebook – Actor

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Call it manifesting, emotional goal setting, praying, or whatever you’d like. Get clear on what you want and what you want to experience then connect yourself to that outcome, and learn how to influence yourself to stay committed to it.

We caught up with actor and producer Jonathan Stoddard in Canada, between filming, and had a candid conversation about his professional and personal journey.

Jonathan Stoddard – Early Experiences

Can you share a little about your early experiences in theatre and how they shaped your passion for acting?

As a kid, the theatre was a place of emotional freedom; a place where I could experiment, be loud, play with others, and get rewarded for it.  I’m sure at the time, my parents thought it was a good way to keep me busy during the summers and after school, meanwhile, I was falling in love with performance art and the study of humanity. 

Fast forward through high school, where I landed roles like Tony in “West Side Story” and “The Emcee” in Cabaret, the stage had become a part of me.  There’s something so visceral about using my entire body to express an emotion and to translate that feeling to the audience – there’s nothing quite like it.  To me, the stage becomes my home.  It didn’t matter what state I was in; if I was on stage, I felt alive and ultimately became the driving force for me choosing it as a career. 

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Jonathan Stoddard – Challenges

What were some of the challenges you faced when transitioning from stage performances to film and television?

It was really challenging to transition from stage to film and television.  I thought emotion was emotion…right?  Feeling and expressing it for an audience would translate to a TV screen.  I took workshops and classes here and there when I finally moved to LA.  I did everything I could to ‘try to break in’ to Hollywood…with absolutely ZERO luck.  All I knew was that I was being authentic! I was being real! I was giving it everything I had! Why weren’t they casting me??  Part of the problem was that all the classes I was taking further reinforced that I should follow my instincts and trust my emotions…little did I know that this was the problem, not the solution.

Emotions are developed, and instincts are trained.  If you don’t have an understanding of the frame, your instincts will work against you 9 out of 10 times.  I didn’t get this until I read this one book, and even though I wasn’t much of a reader, this book changed my life:  ‘ Secrets of Screen Acting’ by Patrick Tucker.  This book showed me the relationship between the lens and the emotion. It taught me to refine my craft and appreciate all the other factors in film and television that help convey emotion.  And even though I still have so much more to learn, it taught me that acting isn’t always about what I feel, but about what the viewer feels when they watch the performance, hear the music, and see how the story unfolds. It changed everything for me. 

Jonathan Stoddard – Podcast

In the first episode of our “Cypher podcast” where we interview actors, we catch up with Jonathan for a conversation about his journey.

As Jonathan moved from the intimate confines of the theatre to the broader canvas of screen acting, his drive for the craft only continued to blossom. In recent years, he has emerged as a notable talent in both film and television, skilfully navigating a diverse array of genres. From light-hearted romantic comedies that charm viewers to gripping dramas that challenge emotional limits, his versatility shines through. What truly sets him apart is his unique ability to convey subtle vulnerabilities: each character he embodies serves as a reminder of his commitment to this art. Stoddard’s performances resonate deeply, leaving audiences intrigued and moved, often prompting them to reflect on their own emotions and experiences.

California

How did growing up in San Rafael, California, influence your artistic development and career choices?

I loved growing up in San Rafael.  I was close enough to the city while still being far enough away.  Surrounded by incredible cities of artistic expression, I had San Francisco, Berkeley, Oakland and Marin Shakespeare Company all within a 30-minute drive.

My parents always insisted that we explore the arts, so we’d go to operas and musical theatre shows and more growing up.  I used to sit there and marvel at their performances, and I still think about them today. 

Impact

Which role or performance in your early career had the most significant impact on you, and why?

On stage, The Emcee in Cabaret was the most impactful performance because I could freely break gender norms, which was quite entertaining when I transitioned from Varsity Football to the stage. I loved the dichotomy of it all. The ability to play without judgment of ‘that’s not manly enough’ or ‘real guys don’t do that’.  I’ve always had an affinity for going against the norm, and The Emcee gave me permission to do that. 

On camera, it was when I booked Young John Abbott in The Young and The Restless.  This booking was my first major network booking, and my agent printed out the email offer, and I still have it to this day.  It started out as under five lines and continued on for 3 years.  This booking was so powerful for me because I was finally a part of television history, a Legendary show with huge shoes to fill.  All my insecurities and doubts flooded my mind and body, and I had to find a way through the dark and do it anyway.  This booking changed my life and taught me so many life skills that I still cherish today. 

Important Quality

What do you believe is the most important quality an actor should possess?

Just one!? I have to give at least two: creativity and Teamwork.  Creativity is the craft within, the curious drive to explore something new and then the desire to make something out of nothing. Teamwork is the craft outside of ourselves, compassion and awareness of others, a drive to be on point so that we can make other people’s jobs easier, and to always remember that a movie is made by many people working together.  Master these and you’ll always work in this industry. 

Can you describe your process when preparing for a new role? How do you connect with your character?

Know the material. Inside and out, know the material. Being able to perform moving and being able to perform the same scene sitting still staring at a singular object in your room.  Connecting with the character needs to be as easy as tying your shoes, and the words need to be familiar in your mouth.  I do this by reading it over and over, journaling about my character, breaking down the script to understand what I’m responding and reacting to and frequently, I’ll put a pen in my mouth while I say the words.  This is kind of like yoga for the mouth. If you can say the words with something in your mouth, chances are you can say them easily without the pen. Once I dial this in, the emotions present themselves.

Favourite Project

What has been your favourite project to work on so far, and what made it special for you?

One of my favourite projects is a movie called A Prince and Pauper Christmas, where I played two characters.  Granted, it’s just a fun Christmas movie, but this took my acting on an entirely new adventure.  I love the technical side of the craft, from delivery to camera angles to blocking, etc.  Playing two characters meant twice the work and tons of prep to plan out the scenes before we shot them, so that I knew what my other character was going to do and where they would be before we shot the scene. 

Playing Characters

How do you approach playing characters with deep emotional vulnerability?

For me, deep emotional vulnerability is stillness, compassion and presence.  It’s hard to feel for someone when they are thrashing around or super active, but once they settle down, when you can see the chaos, pain or conflict in their eyes, that’s when the audience feels it too.  During those types of scenes, I fight every urge to move and fixate on a single point and allow the emotions to take me like a storm.

Jonathan Stoddard – Advice

What advice would you give to aspiring actors who look up to you and want to follow in your footsteps?

The greatest advice I can give is to study 4 things: The Craft of Acting, Manifesting, Tony Robbins, and Marketing.  Master these and you will be successful. 

The Craft of Acting: Study the greats from teachers to actors, both classic and modern.  Don’t try to reinvent the wheel.  Learn from Oscar winners and nominees of the past and try to recreate your favourite scenes. In doing so, you will discover the secrets of acting.

Jonathan Stoddard – Manifesting

Call it manifesting, or emotional goal setting, or praying, or whatever you’d like, but get clear on what you want and what you want to experience and connect yourself to that outcome, and learn how to influence yourself to stay committed to the outcome.

Tony Robbins: His work is unparalleled in human development and understanding what drives all of us to do what we do, which is the basis of acting. Understand a character’s motives, and you understand the character. Understand yourself and you will understand the universe. 

Marketing

This is a business, and I thought about just saying study business, but I think marketing is more specific and powerful for today’s world.  You can be the most talented person in the world, and it won’t matter if nobody knows who you are. Study marketing, and they won’t be able to ignore you. 

Hollywood

How do you stay grounded and connected to your roots in a fast-paced industry like Hollywood?

I created something called a Me Book that I still look at today.  It’s a collection of who I am at my core. From poems, to names of family members and inspirational figures, to mindset beliefs, and more. I encourage every actor to create a Me Book and read it every day, so that you never forget who you are while you’re being someone else. 

Jonathan Stoddard – Roles

Are there any specific genres or types of roles you haven’t yet explored but would like to in the future?

There’s still so much more I’d love to explore in the way of genres and characters.  I think what I’m most excited about is working with The Greats and the Creative Minds of the future. It’s the journey of making a movie and building that set-family that really excites me.

Performances

How do you keep your performances fresh and engaging for both yourself and your audience?

It may sound simple, but Presence.  It’s easier said than done when things are falling apart around in both positive and negative ways. The attention can be disarming, and the drama of real life can be debilitating.  As long as you’re present, in the moment, with your co-star, director and team, the performances will always be fresh and exciting. 

Collaboration

What role does collaboration play in your work with directors and fellow actors?

Collaboration and Flexibility are everything to me.  I always walk on set with ideas and an intention to capture the intent of the scene beyond just the words, and I think that’s why people hire us. To bring something off the page and make it our own, but being flexible enough to live within the boundaries of the frame and time constraints of the day. 

Everyone wants the movie to do well, so I treat everyone with respect on set and make sure they know I’m grateful they are there. 

Credits

Website cover photography: Peter Konerko ©

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“Bishop’s Cove” stands out as a chilling breath of fresh air, skilfully blending atmospheric tension with psychological depth.

In a genre that often covers familiar ground, “Bishop’s Cove” stands out as a chilling breath of fresh air, skilfully blending atmospheric tension with psychological depth. Directed by Charles D. Lincoln, this horror film invites viewers into a small coastal town that is both hauntingly beautiful and sinister, where secrets lurk beneath the surface like the turbulent waters surrounding it.

Director of Photography – Christopher Bye

Amazon has rated this film as an 18+. There is nudity, violene and strong language from the outset.

The story follows a group of friends who reunite at a secluded beach house in Bishop’s Cove, seeking solace and escape from their busy lives. What begins as a nostalgic getaway soon spirals into a nightmare as they encounter inexplicable phenomena and uncover dark secrets buried in their pasts. Lincoln excels at building suspense, using the natural isolation of the cove to amplify the characters’ growing paranoia and fear.

Bishop’s Cove – Cinematography

The cinematography is stunning. I was particularly drawn to a scene where there was broken glass was on the floor; I closed my eyes with every crunch that punctured the skin on the soles of the character’s feet. A good old-fashioned theme that plays on the audience’s mind. Each shot is meticulously crafted, drawing the audience deeper into the narrative while heightening the sense of fear. The sound design further enhances this atmosphere, with scenes of eerie silence punctuated by disconcerting whispers, keeping viewers on edge throughout.

Director of Photography – Christopher Bye

The performances are another standout aspect of “Bishop’s Cove.” The ensemble cast, featuring the captivating Emily Mckinley Hill (Heather Lambert) and Chelsea LeSage (The Nameless), delivers powerful, authentic portrayals. Their palpable chemistry makes their descent into fear and madness all the more impactful. As tensions rise and paranoia takes hold, the emotional stakes feel genuinely high, ensuring that the audience is not only frightened but also invested in their fate.

Bishop’s Cove – Plot

Lincoln skillfully navigates themes of guilt, betrayal, and the inescapable nature of the past. The characters are flawed individuals grappling with their own demons, which makes their terrifying ordeal all the more relatable. The film masterfully blurs the line between reality and hallucination, leaving viewers questioning what is real and what is a manifestation of their inner turmoil.

Director of Photography – Christopher Bye

However, while “Bishop’s Cove” excels in atmosphere and character development, it does falter slightly in pacing during the second part of the film. A few scenes feel drawn out, which, although they contribute to the tension, may test the patience of some viewers. Nonetheless, the film recovers beautifully in its final act, delivering a climax that is both shocking and thought-provoking.

“Bishop’s Cove” is a haunting exploration of fear and friendship that lingers long after the credits roll. With Charles D. Lincoln at the helm, this film stands out in the horror landscape, offering not just scares but a compelling narrative that echoes on a deeper level. For those seeking a horror film that combines psychological depth with atmospheric terror, “Bishop’s Cove” is a must-see. Prepare to be captivated—and terrified.

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Photography by Noha Cho – Studio Ambient

“Ashley Seal: A Chameleon in the Spotlight” explores the life and career of actress Ashley Seal, celebrated for her performances across stage and screen. A light-hearted interview that offers insights into her personality and her ongoing aspirations in the entertainment industry.

Ashley Seal is an accomplished actress known for her dynamic performances across stage, television, and film. Her career spans various genres, and she has impressed audiences on iconic stages such as the Grand Ole Opry, 54 Below in New York City, the Chicago Theatre, and the Microsoft Theatre in Los Angeles.

Flip Magazine

Chameleon

With her trademark piercing blue eyes, infectious smile, ever-changing hair colours to fit various roles, and striking features, she is somewhat of a “chameleon,” considered an asset in this profession.

Recently featured on NBC 5, a local news channel in North Texas, she volunteered for the Children’s Cancer Fund’s 35th Anniversary Gala. Walking alongside a child who has suffered from this disease, she portrayed a Disney princess and made dreams come true—a testament to her commitment to helping others.

She effortlessly portrays strength and versatility when you see her in action scenes both on TV and Film. It’s not until you close your eyes and hear her voice that you realise why she is in such high demand.

Photo by Jonathan McInnis / SAG-AFTRA

Ashley Seal – Lyme Disease

Like many, Ashley has faced setbacks and hurdles, with her well-documented battle with Lyme disease being one of the most significant. She would be the first to acknowledge that overcoming these challenges has been a valuable learning experience. It has taught her the true meaning of gratitude and living life fully. A key insight is that Ashley can relate to people’s life struggles, which  gives her the opportunity to walk alongside others facing challenges. From an outside perspective, her personality, perseverance, patience, and listening skills equip her with the necessary tools to get the job done. In her spare time, she coaches other actors and supports them on their journeys.

A light-hearted interview

Ashley Seal’s brand has many components, and I can speak to this firsthand, as we met some time ago. If there were an actor’s wish list, she would have numerous accomplishments checked off. Recently, we caught up with Ashley for a light-hearted interview.

If you could only speak in movie quotes for a day, which film would you choose and why?

When I first read this, I wanted to say “Lord of the Rings” because of the line “PO-TA-TOES”, but I realised apart from that, no one would understand the Elvish lines I’d want to spew out, so I think I’ll go the romcom route and say “How to Lose a Guy in 10 Days”. Kate Hudson and Matthew McConaughey are icons. Not only is this my favourite romantic comedy, but I also love laughing and enjoying life. This movie captures a wide range of emotions, perfectly matching the unpredictability of any given day. And if it all ends with me wearing that stunning yellow dress to an event—count me in!

Photography by – Jonathan Stoddard

If you had to survive on only one food for the rest of your life, what would it be, and how would you spice it up? 

French Fries, Hands down. Slightly peppered and salted…with ketchup on the side.

What’s the weirdest fan interaction you’ve had that left you scratching your head?

I actually haven’t had one yet. I love meeting new people, and I’m always blown away when others take time out of their day to support or reach out. I believe everyone deserves to be “seen”, and even if an interaction was weird, I would never want someone to feel embarrassed or made fun of. People matter to me.

What’s your secret talent nobody knows about, and can you demonstrate it right now?

I don’t know if I’d call it a talent, but I can lick my elbow and prove that right now.

What’s the silliest thing you believed as a child that makes you laugh now? 

When I was little, I truly believed that if I prayed hard enough and left my little “Precious Moments” Bible by the window, Peter Pan would swoop in and whisk me away to Neverland for a one-night adventure. And if he was booked, a ride in the Care Bears’ cloud car would be a great second choice.

What’s the most unusual thing you’ve ever been asked to do in a role?

I once had an audition where I had to convincingly battle and defeat an octopus, all on a self-tape in front of a plain blue background. I got creative and used the noodle-like plastic packaging from my backdrop stand as the tentacles and positioned my couch just out of frame so I could dramatically fall onto it during the scene. Let’s just say that with my roommates watching, I couldn’t get through the first few takes without cracking up.

If you could create a holiday that celebrates all things Ashley Seal, what would it be called, and how would we celebrate?

Everbright Eve

Date: First Saturday of December

Theme: “A night to dream like a child, believe like a hero, and rest like royalty”.

Orchestral versions of Disney classics play in the background. Candles and diffusers fill the air with scents like pine, cinnamon, and peppermint cocoa.

The Evergift

Instead of big gifts, people exchange small, meaningful “Evergifts”—a letter or token of encouragement meant to remind the other person of their magic.

What’s the best advice you’ve ever received in your career?

I have a mentor in the industry who’s worked on many high-profile projects, often spending months away from his wife—his high school sweetheart—and family. During one of our meetings, I told him that someday I’d love to have both a successful acting career and a strong, healthy marriage and asked what his secret was to keeping their relationship alive. He said, “No matter how old you get, people will always throw themselves at you once you have status. So you just politely say, ‘No thank you,’ skip the night out, take a cold shower, and call your person.” They’ve been happily married for over 40 years.

What’s your go-to karaoke song, and can you give us a sneak peek of your performance style?

I love karaoke! I usually kick things off with “Alone” by Heart—it’s my go-to warm-up. Once I’ve made friends with pretty much everyone at the bar, that’s when I break out my Broadway favourites and start really working the room. 

One time, my friends went all in during “Part of Your World” from The Little Mermaid— they joined me on stage with iPhone flashlights for dramatic lighting, spritzed water in the air to simulate ocean waves, and even pretended I had fins, lifting me at just the right moments. We basically gave the whole place a free show. 10/10 recommend finding friends who’ll go full Broadway backup crew for you.

If animals could talk, which one do you think would have the best sense of humour?

A goose—specifically, I’m picturing the two charming geese from Disney’s The Aristocats.

What’s the funniest miscommunication you’ve ever had while working on set?

My co-star and I were filming the final scene of a movie during a late-night shoot. We were all exhausted and a little loopy by that point. As the crew prepared this sweeping drone pan-out shot, my co-star Rusty Joiner and I, often cracking up behind the scenes, focused on staying in the moment.

Just as the director yelled “action,” another voice randomly called out “cut!” at the exact same time. That was it—we completely lost it. The problem was, we couldn’t move. So we stood on our mark, shaking with laughter, tears streaming down our faces, trying desperately not to ruin the drone shot. I have no idea why that moment hit us so hard, but something about the chaos of “cut” and “action” being shouted at once was more than we could handle at 3 in the morning.

If you could invent a new trend in Hollywood, what would it be, and how would you convince everyone to follow it?

I’ve always wanted to start a trend where actors bring strips of paper with uplifting messages to auditions—little reminders that we’re doing great, even if the “no’s” are piling up, and remind people that they are not alone. A few days before, I found myself in a long line to audition for Broadway’s Wicked; the idea really stuck with me. So, I wrote out 26 different encouraging messages and cut them out 520 times. After my audition, I stayed and walked the line—now stretched around multiple blocks—handing them out. 

Some people teared up. Others told me the message they received echoed exactly what they’d been telling themselves, and it felt like confirmation not to give up. Later, a few people even saw it on social media and reached out, asking for the sayings so they could do the same at their own open calls.

That’s why I did it. And that’s what I’d love to see more of in our audition spaces—not competition, but community. Not rivalry, but real support. Cheering each other on instead of sizing each other up.

What would be the plot twist if Hollywood made a movie about your life?

Hitting rock bottom often sets the stage for the most unexpected comebacks. I’ve experienced moments that can only be described as miracles—things I didn’t anticipate and no one else could have predicted or seen coming. Just when it felt like all was lost, the story shifted. I have a saying I hold onto: “Cry then rise.” I’ve learned to do what I can then step back and watch God move in ways that consistently leave me speechless. He gets all the credit. Miracles are the plot twist if my life were made into a movie.

If you had to choose a theme song that plays every time you walk into a room, what would it be and

why?

As much as I love everything romantic and Disney princess-inspired, there’s an adventurous, edgier side of me that I love tapping into. Pirates of the Caribbean: The Curse of the Black Pearl is my all-time favourite movie—I saw it seven times in theatres during its first week! No other film has influenced my acting journey more. The epic love story, the adventure, the humour, and that unforgettable score completely drew me in. When I moved to LA to pursue acting, I even took up sword fighting because of it. “He’s a Pirate” song by Geoff Zanelli, Hans Zimmer, and Klaus Badelt, isn’t just my ringtone—it’s the song I’d want playing every time I walk into a room. No matter how often I hear it, it still sends me on a journey.

Ashley Seal – Podcast

Listen to; “Chasing The Lymelight,” a captivating five-part documentary series offering an intimate glimpse into the life of an actor as she navigates through the highs and lows of the entertainment industry. This fly-on-the-wall reality show-style podcast captures the essence of her journey, showcasing the challenges faced, the victories celebrated, and the lessons learned along the way.

Ashley Seal – Passion

Acting is more than just a career for me—it’s a calling. And that calling doesn’t stop when I leave the stage or step off set. One of the greatest joys in my life is helping other actors grow into the professionals they’re meant to be. That’s why I created “Acting With Ash”—a space where aspiring and working actors can receive personalised virtual coaching, mentorship, and guidance rooted in real industry experience and deep care for the whole person.

COACHING

When I’m not performing, I work one-on-one with actors of all ages, coaching them through auditions, helping them define their unique brand, and guiding them to market themselves as professionals in this ever-evolving entertainment world. My current roster ranges from 11 to 52 years old, proving that there’s no age limit to pursuing your passion. 

I believe acting is a business, and it’s crucial to approach it with strategy, clarity, and confidence. When working with younger actors, I prioritise involving their parents—helping them understand and navigate their child’s opportunities in a way that keeps the experience both safe and fun.

FLEXIBILITY

I share the lessons I’ve learned from my journey, including early missteps and industry successes, with my clients to help them progress faster, stronger, and with fewer unnecessary obstacles along the way.

Flexibility is key in this industry, so all of my coaching is offered virtually, making it accessible no matter where you’re located. When convenient, I also like to offer in-person sessions. No matter the format, my mission is to show up for my clients with genuine support, practical tools, and industry insight that make a real difference.

Ashley Seal – Coaching

ACTING WITH ASH

But Acting With Ash isn’t just about skill-building. It’s about rising together. I create a space where actors can show up fully—not just as professionals but as people. This industry can be very demanding, and it can take a heavy emotional toll.

My sessions are created to be safe and supportive environments where people can express their true selves, even the parts that feel tired, uncertain, or hurt. I care deeply about my clients’ mental health and prioritise providing coaching and meaningful support. Whether someone needs guidance in dealing with rejection, finding new motivation, or simply reconnecting with themselves during a period of doubt, I’m here to uplift and encourage them.

NETWORKING

I also believe in the power of community. Whether it’s through referrals, networking opportunities, or just having someone in your corner who knows the terrain, I’m committed to helping my roster build the kind of career that’s not only successful but sustainable. 

At the end of the day, this isn’t just about landing the next role. It’s about building a life you love, surrounded by people who believe in you, guide you, and cheer you on every step of the way.

CAREER

If you’re an actor looking for a coach, I’d be honoured to help you build your career, protect your spirit, and celebrate every single win.

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ACTING WITH ASH

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She developed her skills in various productions before entering the reality television spotlight. Beyond her work on TOWIE, she is also recognised as a social media influencer.

Photography By: Ivana Cattafi

TOWIE stands for “The Only Way Is Essex,” a British reality television series that premiered in 2010. The show follows the lives, relationships, and drama of a group of young people living in Essex, England. It combines real-life situations with scripted elements, showcasing the glamorous and sometimes tumultuous lifestyles of its cast members. TOWIE has gained popularity for its unique blend of reality TV and scripted drama, as well as its catchy phrases and distinctive style.

With a keen eye for style, Amanda-Jane continues to inspire her audience on and off the screen. Her dynamic career, from her early days in various productions to her rise as a prominent figure in the entertainment industry, reflects her versatility and ambition. Her success and influence in the industry make her a role model for many aspiring performers.

WHISPERS FROM THE PAST

EARLIEST MEMORIES

Amanda-Jane Cardy’s earliest memories are rooted in the vibrant suburb of Seven Hills, Sydney, where she spent her formative years. Raised in a household where both parents had a strong work ethic, she attended St. Anthony’s, a Catholic private school that shaped her early passions. It was here that Amanda-Jane discovered her love for performing. She felt drawn to the spotlight from a young age, eagerly participating in every school play and production. Her innate confidence shone through on stage, and during her first experience of receiving applause, she realised that performing was the path she wanted to pursue for the rest of her life.

AMANDA-JANE CARDY – MALTA

Amanda-Jane has one brother, who is six years her junior and resides in Malta, their parents’ homeland. Hailing from the stunning northern region of Mellieha, her parents often reminisced about the picturesque landscapes of their island home. Both were born and raised there, where they met and eventually married. Their journey took a significant turn following their wedding day when they boldly decided to emigrate to Australia, embarking on a new life together, leaving behind the familiar for the promise of a better future.

ADVENTURE

In 1998, a sense of adventure compelled Amanda-Jane and her best friend Darren to seek change. The small island of Malta, measuring only 14 miles by 7 miles, felt increasingly confining. They pondered their future, torn between Denmark and the UK. Darren’s British heritage provided him with family connections in the UK, while Amanda-Jane’s father’s work with a Danish company opened doors to friendships in Denmark. Their decision to remain in Europe for ease of travel back home reflected their thoughtful approach to life changes, which would later prove wise.

AMANDA-JANE CARDY REFLECTION

Reflecting on her childhood, Amanda-Jane often speaks fondly of her years in Australia. To her, the Aussie lifestyle exemplifies an ideal way of living. With beautiful weather beckoning everyone outdoors, something was always happening—barbecues, social events, and gatherings with family and friends filled her days. Growing up surrounded by a close-knit group of cousins, Amanda-Jane cherishes those moments as some of her most treasured memories, shaping her personality and zest for life. This rich tapestry of experiences laid the foundation for her future endeavours in the arts, infusing her performances with genuine warmth and authenticity.

ROOTS & WINGS

PROMISE

Amanda’s life began with the promise of adventure. Her parents, captivated by the beauty of Malta during a holiday, made a serendipitous purchase of a piece of land. They envisioned a forever home: a stunning villa that would eventually be affectionately known as “Ayers Rock.” Built by her mother’s brothers, who were skilled builders, this villa stood as a testament to their family’s dreams and ambitions.

As Amanda approached her teenage years, the bustling city of Sydney became both a playground and a source of anxiety. It was in this vibrant metropolis that her childhood unfolded, filled with the joys of city life. However, the winds of change were on the horizon, and her parents made the heart-wrenching decision to return to Malta. For Amanda, this was a crushing blow. Leaving behind her idyllic life in Australia for a small island where she struggled with the language was untenable. Growing up, her parents spoke to her in Maltese, and she responded in English. This hybrid communication suited her but didn’t fully prepare her for the challenges ahead.

PODCAST

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PACE OF LIFE

The family moved back to Malta, living with Amanda’s grandparents while the final touches on their dream home were completed. In this new environment, Amanda was beset by homesickness, grappling with the stark contrast between the lively cityscape of Sydney and the slower pace of life in Malta. She found herself in a world that felt as if it was frozen in time, where donkeys and carts were still familiar sights. She felt different—her speech, clothing, everything made her an outsider. Yet, with time, she began to adapt.

Once Amanda began high school, she was thrust into the lively world of school productions. A drama teacher visited her class one day, searching for a lead actor. Amanda’s heart raced with excitement despite her self-doubt. The fear of speaking in a language she hadn’t mastered loomed large in her mind, compounded by her unique Aussie accent. In an inspiring moment of courage, she leapt from her seat and, with her distinctive Maltese accent, declared, “I’ll be good at that part!” Her unintentional mix-up of words evoked laughter from her classmates and the teacher alike. To her surprise, the teacher declared, “You’re going to be perfect!”

AMANDA-JANE CARDY – EMBRACING CHANGE

That moment marked a pivotal point in Amanda-Jane Cardy’s life. Though her journey from Sydney to Malta was filled with challenges, it would ultimately shape her into the vibrant, multilingual person she would become. Amanda’s story is one of remarkable adaptability, strength, and the beautiful transformation from embracing change. As she often reflects, the rest truly is history.

She was selected for the leading role every year after that. The annual production was a significant event that her beloved dad never missed. He always sat in the front row, proud as can be, making sure everyone knew that the girl on Stage was his daughter. She loved comedic roles that made the audience laugh out loud, and this passion became a central part of her life, establishing her as the comedian of her group. She eventually studied drama and completed her GCSEs.

Then, like most teenagers, she felt the need to venture into the big world, find a job, and put her drama and acting on hold.

“ There are no regrets in life, just lessons” .

– Jennifer Aniston

AMANDA-JANE CARDY UPCOMING PROJECTS

I’m excited to share that I’m starting to film for a 6-part series called “Outsmarted,” where I’ll play the main villain, Genesis, alongside some well-known actors. I’m also eagerly awaiting the premiere date for “Keep Young and Beautiful,” directed by the talented Neil Marshall and written by the equally gifted Liz Farhadi, featuring the fantastic English actress Eva Hope. While I’m still involved with “Towie,” I’m embarking on what might be my biggest project yet, though I’m keeping details under wraps for now. There are a few other things lined up as well.

TOWIE

Being part of “Towie” for the past 14 series has been a joy. I joined as an IG when the iconic reality show had just won a BAFTA, which was quite a milestone. I started with “Towie” when the original cast members, like Gemma Collins, were still around.

My journey with “Towie” began quite serendipitously. While on holiday in Marbella, I stumbled upon an ad for casting. It turned out that one of the directors was a friend’s husband, and when we recognised each other, it was a funny coincidence. What started as one scene turned into a week of filming with the cast, where I made lifelong friends. After that experience, I knew I wanted to keep pursuing it despite the challenges of travelling to Essex or wherever filming took place. My days were long, starting at 3 a.m. and often ending around the same time the next day, but it was never a burden. I enjoyed getting to know the cast, hanging out, and forming friendships. Over the years, I’ve watched many cast members come and go and built lasting friendships. 

EXPERIENCE

I’ve evolved as an actress. In the early days, I was open to any role, seeing it all as experience. Now, I’m more selective about the parts I take on and more aware of how they can showcase my abilities.

I genuinely believe reality TV has its place in our industry. Remembering that the cast members are real people with real feelings is crucial. The situations depicted often reflect their actual lives, and they must relive these experiences in front of an audience. It’s a good opportunity to remind viewers to stay kind, especially on social media. Actors often see a flood of comments, and while they might receive a hundred positive ones, it’s usually the negative ones that stick with them. Remember, just because you see someone for an hour on your screen once a week doesn’t mean you know them.

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Photograph by Alexsandr Kalinchenko

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James Sang Lee

James Sang Lee’s diverse skills and experiences in the film industry are not just impressive, they are truly inspiring. His successful movies, such as Lethal Weapon 4, Marvel’s Blade, and the Lionsgate action thriller ‘Plane’, featuring Gerard Butler, are a testament to his talent and the impact he has made. His work on popular television shows like MTV Made, Burn Notice, Mortal Kombat, and the upcoming Test Drive Live further solidifies his standing in the industry.

Photograph by Alexsandr Kalinchenko

The film industry has undergone significant transformations over the years. One key observation is that, despite the influx of technology in the action genre, the human touch remains a crucial element that keeps the scenes authentic. Professionals like James Sang Lee play a vital role in maintaining this authenticity, a fact that we, as audience members, deeply appreciate.

James Sang Lee – Quantum Five

This editorial is aptly named the Quantum Five, a title that signifies the five critical aspects of James Sang Lee’s professional journey that we will soon delve into. These aspects include his early influences, his training and skill development, his breakthrough roles, his impact on the industry, and his future aspirations. It offers a candid conversation with James Sang Lee about his professional journey.

Within the film industry, the role of a martial artist is not limited to fight choreography. It encompasses a wide range of skills, from filmmaking to knife fighting, firearms instruction, and the art of fighting with sticks, swords, and sabres. This multifaceted nature of the profession is genuinely enlightening and commands respect.

James Sang Lee’s journey is a testament to the multifaceted nature of this profession.

Personally, there was always the belief that action stars were born; this couldn’t be further from the truth. They are shaped, moulded and trained to be the best versions of themselves.

If we wind the clock backwards to a time when action movies somehow locked a story around a hero, the audience had different expectations. Little did we know that movie stars such as Bruce Lee could greatly influence future generations with his groundbreaking martial arts skills and unique approach to action. His influence can be seen in the works of Jackie Chan, Jet Li, and even modern action stars like Donnie Yen.

Martial Artist

A conceptual model of how a martial artist should carry out fight scenes, which involved a combination of physical prowess, technical skill, and a deep understanding of the art of combat, meant that they could really fight and handle weapons in a way that the camera could, in those days, portray authentic scenes to an ever-demanding audience that was increasingly sophisticated and discerning in their expectations of action sequences.

Perfection

It was not just about boasting muscle mass or an athletic build. The dedication of actors to their craft, their relentless efforts to strive towards perfection, set a non-negotiable standard in terms of physical fitness, technical skill, and commitment to their roles. This standard would mould and shape new action stars. Their unwavering commitment to their roles, often pushing their bodies and skills to the limit, earned the respect of the audience. Every action star has signature skills that help define their brand.

Photograph by Alexsandr Kalinchenko

Get in touch with James, press the images below for links:

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Victoria’s work ethic sets the bar high, and even though I had limited time to talk, I felt I had known her forever. We both have in common a battle with cancer, children, and families who went on that journey of support.

Photography by Ashly Covington

Victoria Ekanoye

An English actress known for her versatile performances and captivating screen presence. Born on December 11th, 1981, in Bury, Greater Manchester, England, she discovered a passion for acting at a young age. Her professional journey began in 2010 and has captivated audiences ever since.

Victoria’s impressive list of credits includes notable television shows such as Coronation Street (2017-2019), where she portrayed the character of Angie Appleton, and The Royals (2015-2018), where she showcased her talent as Rachel.

In addition to her television work, Victoria has also appeared in a range of other projects, including Almost Never (2019), Doctors (2020), The Worst Witch (2020), Christmas in Paradise (2020), and Death in Paradise (2022). Her ability to bring authenticity and depth to her characters has earned her recognition and praise from critics and audiences alike.

Photography by Narita Savoor

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Preparation

Victoria’s dedication to her craft is evident in her commitment to every role she takes on. She approaches her work with meticulous preparation, allowing her to fully immerse herself in the characters she portrays. Whether it’s a challenging role that pushes her boundaries or a light-hearted character that showcases her comedic timing, Victoria consistently delivers performances that leave a lasting impact.

Outside of her acting career, Victoria is a proud parent who embraces the balance between her personal life and professional endeavours. She inspires aspiring actors by demonstrating that hard work, talent, dedication, and perseverance can lead to a successful and fulfilling career in the entertainment industry.

With her undeniable talent, magnetic presence, and dedication to her craft, Victoria Ekanoye continues to shine on screen and leaves a lasting impression on audiences worldwide. As she continues to explore new roles and projects, her star is destined to rise even higher, cementing her status as a talented and respected actress in the industry.

Passion 

Victoria Ekanoye is so passionate about everything she does. Her work ethic sets the bar high, and even though I had limited time to talk, I felt I had known her forever. We both have in common a battle with cancer, children, and families who went on that journey of support. 

I left the interview smiling, and I love it when that happens. I always feel that my job doesn’t feel like work, for which I’m very grateful. Special thanks to Isabel Mintus for her belief, Victoria’s PA, Shauni, for her kindness, and Lee Bennett from Weird PR for his professionalism. 

Interview

If you could play any role, fictional or real, who would you choose and why?

Tina Turner’s life story is a good one. She’s a badass. Her journey with Ike Turner and the problems she had to overcome, even though many were just a tiny drop in the ocean, shaped her into the person she became. Her voice is a given, one of the voices that has carried me through my journey as a singer. 

Tina Turner and Whitney Houston have been my go-to singers since I was really little. She’s incredible and unapologetic about who she is, not to mention iconic. It would be challenging, and I’m always up to that when acting.

Funniest Blooper

What’s the funniest blooper or mishap you’ve experienced on set?

My very first job was “The Lion King” in the West End of London. I played Sarabi, Simba’s mum. At the very top of the show is a mechanical raised platform—Pride Rock—underneath the stage. It oscillates, comes out, and keeps rotating to the top of the stage, which is incredible. As it was coming out, there was me, playing Sarabi and Mufasa, and I was holding baby Simba, and I got to the top; baby Simba is blessed, and that’s the “circle of life.” That’s what’s supposed to happen. However, we were always very chatty and had a good giggle as the cast.

Laughing

We are all set underneath the stage, all talking about how our evenings have been, how our weekends have been, all of that kind of stuff. We laughed so much that I forgot to pick up baby Simba from his place backstage. The music kicked in, and then the clicks started, and you couldn’t move for safety reasons because of the mechanics underneath the stage from that point. 

I have a routine, and as I turned around, I guess autopilot happened. I checked my costume, the big lioness head, etc., and always passed my baby to Mufasa to hold onto it so I could do that properly. The guy looking after us, the head of automation, couldn’t leave his post because his priority was our safety. He had to stay with us in case anything happened. 

Victoria – Circle Of Life

We came out of the stage as it opened, and everyone was singing Circle of Life. We had the elephant and the giraffe, and we reached the top. Everyone was looking up to bless the lion king, who was not there! Rafiki gets to the top, played by Lynda Way Brown, got to the top and said, ‘ Ah, where is the baby?’. It absolutely destroyed me! I said, “I’m so sorry; bear in mind we are all wearing microphones; she said it impulsively, and I was trying to silently say; just bless us. We can mimic that we have the baby. I held my arms out like he was there; it was amazing! She sang her backside off that day to compensate for my mistake; we laughed about it later.

If you were given the chance to prank one of your fellow actors, what prank would you pull and why?

Keeping a Secret

I’m not a prankster; I’m more of someone who likes to surprise people. I do everything possible to make sure that they won’t find out. We always have a good giggle on set. A series coming out later this year called ” The Turkish Detective” has a clip circulating about Haluk trying to read. Bless him, English isn’t his first language. He’s trying to say a sentence, and whenever I listen to it, it just makes me laugh.

I shouldn’t have played it to the rest of the cast, as we were all sitting in the police interrogation cell. From that point, we couldn’t stop laughing. We laughed so much that the director had to cut and ask us to leave the set to give us a chance to calm down and collect ourselves. More than anything else, we just had a really good giggle.

Forgotten Lyrics

Have you ever forgotten your lines on stage or during filming? If so, how did you recover from it?

I’ve always remembered my lines, but I have forgotten the lyrics for songs. I was a singer before becoming an actor and realised I’m a good blagger! I filmed The Royals and Coronation Street at the same time, for four months, back and forth between Manchester and London. Two separate characters, accents, and attitudes were incredible and were good problems to have had at the time, and it was really full-on.

I had been asked to do a charity gig and sing two songs, so I thought, what songs do I know off the top of my head? I wanted songs that were on autopilot and chose them. At the last minute, they were changed to “At Last” by Etta James. I blanked on stage but sang the first verse and adlibbed. I think they all just felt I was going off on a tangent, which some singers do. 

Embarrassing Costume

What’s the most embarrassing costume or outfit you’ve had to wear for a role?

In The Royals, my character was the private secretary to the Queen of England, but her alter ego was a dominatrix. We revealed that at the very end of the first season. 

In the very first episode of the second season, they show her in all her regalia. It was Agent Provocateur, head to toe in a stunning costume. I had never worn anything like that before, only in private. I had to straddle the guy playing the prime minister. So many people were around me who I hadn’t known for a while, so it was a bit awkward.

Cameras were running, and loads of people were in the room. It’s not that I minded; I like that kind of dress-up, and I didn’t have an issue with that. Anyway, they sent me some of the items as gifts, which made up for it—hahaha.

Sitcom Plot

Victoria, If you could create your own sitcom, what would the plot be?

Oh, don’t. I’m doing that right now, and I can’t give too much away! What would be cool, actually, are take-offs of some of the old cultural classics like Desmonds and Goodness Gracious Me. All of those types of shows would be quite fun, especially in the UK, which is a melting pot.

Fan Encounter

What’s the funniest or most memorable fan encounter you’ve had?

Oh, gosh—I’ve been proposed to. It happened twice, actually. Once, via a fan letter with a sweet ring from Haribo, which was sent to Coronation Street. The other one was when I was touring on my second job, The Blues Brothers. I went on an American tour; we performed in 22 states in less than six months.

I was on stage, singing an Aretha Franklin number; a guy had been to several prior shows. I think I had seen him twice before. I thought to myself, are you just following us around? He popped open a box in front of me; I really didn’t know what to do with that. 

I just said, ” Oh my god, thank you,” and carried on singing. People are quite fanatical when they turn up to a Blues Brothers; they turn up dressed as the Blues Brothers. 

Burst Out Laughing

Victoria, have you ever had to do a scene that made you burst out laughing? How did you manage to stay in character?

It’s happened more on stage than on screen. It was in The Lion King. A friend of mine has a phobia of bananas, and someone was eating one, so she had to leave the stage. Bless her. I wasn’t laughing at her. It was just the situation because she was actually petrified; it was a giggle.

If you could swap roles with any comedian for a day, who would you choose and why?

Mo Gulligan, hes an absolute legend! Hang on, wait, ok, it’s a toss-up between three; Mo is in there because he’s just killing it and is brilliant and current. Eddie Murphy because back in the day, he was just so unapologetic; he would get on the stage with his full leather outfit; he was just incredible. Bernie Mac, bless him, he’s passed, but for me, he’s one of the greatest that ever ever lived. One more!-Lucy Wong is unreal; for me, it’s very much about people authentically being themselves and not being sorry about that, and again, she is very unapologetic about her humor.

Acting Skills

What’s the funniest compliment or comment you’ve received about your acting skills?

One thing someone said to me when they met me in person was, “Oh, she looks so much older on screen”. I think they meant it in a nice way.

Do you miss Coronation Street, and do you still watch it? 

Yes, and yes! I have made so many good friends from there. I recently chatted with Nicola, one of my really good friends from the show. She played Pat Whelan’s daughter. Patty and Paddy, who played Jude and Mary, were my family on the show. 

I miss it in the sense that I made incredible friends who supported me through everything I went through and vice versa. I think it would be amazing for Mary to have her family back, and I know it would be difficult, but I would love to see that happen for her. My mum has been watching Coronation Street since she was eighteen, so if I miss anything, she fills me in. 

Victoria – Dream Roles

Are there any dream roles that you would like to work on?

After doing “Sense and Sensibility,” I firmly set my sights on Brigiton, which I know most actors probably do. I had never done any period drama because it’s very stylised, and I wasn’t sure if I could pull it off, not only in the way you speak but also in the way you hold yourself.

I didn’t go down the usual route everyone did; I didn’t go to drama school. Everything I do is instinctual; there is alwaysthat part of me that goes on instinct, and it has always served me well. Nobody can do absolutely everything, but after doing Sense And Sensibility, I’m after Shonda Rhimes.

Victoria, what advice would you give someone wanting to go into acting?

Be creative all the time, whether you are in the job or not, because you need to be match-fit. It’s so hard for a creative person, a singer, actor, or whatever it may be, to stay on your game because it can be disheartening to get a no; we get a lot. It’s different from a regular job where you get a few interviews and then stay in a job for years. We can send self-tapes several times a week so you learn and develop a thick skin. Rejection becomes second nature. You learn not to see it as rejection; it’s just someone’s opinion. You may not suit the role for whatever reason. 

Stay creative, so you’re good to go when that job comes in. My crossover from musical theatre to TV and then into film was utterly overwhelming; whenever I got a role, I thought: Oh my god, this is really happening. 

Showreel

Try to get your own showreel together. You can do student productions. You’re not getting paid for it, but the quality of the work is high because they are getting a fest on it. They use top-quality equipment within the university. 

There are different platforms, such as StarNow and Casting Call Pro, where you can work with amateurs on projects. You then get footage, which you put together in the format of a showreel. 

Tell me about your first movie. 

I’m writing a Rom-Com with my creative partner, and we are starting a series. I love that side of things. As far as acting goes, My Bloody Valentine is a slasher comedy, Scream meets Mean Girls. Then Christmas In Serbia will be out just before Christmas with Caprice and Duncan James from Blue, which was so much fun, we filmed it in Serbia. These are two to watch out for. Also, the Turkish Detective series is coming out, so there is so much going on at the moment.

I want to continue in TV and Film but be strategic about what I do, as it’s a big transition phase for me.

Victoria, do you still have a passion for being involved in music?

People like Cynthia Erivo started in theatre. I remember seeing her in The Colour Purple at Menier Chocolate Factory in London. She went on to do it on Broadway and was in movies, which is just amazing. It would be a dream to do a moviemusical or a movie with music. I think you can do it all; you just need to focus on one or two things at a time. I write all the time in the studio, so I’ll see what happens with that.

Credits

Special thanks to Isabel Mintus for her belief, Victoria’s PA, Shauni, for her kindness, and Lee Bennett from Weird PR for his professionalism.

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