Helen King – The release of “Look Back No More” marks not only the beginning of her musical journey but also hints at an exciting and influential career ahead, one that is sure to enrich the contemporary music landscape.

LONDON VIBE

London, UK – The vibrant music scene welcomes a new talent as emerging singer-songwriter Helen King unveils her highly anticipated debut album, “Look Back No More”. This milestone was celebrated with an official launch event on February 11, 2025, held at The Water Rats, a historic and iconic venue nestled in Kings Cross, London. With this release, Helen King is set to make a remarkable entrance, showcasing the energetic sound of her Indie Rock band and introducing a fresh, captivating voice to music enthusiasts everywhere.

INFLUENCE

Drawing from a diverse palette of influences, Helen King’s music delivers an emotive and multifaceted listening experience. Her rich soundscape is shaped by the raw intensity of PJ Harvey and the poetic storytelling of Patti Smith while also resonating with the contemporary vibes of artists like Girl in Red and Tame Impala. Helen’s heartfelt lyrics are infused with an introspective quality reminiscent of Alanis Morissette and layered with the harmonious beauty typical of First Aid Kit. With a focus on personal growth, strength, and the intricate tapestry of human emotion, her songs delve deep into the complexities of the human experience.

Helen King – The Journey

“Look Back No More” is more than just a collection of songs; it is an invitation to listeners to embark on a transformative journey. Each track is crafted with precision, encouraging audiences to confront their own experiences and emotions through Helen’s powerful and relatable storytelling. The album reflects her artistic evolution, showcasing her ability to connect profoundly with her audience as she shares her own narratives of strength and self-discovery.

As Helen King steps boldly into the spotlight, a sense of excitement surrounds her potential to make a lasting impact on the music industry. Her dynamic sound, coupled with her insightful lyrics, promises to resonate with a wide array of listeners, captivating hearts and minds alike. The release of “Look Back No More” marks not only the beginning of her musical journey but also hints at an exciting and influential career ahead, one that is sure to enrich the contemporary music landscape.

Helen King – Interview

Your debut album, Look Back No More, has just been released. What emotions were you feeling on the day of the launch?

I was on a big high, for sure! I felt both excitement for the future and gratitude for this amazing moment in my life. It was an 18-month journey from recording my first demo to the album release, and it was a real joy to see it streaming so well. I had loads of people at the launch gig, and we had a riot. There was a wardrobe malfunction, though. My outfit broke just before I went on stage, and my friend had to quickly sew it up with a needle and thread!! 

I launched the album at ‘The Water Rats’ in London, and it was a euphoric night. It had always been my dream to play at the venue where Bob Dylan, Oasis and countless other stars had played. 

Look back No More

Can you share the story behind the album title? What does “Look Back No More” signify for you?

“Look Back No More” is a line from the lead single track “Back in The Day”. I wanted to send a message to people listening that the past is the past – we can’t change it – so let’s look forward to new and exciting things and new possibilities.  So many of us are caught in the past; I found myself thinking, “No, we should all look forward”. 

Your music draws from a diverse range of influences. How have artists like PJ Harvey and Patti Smith shaped your sound?

Music has been in my life from the moment I was born (actually before because my older brother would play songs to my mum’s pregnant bump!), and so it runs in my veins. There was always music on at home, and strong female acts always stood out for me as inspiring: Patti Smith, Joni Mitchell, Stevie Nicks, Debbie Harry, PJ Harvey and Tori Amos. Bjork. They definitely shaped my sound, and I think my album has tones of all of these great women. 

Routine

What is the songwriting process like for you? Do you have a particular routine or ritual you follow?

I always sit cross-legged on the floor with my guitar to start, but sometimes, I dive off to the piano if I feel that will help me develop the melody better. 

I used to write from the start through to the end in a linear fashion. More recently, I have been experimenting with writing over music, writing the chorus first, and also not adhering to well-trodden song structures. My songwriting has come a long way in a short space of time – so I am really learning my craft. I am writing and recording my second album now with a major label, so it’s all very exciting. 

Your lyrics often explore themes of personal growth and resilience. Can you tell us about a specific experience that inspired your songwriting?

Highs And Lows

I think modern life throws a lot at us, and we have highs and lows. My lyrics are from the heart, and in the back of my mind, I also feel sure other people have these same feelings and experiences. I know that music has always been a source of resilience for me, and songwriters are to me like friends who are helping you through – when I feel low, I usually reach for the classics: The Beatles, Dylan, R.E.M. Fleetwood Mac and of course, Taylor Swift – She is one amazingly strong woman!

What was your favourite song to write on this album, and what makes it so special to you?

My favourite song to write was ‘Whatever Makes You Happy’ its about someone who was mean to me and who seemed to only care about themselves and it was fun to be calling out bad behaviour and to release some negative feelings. Writing songs is really good therapy !!

Collaboration

If you could collaborate with any artist, living or dead, who would it be and why?

Paul McCartney – without a doubt. Although I would be so in awe, I might not be able to speak, let alone sing! I’ve seen him in concert, and I was very starstruck. The Beatles are my all-time favourite band – they basically mopped up pop music in a decade and barely left anything for anyone else. They were hugely influential in everything that followed. 

The live launch at The Water Rats was a significant moment for you. How did that experience compare to your expectations?

It definitely exceeded expectations. I had a lot of fan support and friends and family, so it felt really special. I was surprised people were singing the words! It’s an amazing feeling when people sing along to the song you wrote – it’s such a brilliant feeling of connection. 

Music

How do you connect with your audience through your music? What do you hope they take away from your songs?

I tend to focus on the feelings I feel because I think they are relatable to any human. I always say writing a song is like turning your insides out and showing everyone ‘which is a bit of a gruesome image – but it is unfiltered,  unabashed, and raw. I think people respond to that sort of honesty. 

As a rising artist in the Indie Rock scene, what challenges have you faced so far, and how have you overcome them?

The biggest challenge has been social media for me because it doesn’t sit that comfortably with me to promote myself. Instagram and TikTok are really important platforms, so I have realised I need help from media folk to promote myself. It feels weird saying, “Yeah, I’m really great – so you should be a fan of mine” So, for me, it’s more about raising awareness of the music and the chance to come and connect with me at my live shows. 

Different

Helen king – Podcast

What do you think sets you apart from other singer-songwriters currently in the industry?

I have a lot to say about a lot of things (lol!) and I genuinely want to move music forward in a progressive way. I want to grow into becoming more brave in experimenting with music and creating exciting, fresh material that has its own life. 

Can you describe a defining moment in your musical journey that made you realise you wanted to pursue this career?

I remember singing in my bedroom at a young age, pretending to be Madonna. I just decided there, and then I wanted to be on stage (perhaps not in a pointy bra!), but it took time to actually have the guts to do it. 

I have had a lot of help along the way from people who have supported and encouraged me, and without them, I wouldn’t have believed in myself. 

London

How has living in London influenced your music and artistic perspective?

London is an amazing City full of very cool people . You can be weird and different in London or just be whoever you want to be, and London will give you a home. I guess London taught me to be who I am and be proud. There are so many amazing artists and musicians everywhere you look in London, and so much talent and potential – but what I don’t see are the A&R people. Where are they? They should be in music venues, not monitoring likes of line. 

What’s next for you after this album release? Are there any exciting projects or collaborations on the horizon?

I am already writing and recording my second album, and that will be my focus for the rest of the year. I will be playing with a new band set up in the autumn which Im also really excited about. 

Finally, if you could give one piece of advice to aspiring musicians, what would it be?

Go for it, work hard, and never give up. 

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The new track “Fit In” reflects Kelsie’s growth as a singer/ songwriter and follows the theme of self-acceptance.

KELSIE WATTS – MELODIES AND MEMORIES

I had an open and honest discussion about her journey as an artist. During the conversation, we explored the challenges and triumphs she has faced leading up to the release of her highly anticipated new single, “Fit In”. This song reflects her growth as a singer/ songwriter and follows the theme of self-acceptance.

By Sanj Saigal

From a young age, Kelsie was deeply influenced by her experiences singing in the children’s church choir. Even as a child, she felt an instinctive calling to pursue a career in the arts; little did she know at age five that it would become an integral part of her identity and purpose. It ultimately set the foundation for her aspirations and creative journey.

Having had the opportunity to meet Kelsie, even if it was just through a virtual call, I was struck by her down-to-earth demeanour. There was a deep sense of empathy that was both comforting and genuine. From the very first moment we began our conversation, I felt an unexpected connection.

She possesses fabulous screen presence and confidence, which aligns with a singer-songwriter’s prerequisites. This is especially noteworthy considering the position she has worked hard to achieve in her music genre.

Kelsie Watts Interview

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Glossy Print Magazine

Did people notice you from a very young age?

In a non-egotistical way, people said “That voice is going somewhere”. 

Opera

You transitioned from singing in the choir at Belmont University to pursuing Opera—was this a choice you made on your own, or did someone guide you in that direction?

I participated in the “All-State Choir”, where I developed a deep appreciation for the technical aspects of singing. This strong foundation allowed me to maintain healthy vocal practices consistently. When I attended Texas Tech University in my home state of Texas, I found that the institution lacked both a musical theatre program and a commercial music program at that time. As a result, I focused on Opera during the year and a half I spent there before transferring over to Belmont University.

Making Decisions

As I had already completed my training, I was able to transfer directly to the Commercial Music Program. I am fortunate to have had the autonomy to make decisions regarding my future. Although many people shared their opinions and advice, I took the time to weigh their perspectives carefully. 

What elements of Opera did you take and apply to Pop?

My training in Opera has significantly influenced my approach to singing in the pop music arena, particularly in terms of maintaining vocal health. Opera emphasises healthy singing techniques, such as proper breath control, resonance, and vocal placement, all of which are essential for achieving a powerful and sustained sound. This foundation has allowed me to perform consistently without the common vocal strain that many artists experience, which can lead to lost voices or reduced vocal quality over time.

Hitting High Notes

Many of my friends and colleagues often ask how I manage to project high notes so effortlessly, expressing curiosity about why I don’t seem to suffer vocal fatigue like others do. The answer lies in the rigorous training I received through my opera background. Singing incorrectly or without proper technique can have serious repercussions on the voice. Still, because I learned to apply these sound principles of vocal health, I can navigate the demands of pop music without compromising my vocal integrity.

AJ Mclean Collaboration

What was it like to collaborate with AJ Mclean from Backstreet Boys?

I had an incredible experience sharing my name alongside AJ McLean! Collaborating, albeit remotely, was such a unique opportunity, and I truly enjoyed every moment of it. It felt amazing to be part of something special with a fantastic artist!

The Voice

Was “The Voice” a light bulb moment for you?

Participating in a talent show of that scale was definitely a unique experience, and it came with its fair share of stress. You’re essentially living in a hotel for a month, surrounded by a hundred other contestants, all competing for a chance at a blind audition. It’s like being in a bubble—no studio audience to energise the atmosphere, just the coaches focused on the backs of their chairs, praying that someone will turn around.

When you finally heard that buzzer, it must have felt like you were gearing up for a landing. What did you do next?

I went into that show with a clear strategy in mind. I understood the visibility it could offer me. Deep down, I saw it as an opportunity to transform The Voice fans into Kelsie Watts fans, which would be invaluable for my career.

To the average viewer, once you’re on the show, you’ve already made it, but I perceive it more as a stepping stone for someone in the industry. If success were that simple, we’d all be stars already. My approach was driven by a business mindset—a specific strategy, if you will.

Did paparazzi surround you the following day? 

After the event, we were all still at the hotel. I didn’t leave for three months because of pre-filming, so there was a release time delay. By the time it aired, things were very different.

What retrospective advice would you give to Kelsie Watts entering that show again?

To pick what you think the producers want to hear.

Live Out Loud

My debut single dropped during Covid, and we were all trying to make whatever we could work, pushing for visibility.

Tree Of Hope

The producer is Niko (Nico de Transilvania, known as Nicoleta Carpineanu). I loved the project, and he is such a super-talented guy. He invited me into the writing process, and I felt very fortunate to have that opportunity.

Do you feel the pressure of the social media landscape? 

Absolutely, especially if you’re competing against yourself. It’s not about others. It’s a numbers game where you aim to overtake your personal best.

Can you share a snapshot of your life at the moment?

My life is insane at the moment. I’m performing eight shows weekly on Broadway and still releasing music. So, I spend my days writing, taking dance and acting lessons, and doing other things. There is just so much going on

Do you take time for yourself? 

I must be intentional with my time; the key for me is starting with slow mornings.

What was the inspiration for your track “Fit In?”.

Reflecting on my school days, I was never the popular kid; I didn’t get invited to parties and never had a date for prom. I often found myself wishing I could be like everyone else. Over time, I realised I didn’t need to conform to anyone else’s standards to feel like I belonged. “Fit In” is a message about self-acceptance that I hope resonates with others who might feel the same way.

I could see how strong Kelsie’s work ethic is. She resonates with the narrative that hard work will pay off and that you should never take your foot off the gas. By her admission, it’s exhausting but rewarding. 

How did Nashville play a part in your story?

I’m based in New York because of Broadway, but Nashville has such a writers’ vibe. Some great storytellers have come out of Nashville. 

Do you like collabs?

Collabs give you visibility and creativity; I would love to collaborate with artists like “Jelly Roll”.

Kelsie Watts And Rituals 

Before I perform, I always say a prayer, “Jesus, let them see you through me”. It takes away all the pressure to be something that I’m not or to be perfect. I’m going out there doing what I was born to do, sharing the gift that I have been given. I don’t need to live up to expectations; I just get to go and do it.

Shelf Life

Does your industry frown on age?

There is a stigma, but social media is changing that. Whatever is meant to be mine will be mine; I won’t let time, age, or gender define what I can do.

I can tell you firsthand that there is much to learn from such an honest, hardworking, level-headed, talented person who consistently gives her best. 

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The musical explores themes of courage, morality, and the power of dissent in the face of oppression.

White Rose – The Musical

A musical based on the true story of the White Rose resistance group, a non-violent student organisation in Nazi Germany during World War II. The group, primarily composed of students from the University of Munich, including siblings Hans and Sophie Scholl, distributed leaflets advocating for resistance against the Nazi regime and promoting human rights and freedom.

The musical explores themes of courage, morality, and the power of dissent in the face of oppression. It delves into the personal struggles of the characters, their motivations for standing up against tyranny, and the risks they faced. The music and lyrics often reflect the emotional weight of their actions, highlighting both the hope and despair of their situation.

Through its narrative and songs, “White Rose” aims to inspire audiences by portraying the resilience of the human spirit and the importance of speaking out against injustice, making it a poignant reminder of the impact that individuals can have in challenging oppressive systems.

White Rose – A Conversation With Brian Belding

Brian Belding is a notable figure known for his work in the theatre, particularly in the realm of musical theatre. He is recognised as a composer, lyricist, and playwright. Belding’s contributions to the arts often focus on creating compelling narratives that resonate with audiences, frequently exploring themes of resilience, identity, and the human experience.

His work on various musicals has garnered attention for its innovative approach to storytelling and musical composition. Belding is also known for collaborating with other artists and contributing to the development of new works, often participating in workshops and readings to bring fresh ideas to life.

Brian has a commitment to artistic expression and a passion for engaging audiences through the power of music and storytelling.

Podcast

White Rose the musical is currently on at Marylebone Theatre from 27th February to the 13th of April.

White Rose Cast Album

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White Rose Website

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Victoria’s work ethic sets the bar high, and even though I had limited time to talk, I felt I had known her forever. We both have in common a battle with cancer, children, and families who went on that journey of support.

Photography by Ashly Covington

Victoria Ekanoye

An English actress known for her versatile performances and captivating screen presence. Born on December 11th, 1981, in Bury, Greater Manchester, England, she discovered a passion for acting at a young age. Her professional journey began in 2010 and has captivated audiences ever since.

Victoria’s impressive list of credits includes notable television shows such as Coronation Street (2017-2019), where she portrayed the character of Angie Appleton, and The Royals (2015-2018), where she showcased her talent as Rachel.

In addition to her television work, Victoria has also appeared in a range of other projects, including Almost Never (2019), Doctors (2020), The Worst Witch (2020), Christmas in Paradise (2020), and Death in Paradise (2022). Her ability to bring authenticity and depth to her characters has earned her recognition and praise from critics and audiences alike.

Photography by Narita Savoor

Spotify Podcast

Preparation

Victoria’s dedication to her craft is evident in her commitment to every role she takes on. She approaches her work with meticulous preparation, allowing her to fully immerse herself in the characters she portrays. Whether it’s a challenging role that pushes her boundaries or a light-hearted character that showcases her comedic timing, Victoria consistently delivers performances that leave a lasting impact.

Outside of her acting career, Victoria is a proud parent who embraces the balance between her personal life and professional endeavours. She inspires aspiring actors by demonstrating that hard work, talent, dedication, and perseverance can lead to a successful and fulfilling career in the entertainment industry.

With her undeniable talent, magnetic presence, and dedication to her craft, Victoria Ekanoye continues to shine on screen and leaves a lasting impression on audiences worldwide. As she continues to explore new roles and projects, her star is destined to rise even higher, cementing her status as a talented and respected actress in the industry.

Passion 

Victoria Ekanoye is so passionate about everything she does. Her work ethic sets the bar high, and even though I had limited time to talk, I felt I had known her forever. We both have in common a battle with cancer, children, and families who went on that journey of support. 

I left the interview smiling, and I love it when that happens. I always feel that my job doesn’t feel like work, for which I’m very grateful. Special thanks to Isabel Mintus for her belief, Victoria’s PA, Shauni, for her kindness, and Lee Bennett from Weird PR for his professionalism. 

Interview

If you could play any role, fictional or real, who would you choose and why?

Tina Turner’s life story is a good one. She’s a badass. Her journey with Ike Turner and the problems she had to overcome, even though many were just a tiny drop in the ocean, shaped her into the person she became. Her voice is a given, one of the voices that has carried me through my journey as a singer. 

Tina Turner and Whitney Houston have been my go-to singers since I was really little. She’s incredible and unapologetic about who she is, not to mention iconic. It would be challenging, and I’m always up to that when acting.

Funniest Blooper

What’s the funniest blooper or mishap you’ve experienced on set?

My very first job was “The Lion King” in the West End of London. I played Sarabi, Simba’s mum. At the very top of the show is a mechanical raised platform—Pride Rock—underneath the stage. It oscillates, comes out, and keeps rotating to the top of the stage, which is incredible. As it was coming out, there was me, playing Sarabi and Mufasa, and I was holding baby Simba, and I got to the top; baby Simba is blessed, and that’s the “circle of life.” That’s what’s supposed to happen. However, we were always very chatty and had a good giggle as the cast.

Laughing

We are all set underneath the stage, all talking about how our evenings have been, how our weekends have been, all of that kind of stuff. We laughed so much that I forgot to pick up baby Simba from his place backstage. The music kicked in, and then the clicks started, and you couldn’t move for safety reasons because of the mechanics underneath the stage from that point. 

I have a routine, and as I turned around, I guess autopilot happened. I checked my costume, the big lioness head, etc., and always passed my baby to Mufasa to hold onto it so I could do that properly. The guy looking after us, the head of automation, couldn’t leave his post because his priority was our safety. He had to stay with us in case anything happened. 

Victoria – Circle Of Life

We came out of the stage as it opened, and everyone was singing Circle of Life. We had the elephant and the giraffe, and we reached the top. Everyone was looking up to bless the lion king, who was not there! Rafiki gets to the top, played by Lynda Way Brown, got to the top and said, ‘ Ah, where is the baby?’. It absolutely destroyed me! I said, “I’m so sorry; bear in mind we are all wearing microphones; she said it impulsively, and I was trying to silently say; just bless us. We can mimic that we have the baby. I held my arms out like he was there; it was amazing! She sang her backside off that day to compensate for my mistake; we laughed about it later.

If you were given the chance to prank one of your fellow actors, what prank would you pull and why?

Keeping a Secret

I’m not a prankster; I’m more of someone who likes to surprise people. I do everything possible to make sure that they won’t find out. We always have a good giggle on set. A series coming out later this year called ” The Turkish Detective” has a clip circulating about Haluk trying to read. Bless him, English isn’t his first language. He’s trying to say a sentence, and whenever I listen to it, it just makes me laugh.

I shouldn’t have played it to the rest of the cast, as we were all sitting in the police interrogation cell. From that point, we couldn’t stop laughing. We laughed so much that the director had to cut and ask us to leave the set to give us a chance to calm down and collect ourselves. More than anything else, we just had a really good giggle.

Forgotten Lyrics

Have you ever forgotten your lines on stage or during filming? If so, how did you recover from it?

I’ve always remembered my lines, but I have forgotten the lyrics for songs. I was a singer before becoming an actor and realised I’m a good blagger! I filmed The Royals and Coronation Street at the same time, for four months, back and forth between Manchester and London. Two separate characters, accents, and attitudes were incredible and were good problems to have had at the time, and it was really full-on.

I had been asked to do a charity gig and sing two songs, so I thought, what songs do I know off the top of my head? I wanted songs that were on autopilot and chose them. At the last minute, they were changed to “At Last” by Etta James. I blanked on stage but sang the first verse and adlibbed. I think they all just felt I was going off on a tangent, which some singers do. 

Embarrassing Costume

What’s the most embarrassing costume or outfit you’ve had to wear for a role?

In The Royals, my character was the private secretary to the Queen of England, but her alter ego was a dominatrix. We revealed that at the very end of the first season. 

In the very first episode of the second season, they show her in all her regalia. It was Agent Provocateur, head to toe in a stunning costume. I had never worn anything like that before, only in private. I had to straddle the guy playing the prime minister. So many people were around me who I hadn’t known for a while, so it was a bit awkward.

Cameras were running, and loads of people were in the room. It’s not that I minded; I like that kind of dress-up, and I didn’t have an issue with that. Anyway, they sent me some of the items as gifts, which made up for it—hahaha.

Sitcom Plot

Victoria, If you could create your own sitcom, what would the plot be?

Oh, don’t. I’m doing that right now, and I can’t give too much away! What would be cool, actually, are take-offs of some of the old cultural classics like Desmonds and Goodness Gracious Me. All of those types of shows would be quite fun, especially in the UK, which is a melting pot.

Fan Encounter

What’s the funniest or most memorable fan encounter you’ve had?

Oh, gosh—I’ve been proposed to. It happened twice, actually. Once, via a fan letter with a sweet ring from Haribo, which was sent to Coronation Street. The other one was when I was touring on my second job, The Blues Brothers. I went on an American tour; we performed in 22 states in less than six months.

I was on stage, singing an Aretha Franklin number; a guy had been to several prior shows. I think I had seen him twice before. I thought to myself, are you just following us around? He popped open a box in front of me; I really didn’t know what to do with that. 

I just said, ” Oh my god, thank you,” and carried on singing. People are quite fanatical when they turn up to a Blues Brothers; they turn up dressed as the Blues Brothers. 

Burst Out Laughing

Victoria, have you ever had to do a scene that made you burst out laughing? How did you manage to stay in character?

It’s happened more on stage than on screen. It was in The Lion King. A friend of mine has a phobia of bananas, and someone was eating one, so she had to leave the stage. Bless her. I wasn’t laughing at her. It was just the situation because she was actually petrified; it was a giggle.

If you could swap roles with any comedian for a day, who would you choose and why?

Mo Gulligan, hes an absolute legend! Hang on, wait, ok, it’s a toss-up between three; Mo is in there because he’s just killing it and is brilliant and current. Eddie Murphy because back in the day, he was just so unapologetic; he would get on the stage with his full leather outfit; he was just incredible. Bernie Mac, bless him, he’s passed, but for me, he’s one of the greatest that ever ever lived. One more!-Lucy Wong is unreal; for me, it’s very much about people authentically being themselves and not being sorry about that, and again, she is very unapologetic about her humor.

Acting Skills

What’s the funniest compliment or comment you’ve received about your acting skills?

One thing someone said to me when they met me in person was, “Oh, she looks so much older on screen”. I think they meant it in a nice way.

Do you miss Coronation Street, and do you still watch it? 

Yes, and yes! I have made so many good friends from there. I recently chatted with Nicola, one of my really good friends from the show. She played Pat Whelan’s daughter. Patty and Paddy, who played Jude and Mary, were my family on the show. 

I miss it in the sense that I made incredible friends who supported me through everything I went through and vice versa. I think it would be amazing for Mary to have her family back, and I know it would be difficult, but I would love to see that happen for her. My mum has been watching Coronation Street since she was eighteen, so if I miss anything, she fills me in. 

Victoria – Dream Roles

Are there any dream roles that you would like to work on?

After doing “Sense and Sensibility,” I firmly set my sights on Brigiton, which I know most actors probably do. I had never done any period drama because it’s very stylised, and I wasn’t sure if I could pull it off, not only in the way you speak but also in the way you hold yourself.

I didn’t go down the usual route everyone did; I didn’t go to drama school. Everything I do is instinctual; there is alwaysthat part of me that goes on instinct, and it has always served me well. Nobody can do absolutely everything, but after doing Sense And Sensibility, I’m after Shonda Rhimes.

Victoria, what advice would you give someone wanting to go into acting?

Be creative all the time, whether you are in the job or not, because you need to be match-fit. It’s so hard for a creative person, a singer, actor, or whatever it may be, to stay on your game because it can be disheartening to get a no; we get a lot. It’s different from a regular job where you get a few interviews and then stay in a job for years. We can send self-tapes several times a week so you learn and develop a thick skin. Rejection becomes second nature. You learn not to see it as rejection; it’s just someone’s opinion. You may not suit the role for whatever reason. 

Stay creative, so you’re good to go when that job comes in. My crossover from musical theatre to TV and then into film was utterly overwhelming; whenever I got a role, I thought: Oh my god, this is really happening. 

Showreel

Try to get your own showreel together. You can do student productions. You’re not getting paid for it, but the quality of the work is high because they are getting a fest on it. They use top-quality equipment within the university. 

There are different platforms, such as StarNow and Casting Call Pro, where you can work with amateurs on projects. You then get footage, which you put together in the format of a showreel. 

Tell me about your first movie. 

I’m writing a Rom-Com with my creative partner, and we are starting a series. I love that side of things. As far as acting goes, My Bloody Valentine is a slasher comedy, Scream meets Mean Girls. Then Christmas In Serbia will be out just before Christmas with Caprice and Duncan James from Blue, which was so much fun, we filmed it in Serbia. These are two to watch out for. Also, the Turkish Detective series is coming out, so there is so much going on at the moment.

I want to continue in TV and Film but be strategic about what I do, as it’s a big transition phase for me.

Victoria, do you still have a passion for being involved in music?

People like Cynthia Erivo started in theatre. I remember seeing her in The Colour Purple at Menier Chocolate Factory in London. She went on to do it on Broadway and was in movies, which is just amazing. It would be a dream to do a moviemusical or a movie with music. I think you can do it all; you just need to focus on one or two things at a time. I write all the time in the studio, so I’ll see what happens with that.

Credits

Special thanks to Isabel Mintus for her belief, Victoria’s PA, Shauni, for her kindness, and Lee Bennett from Weird PR for his professionalism.

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My calling to support musicians.

Award-winning contribution music and a passion for nurturing talent, I was fortunate to catch up with Robert Emery.  I was intrigued by the impact he has on the classical music industry and his story.

He started playing the piano at the age of 7, studied at the Royal College of Music and is a teaching descendant of Liszt, Beethoven and Mozart; he now performs around the world, conducting such orchestras as the London Philharmonic, Royal Philharmonic, Japanese Philharmonic, British Philharmonic, National Symphony, Royal Liverpool Philharmonic, Basel Symphony, Singapore Lyric, Australian Metropolitan & Perth Philharmonic. And he has worked with diverse talent from Sir Simon Rattle through to Russell Watson, Blur/Damon Albarn and Petula Clark.

As an orchestrator or conductor, Robert has worked heavily in Europe, including the world premiers of Der Besuch Der Alten Dame, Dallebach Kari & Gotthelf. He is also a specialist in fusing rock bands with orchestras, & was the creative force behind The Lovebugs/Basel Symphony Orchestra & Seven/21st Century Orchestra; all in Switzerland. He is the conductor of the worldwide production of ‘Ben Hur’, composed & performed by the Police drummer, Stewart Copeland.

 Musical Supervisor, Director or Associate: Tanz der Vampire (Theatre des Westerns, Berlin 2016), Jonathan Antoine ‘Believe’ (national tour 2015), National TV Awards (o2 Arena and live on ITV), Royal Variety Performance (Palladium), Great Festival of Creativity (Shanghai, China), Zorro (Garrick, West End), broadway film A Tale of Two Cities (Theatre Royal, Brighton), Songs of my Life (Garrick, West End), Betwixt (Ambassadors West End), Plague Songs with Damon Albarn (Barbican) and others. 

(www.robertemery.com)

Credentials aside, I wanted to find out more about the man behind the music, his interpretation of how his industry had changed and how he has focused his attention on helping others.

If you try to suppress the arts, then you’re suppressing the deepest dreams and aspirations of a people.

– Barack Obama, 25th May 2016

Do you think that you are born talented, or it’s something that you nurture with time?

I think there is an element of both; he paused to consider his response and proceeded to reinforce his message by repeating his answer. I believe that in my case, there was an element of something natural with a piano; it was a perfect fit.

I could personally relate to this as his response has been similar to other talented people whom I have met along my journey. They have often referred to something that finds the person rather than the person trying to find it. Primary school inspired him; personally, a magical era where music teachers were an inspirational source; evident that Robert was reminiscing when he told me that he was encouraged to play at the school assembly and when pushed, excelled quickly. He talks about the duvet of music, a quirky self-invented expression that he referenced to when talking about finding inspiration as the years progressed. 

If I could get a snapshot of your industry today, how does it compare to last year?

COVID has negative connotations; I feel that handling the situation at government level could be better without getting too political, compared to other countries. We are the second-largest producer of music next to the states, for the powers that be to tarnish one brush over all sectors is a hard pill to swallow. 

As a world we have evolved, the pandemic won’t change my sector in the long term, I can’t see a move online with lasting effect. I had referred to the use of software such as; Zoom, that altered the way musicians perform, turning to technology to find a credible solution to the new now.

How have you personally adapted to change?

He told me that he had bookings until the end of 2021, with hundreds of concerts cancelled. I refused to sit back, so in March, I created a blog realising that musicians couldn’t earn money the same way.

My calling is to support musicians, 33% of musicians have given up, and 30% are thinking of giving up. Asking what the difference was between instruments, Robert’s 4-year-old son was the driving force behind his inspiration. Creating a platform (the most significant resource for musicians, with content from experts) I wanted to provide access to industry experts providing inspiration and helping young musicians, they can generate an income stream from them.  

I felt people who place others before themselves in terms of wants and needs are inspiring, but there is a difference to those who take action. Robert’s were honourable, given the current situation. I sensed a genuine calling to help and a concept sold to me as producing a credible alternative for musicians who are seeking solace in mentors. 

If you could turn back time, what would you have done if you were choosing an alternative career?

I would have been an actor, up to the age of fourteen I was, but my parents explained to me that I needed to focus on either acting or music, so I had to choose between the two.

Empathetic voice tones demonstrated to me that he had made the right choice; his passion for music was more than evident. That said, I sensed that he missed acting by the way he referred to it with affection.

How do you remain creative during covid?

Creativity, it’s inside you. Drawing from experience and getting inspiration from your memories is a natural process. It was a short answer, but the lack of content spoke a thousand words.

Do you think your efforts online will ever compete with the reality of the situation?

I want to make musicians lives more secure and feel of value; If I can change just one person’s life, I have made a difference.

“Helping the younger generation will prevent this industry from suffering and Get musicians working again”.

Robert Emery

The concept of; “Get Musicians Working” is to pay them to write an article about an instrument that young musicians will read, and hopefully give them world-class information that can inspire their music-making. This content is hosted on a new website called; Ted’s List (www.teds-list.com), named after his five-year-old son, Teddy.

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An interview with the artist who wants to inspire young talent. A candid conversation with the person behind the brand. Her single; “Broken” was produced by an iconic music producer: Moses Samuels, a man who has worked with Justin Bieber and Ariana.

I never really know who will be on the other side of a conference call. As the imaginary curtain pulled back, there was something very familiar about the artist who goes by the name of; “Mezurashii”. Confident voice tones and a driven passion for music dominated the conversation, which I might add only created a more profound need to find out more about the person behind the artist.

Born in Ghana, a move to the UK at age four would be facilitated by a job opportunity which was presented to her father. Moving around various locations made it challenging to settle down, particularly at such a young age.

At ten years of age, her journey would see her calling Wales home, albeit for just six years before a move to Hertfordshire would provide a more secure location to call home. Cultural difficulties were at question since there was a fusion between British and African identities, something that would create the unique person that she is today. 

What was one of your most defining moments?

I think that experiencing the Piano at aged two. My love for music would later be attributed to being able to play a multitude of instruments by ear. It was a skill that I assumed everyone had, it wasn’t until much later on that I realised this wasn’t true.

As a creative person, how did you personally find yourself in terms of identity?

My love for creativity spread to art, drawing, and being one of a few girls to play football at school in the 90s. Breaking gender barriers without knowing, my creative confusion made it difficult to decide which path to follow. Still, in the end, it was music because I believed it could empower and touch people.

As an interviewer, I got a sense that when listening to the music she has produced, there was a message buried deep within the lyrics. Perhaps this was reflective in her personal journey of finding her true identity both professionally and personally. 

Her single; “Broken” was produced by an iconic music producer: Moses Samuels, a man who has worked with both Justin Bieber and Ariana. I have met some interesting people as a writer. What still amazes me is how reserved people can be, in a world where everyone has a desire to scream about everything.

What were your demons?

Everyone has them, I faced depression, personal crisis as I fought to find an identity. I was a struggling artist not unheard of in the music industry, so financial concerns also played a part.  Insecurities is a term that I think we can all identify with irrespective of who you are as a person. 

New talent have so much to live up to, especially with social media influencing an image that the public   would find acceptable.

What challenges have you had to overcome?

Being in a same-sex relationship. With that, it’s not something I shout out about because I think we should learn to respect whoever we are talking with as a person before we look at anything else. Sexuality, Colour, religion and accepting of people around us are things we should learn to be aware of as a society.  

There are so many young artists who would give up and turn their back on their creativity. I think we all need hope and positive vibes.

“Debates are healthy if kept respectful”.

What’s to come?

I spent just over six years developing as a person, realising that my purpose is to help people through hard times. Passing on my life experiences through music, creativity and being an example of someone who has given up at times but kept pushing forward. 

The aim for 2021 is to continue and keep growing. Empowering people to believe in themselves. Find themselves. Not compare themselves to others but to take inspiration.

Mezurashii is Japanese for “Unusual”, “strange”, “Unique”, “different”. And I want people to be happy knowing we are all different and all can make a difference, but we must learn to be ourselves.

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Introductions

An interview with Tyrone Hinds, an Artist Manager who has worked with iconic artists. A professional with an unquestionable work ethic and want and need to help people. He talks about his past, present and future in the music business.

Chance Meeting 

They say that fate plays a part in everyone’s life and a chance meeting at a coffee shop in London was certainly a day that I will never forget. I’ve known Tyrone for about two years, personally and professionally, you are left feeling that you always need to know more. I managed to catch up with him and got to know a little bit more about how he started in an industry we often take for granted.

Inspiration

A mother’s passion for music and house parties was possibly the main reason, I sat back in my chair as his voice tones created authenticity in his words and there was a sense that he genially enjoyed taking a trip down memory lane with me. 

Introductions

It was an introduction from a friend back in 2001 (Vino Joseph) that kick-started his career with up and coming names; DMX & Mobb Deep who were iconic brands at the then Stratford Rex Club.

I was curious about his need to get involved with the promotional side of the business. It soon became apparent that his involvement with Ms. Dynamite was the main catalyst.

He often mentions his desire to be someone who is regarded as a mentor and that is something that resonates with his personality traits. Sympathetic voice tones almost want you to stop talking and just listen. His presence and persona still etched in my mind as I fondly recall the time we spent together at a chance meeting with another of his artists; Chyna Soulstar.

“Hard work is the key to elevation, nothing will land in your lap sitting around doing nothing, contact, communication and hard work is key, try not to follow the ideas of others, but rather learn to listen to the voice within yourself, there are plenty of talented people, but are lazy, not driven and someone who is less talented but is hungry can go that much further, hunger is the most important factor” 

– Tyrone Hinds

Fame

There is no comparison between the industry then and now.

After nine months of touring with her nationally in what could only be described as a true push to establish a brand name, Ms. Dynamite was signed to Polydor/ Universal and management were expected to follow. This was a career-defining event and an opportunity that Tyrone was truly grateful for.

White Label Records

Since the underground scene was being recognised as a formidable force in getting artists known outside the traditional arena, I asked for a definition to define the expression; “White Label” and it’s significance to underground music for the audience and he was only too happy to patiently define it for me. “A white label record is not released via a record label” (a reference was made to Vinyl record formats).  

If you looked at a record and it had a no text display, it was most probably produced mainly for the underground scene but could still hit the sales numbers required to make it a hit.

Underground

Tyrone never underestimated the power of records produced this way, he developed something of a following from DJ’s and magazines.

Bubbling

I already had a picture in my mind of the old days since he and I share the same age but how did it measure up? He paused and took a long breath so I knew he had a lot to say and that it was a fond memory and one that he wanted to share. 

Designer wear, no expense spared in displaying wealth and less skin exposed for both sexes. It was a vibrant scene a sort of elegant finishing that you wouldn’t expect to see today. The Garage scene which gripped the music industry at that time produced hit after hit and was not going anywhere with destinations like Ibiza paying homage to a very different sound. 

The Present Tense

Everyone’s a producer/ promoter or at least involved in some way since technology has turned bedrooms into makeshift studios. Making music is in reach for anyone who has a passion to produce. 

I wanted to know more about how the thought that the music industry would change. This seemed to flow almost as if he has answered this question a thousand times. “ Good music is still good music and that won’t change, making money is down to experience in my opinion”.

Not looking for the next big thing is one way to focus on the task at hand, Tyrone currently has five artists and to shed more light on what he does, I have compiled a list on the following page which I think followers of this genre may be interested in.

As our time was running out, I would like to thank him for the time he has given to the networking magazine and his belief in me as a writer. It was certainly of interest to meet the man behind the music, long may it continue.

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