For Kathi Reichel a visit to the set proved unforgettable—being starstruck by the cast. Soon after came a first experience as a background actor in a German feature film; sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit.

Acting

The seeds of an acting career were sown early. With just thirty minutes of television permitted each day, a young aspiring performer made a beeline for “Hannah Montana” every evening. It wasn’t long before friends were recruited to join in impromptu skits, performing pop hits with a flair that hinted at future ambitions.

When her brothers landed roles in a German TV show, the competitive spirit was piqued. A visit to the set proved unforgettable—being starstruck by the cast, and perhaps developing a secret crush on the lead. Soon after came a first experience as a background actor in a German feature film. Sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit. This was a calling.

Medicine Vs Film

But life had other plans for a while. Attending a demanding school meant the focus shifted to academics and family. Growing up in a small town where the arts weren’t exactly encouraged, it was easy to drift away from that early spark. When it came time to choose a path of study, there was a sense of being torn—medicine or film? In the end, film won out.

Then COVID arrived. A hands-on, creative degree suddenly became entirely theoretical, mostly studied from bed. It wasn’t until the final two semesters that a passion for storytelling started to creep back in.

Kathi Reichel – New York

After graduation, a move to New York for an internship followed, but something just didn’t sit right—it all felt miles away from a true sense of purpose. One day, while burning up with a fever, there was a spontaneous decision to sign up for an acting class—one barely even remembered making. That class changed everything, helping to heal, restore confidence, and bring back laughter and dreams. For the first time in ages, there was a sense of feeling truly oneself.

Back in Germany, there was no time wasted searching for a summer acting programme—and that’s when the Lee Strasberg Theatre & Film Institute appeared on the radar. What was supposed to be a brief stint turned into something much more. It became a home, a place to rediscover parts of oneself lost along the way.

Auditions

Instincts said to enrol in the conservatory. After completing the programme, it was time to take full advantage of OPT, diving into auditions and building a growing portfolio. Among the student film credits is ‘Veradens’, which earned Best Horror at the Paradise Film Festival and accolades at the Rome Prisma Independent Film Awards, plus selection for the Lift-Off Global Network Film Festival.

Later, Kathi jetted off to Atlanta to work on the TV pilot/film “Asherah: A Love Odyssey”—a surreal experience, especially being on a set where massive productions, including ones from Marvel Studios, had been filmed.

Women Who Cut

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One of the most life-changing chapters for Kathi was joining Women Who Cut. The people she met there changed everything. They became more than collaborators—they became family. The project picked up several awards, and through her role as Mia, she grew massively as an actor and as a person.

Kathi also got the chance to work as an assistant director on a stage production, which pushed her creatively in brand new ways. Being on the other side of the process gave her a deeper understanding of storytelling and teamwork—and she loved every second of it.

Her final project before heading back to Germany was Women Who Cut Immersive, and it was an experience she’ll never forget. Leaving New York felt like leaving home—like leaving a bit of herself behind.

Creativity

The people she met, the work she created, and the growth she experienced during that time shaped Kathi in ways she never expected. Acting became more than just a job—it became a space for healing, connection, and honesty.

And if one thing’s clear to Kathi now, it’s this: she wants to go back to that place—not just physically, but creatively. That’s where she feels most alive, and that’s where she truly feels at home.

Breaking news: Kathi has just revealed she’s been cast in “Spider-Man: The Book of Peter”! Follow us on Instagram to keep up with her latest adventures.

Kathi Reichel – Credits

Website homepage image – Photography by: Alan Rexroth: @alan_rexroth_visuals

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Fallen Relic is shaking up Southend’s rock scene with their signature groove-laden metal and unrelenting live energy.

To me, their music belongs on a soundtrack or as a game backdrop, but that’s just my opinion. Their followers likely see them differently. That’s the point—their sound means many things to many people, and that drew our attention. 

If you’ve ever been to a gig in Southend-on-Sea and felt the floor shake beneath your boots, chances are it was Fallen Relic at the helm. Since forming back in 2018, these lads have set out with one clear mission: to write rhythm-driven rock and metal anthems that make people move. And let’s be honest, if you’ve caught them live, you’ll know they absolutely deliver.

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Evolution

Fallen Relic’s distinct combination of heavy metal, groove metal, and hard rock is a breath of fresh sea air on the Essex coast. Their sound pays homage to the legends, with nods to the grunge-laden tones of Alice in Chains and Jane’s Addiction, and the signature riffs of Pantera, Lamb of God, and Black Label Society. It’s a melting pot of influences, but Fallen Relic aren’t about imitation—they’re about evolution. Every riff, every breakdown, every shout from the stage is designed to get your head banging and your feet moving.

The band currently operates as a tight four-piece, with Matt on vocals, Mark and Dave laying down thunderous grooves, and—at least until recently—Richie Symons shredding on guitar. March 2026 brought a bit of a shake-up, with Richie parting ways with the band. But if you know anything about Fallen Relic, you know a line-up change is just another opportunity to crank things up a notch. Auditions for a new guitarist have been in full swing, and there’s real expectation in the air about who will step into those shoes.

Turning Point

This could be a turning point for the band as there will be a change in dynamic. Nothing wrong with that; there is a learning curve for development, and they are on it. Watching from the sidelines, I really don’t think that anything will be an obstacle for them as they have their sights firmly on success.

Not content to rest on their laurels, the band are also gearing up to drop their latest single, “Fistful of Hate.” Recorded at Crossed Bell Studios with producer Alex, early teasers suggest it’s set to be an absolute monster—groovy, aggressive, and unmistakably Fallen Relic. If previous releases are anything to go by, fans are in for a treat.

Whether you’ve been following Fallen Relic from their first rehearsal or are just discovering them, one thing’s for certain: they’re a band built on energy, honesty, and a love for their sound. Keep your eyes (and ears) peeled—2026 is shaping up to be a massive year for Southend’s finest. The Networking Magazine are proud to be part of their journey.

Fallen Relic – Playing Live

Your live shows are legendary for their energy—what’s your secret to keeping the crowd moving every time?

We love playing live & engaging with our audience and I would like to think that comes across and becomes infectious. 

Going to see bands live is such a great experience and having the chance to interact with the artists on stage just enhances that. 

Sound

How do you channel your varied influences into producing that signature Fallen Relic sound?

It’s a conscious thing that we do; we approach song writing quite systematically by pulling together riffs we feel sound good together initially then craft the full song from there, making sure every note and choice is a deliberate decision to enhance the final piece.

Process

Can you take us through the recording process for “Fistful of Hate”?

We had a real blast recording this track.  We were at Crossedbell Studio near Ipswich with Alex Coombes running the desk; Mark kicked us off getting the drums down before Richie recorded the guitar parts.  The next day I (Dave) recorded the bass before Matt finished off with his vocal tracks.

It was a great experience and the first step towards what we’re planning to be our first full length album!

Fallen Relic – Dynamic

With Richie’s recent departure, how has the band’s dynamic changed, and what are you looking for in the new guitarist?

We’re actually moving to a 2 guitar set up. Richie is an incredible guitarist and was able to fill out so much sound on his own; we didn’t want to just try and find a direct replacement so made a decision to try something new.  We’ve been lucky enough the first role has been filled by our good friend Andy Belson-Margree and are holding auditions for the 2nd currently.

With Richie’s decision to leave the band we thought it was a good opportunity to grow as a band in both numbers & approach and make a difficult situation an evolutionary step.  

Memorable Gig

What’s been the most memorable gig or moment you’ve shared together as a band so far?

A couple of years ago we were in the Metal to the Masses competition and got to the grand final.  Whilst we were naturally upset to have fallen a little short, the experience of progressing through the rounds, playing in front of some great crowds and with great bands was amazing.

Connected

How do you stay connected with your fans, both at gigs and online?

To be honest it’s something we want to get better at.  When we’re at gigs we’re always available for a chat and talk to anyone and everyone that wants to; but we find online engagement quite tricky.  We try to post regularly and respond or react to as many comments as possible but we’re sure there’s more we could be doing!

Challenge

What’s the biggest challenge you’ve faced as a band—and how did you overcome it?

Probably what we’re going through now rebuilding as the new version of Fallen Felic with new guitarists.  

We’re so determined to get back on stage as soon as possible and be even better than before and I really feel it’s that determination that will drive us to overcome this challenge.

Dream Line-up

If you could put together a dream line-up for a festival, who would share the bill with Fallen Relic?

It’s a great question & I’ll probably get in trouble for not including one of the guys favourite bands or influences!

The opener would be Staind, mainly because we sometimes jam a cover of Mudshovel but think they represent our rock side. We’ll play next followed by Pantera, one of our consistent influences.  The final 2 bands would be Metallica and Iron Maiden – both are polarising to us with some loving them & others really not but undoubtedly influential!

New Music

For fans keenly awaiting new music, what can they expect from you in the coming months?

We’re looking to get Fistfull of Hate out across all streaming platforms as a huge priority so definitely keep an eye out for that.

Alongside releasing that our next priority is to get our lineup solidified and a live set ready to get back to doing what we do best: entertaining our audience!

Fallen Relic – Credits

Website homepage image – © Film Free Photography. www.filmfreephotography.co.uk

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“Katie Clarke’s performances blur the line between artist and audience, creating a sense of community right there on the bustling streets of Montreal“.

To be honest—Katie Clarke wasn’t a name on my radar, at least not until recently. That’s the magic of social media: one minute you’re mindlessly scrolling, the next you’re drawn in by a voice that stops you in your tracks. That’s exactly what happened when I stumbled across a clip of Katie pouring her heart out on a bustling Montreal street, her voice cutting through the city noise and right into my headphones all the way in London, albeit in the comfort of my home.

Katie Clarke – Singer-Songwriter

Katie’s singer-songwriter style is refreshingly unfiltered—raw, real, and full of heart. An R&B vibe with warm acoustic guitar, vocals that invite you in, and lyrics that feel like someone’s reading your own journal out loud. There’s an effortless intimacy to her sound, as if she’s confiding in you over coffee about love, heartbreak, or chasing dreams in a big city. Her music is poetic but never pretentious, balancing catchy hooks with thoughtful storytelling. Listening to Katie, you don’t just hear her songs—you feel them.

Maybe that’s exactly why I couldn’t bring myself to keep scrolling. Whether she’s busking on a chilly sidewalk or playing an intimate gig, Katie always performs with a genuine, infectious smile. It’s the kind of energy that melts even the toughest poker faces in the crowd—you can literally see people light up as she sings. That warmth and ability to connect made me want to dig deeper and reach out for a conversation.

“You only fight as hard as you love”. – Katie Clarke

Chasing The Moment

Sure, the world is packed with singer-songwriters all chasing their moment, but there’s something magnetic about Katie Clarke. Maybe it’s that effortless range, or maybe it’s the way she makes you feel like you’re the only one listening. Either way, she’s got that special something that makes you want to know more about her story. Don’t be surprised if you find yourself adding Katie Clarke to your playlist—or mentioning her name next time someone asks who you’ve been listening to lately.

So, we at The Networking Magazine decided to track Katie down and get the inside scoop—not just on what she does, but how she manages to create that magic every time she performs.

Katie Clarke – The Girl Who Sings

Meet Katie Clarke—a rising Montreal Pop/R&B artist known as “the girl who sings,” turning heads with her soulful vocals and standout style. Singer, songwriter, and producer, Katie mixes heartfelt melodies with modern beats, drawing inspiration from icons like Mariah Carey and Drake while keeping her sound fresh and personal. Her music is all about real emotion and self-expression, connecting with anyone finding their way.

From pouring lattes to pouring her heart out on her stage, Katie’s journey is pure hustle and passion. As an independent Black female artist, she’s making her mark on the city—ditching the 9–5 to chase her dreams full-time and inspiring others to do the same. With a growing fanbase and a new era of music on the way, Katie Clarke isn’t just here to be seen—she’s here to be heard.

Street Performing

You’ve captured a lot of hearts busking on Montreal’s streets—what pulled you to perform there in the first place?

To begin with, I tried singing in bars and venues, but for one reason or another, I was always turned down or simply ignored before I even got a chance. I was new to the city, with no band or connections, so one day I just thought, “Forget it—if no one’s going to let me in, I’ll put on my own show right here on the streets.” And that’s how it all started.

Can you remember the first time you set up to play in public? What was running through your head?

Yes, I remember my very first time performing in public. Honestly, I just wanted to get out there and start. I bought the best speaker and microphone I could afford at the time and just kept singing all over the city.

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A Different Vibe

Street performing is a whole different vibe from a stage gig—what’s the wildest or most unexpected thing that’s happened while you were playing?

The wildest thing that’s happened has to be when a huge crowd gathered to listen to me sing, and then it suddenly started raining. Instead of leaving, everyone simply sat down on the pavement—in the rain—to keep listening. I still can’t properly describe how that made me feel.

How does the energy from a Montreal crowd shape your set or your mood on any given day?

I love performing songs people want to hear, but I also enjoy singing whatever I’m really feeling in that moment.

Connected

Have you ever had a moment mid-song when you realised you’d totally connected with a stranger in the crowd? What was that like? 

Yes, many times—and honestly, every single time it happens, it’s one of the most rewarding experiences. It’s still one of the few things in life that makes me feel truly grounded.

Challenge

What’s been the biggest challenge about building your music career out in the open, literally and figuratively?

That’s a great question. I’d say the biggest challenge is finding ways to push boundaries while still staying safe—especially as a solo female artist performing out on the streets.

Is there a song you’ve written that feels especially personal when you sing it on the street? Why does it hit differently?

I don’t perform too many original songs on the streets, as I prefer to save those for people who buy tickets to see my shows. But every now and then I do, and each one feels different when I sing it outdoors.

Performances

How do you keep your performances fresh, especially when you might be playing the same setlist for new faces every day?

I just stay consistent and give it my all as a performer every time. Showing genuine passion and drive for your craft never gets old.

Social media has played a big role in getting your music out there—how do you balance online buzz with those raw, in-person moments?

I’m still figuring out the balance, to be honest. It’s a constant juggling act, but either way, I’ll make it work.

Advice

If you could give one piece of advice to aspiring street performers or singer-songwriters, what would you tell them after everything you’ve learned so far?

I’m not sure if it’s advice or just a little reminder, but I always tell myself: “You only fight as hard as you love”.

Credits

Website cover photography by – Rae Gates©

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From school stages in Mexico to the bright lights of New York, Manuel Zopiyaxtle’s journey is nothing short of extraordinary.

We’ve always had a soft spot for talented people, especially when it comes to that elusive spark that sets real go-getters apart from those who leave things to chance. There’s something fascinating about the drive behind the dream, and Manuel Zopiyaxtle fits that bill perfectly. Hailing from Mexico and now making waves in New York, Manuel’s journey in the arts kicked off early, thanks to a supportive family—his mum in particular. Let’s be honest, a bit of encouragement from those closest to us can work wonders for confidence, and Manuel’s got it in spades.

Creative

Creative to his core, Manuel found his calling in acting, which led him from the stages of Mexico to the bright lights of the New York Film Academy. He’s been labelled a natural storyteller—something confirmed by those who’ve shared a stage or screen with him—and he thrives on making each story he tells completely believable. From acclaimed short films and stage productions to voice work, Manuel’s been recognised at international festivals, with standout performances in pieces like “The Mime,” “For Lila,” and “The Missing Kitchen King.”

Manhattan

Once settled in Manhattan, Manuel threw himself into the NYFA whirlwind—studying with top industry pros and building the kind of creative friendships that last a lifetime. It’s true what they say: sometimes it’s not what you know, but who you know. For Manuel, the real magic of acting lies in the details, and his mantra quickly became all about authenticity and specificity. His first short film, “Gothic Girls Are Right,” made a splash at festivals worldwide and marked a turning point in his career. Since then, he’s scooped up awards, tackled everything from gruelling winter shoots to fully improvised features, and proved he’s just as at home on stage as on screen. Genuinely passionate about his craft and always up for the next challenge, Manuel Zopiyaxtle is definitely one to watch—he’s got his eyes on the future and firmly believes art is what makes life worth living.

Manuel Zopiyaxtle – Performing

Looking back, was there a particular moment in your childhood when you realised performing was more than just a hobby for you?

When I was 14, I was performing in Aladdin as part of a theatre workshop—back then, acting was just a hobby for me. It was opening night, and the mix of nerves and excitement was almost overwhelming. Playing Aladdin was my first time in a lead role, and I took it very seriously. I was on stage nearly the whole time, fully aware that my family, friends, and even people who weren’t my biggest fans were all out there in the audience. But I realised I had to give my all to everyone watching, regardless of who they were. That night, something shifted inside me. I finally understood why acting meant so much to me: no matter the circumstances, you always have to give your best and perform at 100%. I thought, “This is a tough discipline”,—but I could see myself doing it.

Manuel Zopiyaxtle – Big Moment

Then came the big moment. I had to step into Aladdin’s shoes and take the stage for my first musical number. The excitement was there, but so were the nerves—I honestly thought I might implode. Still, I had to go on, and as soon as I did, I felt an incredible sense of peace—a force more powerful than anything I’d experienced before. Suddenly, the nerves disappeared. I felt connected to everything: the audience, the lights, the stage, even the darkness beyond. In that moment, while singing Aladdin’s song, I thought to myself, “I want to do this for the rest of my life.”

Manuel Zopiyaxtle – Perspective

How did your move from Mérida to New York challenge your perspective, both as an artist and as a person?

It changed me a lot. New York is a tough city, honestly. There’s a phrase a close friend once told me: “New York is a city meant for strong-spirited people only.” I really believe that. Coming from Mérida, where people are always looking out for each other, everything felt different. Back home, everyone’s a bit more open, friendly, and welcoming. I love my country and the city I grew up in, so leaving was incredibly hard. When I arrived in New York, I quickly realised things weren’t the same. New Yorkers aren’t exactly friendly—they’re kind in their own way, just not warm and welcoming. If pushing you aside means they get somewhere two seconds faster, they won’t hesitate. I used to joke that if I collapsed on the street, not a single New Yorker would stop to help.

New York

That first year in New York was a real struggle. I felt incredibly lonely at times. But, bit by bit, the city made me stronger, more resilient, and more passionate. Eventually, I found my people and my community, and that brought me back to life. I rediscovered my passion and became relentless in everything I did. I took inspiration from the challenge itself—it felt like I’d managed to tame the city and merge with its energy. I became more committed than ever. It wasn’t easy, but I learnt to love the struggle and embrace the challenge. That’s what fuelled my life and my art. It lit a fire inside me, and I knew I wouldn’t stop until I achieved what I set out to do.

Manuel Zopiyaxtle – Creativity

Your mum played a big part in encouraging your creativity—are there any family traditions or values that still influence your work today?

So many of them. My mum and dad played huge roles in shaping the person I am today. Commitment, resilience, and a love for what you do—those were the big lessons they passed on to me as I was growing up. But above all, they taught me to be myself. Not to worry about other people’s opinions or what others might try to impose on me, but to stay true to who I am and always show my most authentic self.

They also instilled in me the importance of passion—carrying that flame with pride and love. They encouraged me never to shy away from what I care about, because it’s our passions that make life meaningful and push us to achieve more. I became a passionate person because of them.

Manuel Zopiyaxtle – Film Academy

When you think about your time at the New York Film Academy, what’s one lesson or experience that’s really stuck with you?

Professionalism might sound like a buzzword, but it’s absolutely vital. Whether you’re stepping onto set or meeting someone new in the industry, always aim to be the best version of yourself. That means being on time, staying engaged, and being responsive. Simply showing up isn’t enough—you need to be present in the room, ready to react, be respectful, and support those around you.

Wherever you go, bring an idea with you. Share your thoughts with the group; they might help, they might not, but what matters is that you’re contributing and putting yourself out there. The key thing is to take action—don’t just sit back and wait for something to happen. As actors, there’s a lot of waiting around, but if you’re going to be there for a while, at least bring your best attitude and energy to the job. It’s important to remember that we’re all in this together. Supporting each other and working as a team is what creates a truly collaborative environment. Staying committed to that sense of teamwork is, in my view, the essence of professionalism.

Impact

Is there a role you’ve played so far that’s felt especially close to your heart, or perhaps changed you in some way?

The Mime, written and directed by Veronika Hermann, was truly life-changing for me. In the film, I had to portray a street-working mime who was utterly exhausted by his circumstances. Many of the scenes involved genuine interactions with strangers and passers-by who had no idea we were filming. Often, people would ignore or even mistreat the mime—and that really got to me, not just as an actor, but as a person.

It opened my eyes to just how little attention we pay to those who make a living on the streets, and how isolated and invisible they must sometimes feel. The experience genuinely changed me, both personally and artistically. Especially in New York, where everyone is always in a rush, you rarely stop to speak to someone on the street. Playing this role taught me a great deal about empathy, kindness, and respect—not just for my character, but for every person I encounter.

Manuel Zopiyaxtle – The Mime

The film also delved into sensitive topics, such as giving up on life. At the time we were shooting, I was going through a rough patch myself—I felt lost and unsure about where I was heading, even in my career. Working on The Mime helped me reconnect with my art and my soul. It reminded me why I fell in love with acting in the first place and reignited my passion for the craft.

How do you keep your performances fresh and authentic when you’re juggling so many projects at once?

That’s a great question, and honestly, it’s one I often ask myself. At the end of the day, this is my job—and I feel incredibly privileged to call it that. Whether I’m learning lines, preparing my character, working on my voice and body, auditioning, or editing tapes, it’s all part of what I’ve trained to do. Every time I step into a new character, I approach it with as much respect as possible, honouring both the writer’s vision and the character itself, almost as if I’m meeting a new person.

Respect

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I have a huge amount of respect for the arts, and acting in particular. I approach my craft with a lot of care and passion, following a process that helps me truly connect with every role. Sometimes, I’m juggling three different characters at once, and it’s a challenge to manage them all. But I treat each character like a friend—you don’t forget your friends, or what makes them tick. I dig into the specifics of each project and develop a unique point of view for every role.

When I’m on set, I give it everything I’ve got. No matter how tired I might be, I always put in my maximum effort. I know how lucky I am to be a working actor, so I bring as much energy as I can, hoping it translates into a fresh and authentic performance. Most of the time, it does!

Challenge

What’s been the biggest obstacle you’ve faced on your journey, and how did you overcome it?

I’d say one of the biggest setbacks I’ve faced has been working with or befriending people who weren’t good for me. There have been times when I trusted people too easily, only to realise that not everyone wants to see you succeed—some are happy for you, but only as long as you’re not doing better than they are.

I’ve had moments when people turned out to be very different from who they claimed to be, or ended up treating me unkindly. It’s always disappointing and can leave you questioning yourself and your choices. I genuinely believe we’re meant to support one another, so when you encounter people who push you away or treat you badly, it can really affect your mental health.

I struggled with this, especially in a city like New York, where you can never be entirely sure of people’s intentions. These days, I’m much more careful about who I trust. Most importantly, I’ve learnt that while it’s important to have people around you, I also need enough belief in myself to keep moving forward, no matter what challenges I face.

Manuel Zopiyaxtle – Collaboration

Collaboration seems to be a big theme in your career—what do you look for in a creative partner?

Initiative really stands out to me. I love it when someone comes to me and says, “Let’s do something” or “Let’s create this.”

I believe creativity and imagination come from within—you have to truly want to make something happen. It’s inspiring to work with people who don’t just sit around waiting for a project to land in their lap. I enjoy collaborating with partners who are passionate about what they’re building, have a clear vision, and are mature enough to share the reins and let you help steer the ship.

Collaboration is something I genuinely love, and when you’re working with the right people, it can take you so far. Feeding off each other’s good ideas and energy always benefits the project, and that mutual spark is what makes creative work so rewarding.

Inspiration

Away from the stage and the camera, what inspires you or keeps you grounded in your day-to-day life?

What really inspires me is the question: “What if?” What if I actually achieve what I want? Success in this business is so subjective, and it’s never easy—but that’s exactly what drives me. When I wake up and remind myself how difficult it is to reach my goals, it lights a fire in me. I’ve always been drawn to things that are hard to get, and I think that’s part of the appeal. It’s easy to tell yourself, “It’s fine if it doesn’t happen,” but I always wonder, what if it does? What if I win, what if I get everything I’ve dreamed of, and more? That thought keeps me motivated. I love dreaming big and then actually taking steps towards those dreams, picturing myself achieving them. That’s what keeps me going.

Manuel Zopiyaxtle – Dreams

The other thing that inspires and grounds me is the people I meet along the way. I come from a place where so many people have huge dreams, but they’re held back by circumstances—money, opportunity, talent, or sometimes even their own families.

Whenever I step on stage or in front of the camera, I remind myself: “How many people would love to be in my shoes?” There are so many with a passion for acting who, for whatever reason, never get the chance. I do it for them—for those who can’t, and those who never could. I feel honoured and deeply privileged to be where I am, and I give it my all every time. The craft deserves it, and so do all the people who aren’t able to chase their dreams.

If you could go back and give your younger self one piece of advice about pursuing the arts, what would it be?

Trust the process. So often, we feel rushed, as if everything has a deadline and opportunities might pass us by. I’ve felt that way plenty of times, especially as an actor—you’re always wondering when your big break will come. But the truth is, you can only do so much. I give everything I can to pursue my goals, but beyond that, there are things and people I simply can’t control.

Trust

Learning to trust the process has helped me stay calm, even in high-pressure situations. If I could give my younger self any advice, it would be to hang in there, no matter what he’s up against. There have been moments when I felt trapped with nowhere to turn, but I’d tell him to keep going, to ride out the storm, and to trust that whatever happens—good or bad—is meant to be.

And most importantly, say yes to everything. If a project comes along and you know nothing about it, say yes. If the script’s great but there’s no pay, or even if the script’s awful and there’s still no pay—say yes. If there’s a short film shooting two hours away, or a hangout with people you don’t know, say yes. Take on roles that make you act tired, sad, or moody—just say yes. The more experiences you gather, the more they’ll enrich your craft and artistry. You never know, you might just find yourself in the right place at the right time and hit the jackpot. But you’ll only find out if you’re open to every opportunity.

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With relentless determination and a belief in the power of dreams, Juliette Cochet reminds us that we can create our own story and shine brightly.

Everyone possesses a unique superpower, but it can be difficult to carve out your own path when surrounded by those who share a similar gift. We shine the spotlight on Juliette Cochet, an exceptional actress who stands out in her field.

My introduction to Juliette came through Chelsea LeSage, a gifted friend known for her ability to connect with talented people. The Networking Magazine had the pleasure of interviewing Juliette for a candid conversation that sheds light on her inspiring journey, highlighting both the challenges she’s faced and the successes she’s achieved along the way.

Hollywood

Imagine this: a young girl from a quiet suburb in France, dreaming of Hollywood glamour and bright city lights. Many people have those dreams, but not everyone takes the leap. Juliette did! With ambition in her heart and a supportive family cheering her on from afar, she packed her bags and moved to the iconic New York City—fondly known as “the city that never sleeps.”

At the New York Film Academy, Juliette met amazing collaborators who would become her creative partners for years to come. When she wasn’t studying, she was busy auditioning for short films. Her first significant break came with “Mon Amour”, directed by Kaisar Maxutov, which earned a collection of festival awards. Talk about a strong start to her career!

“Stop waiting, stop dreaming, and start creating your own story”. – Juliette Cochet

Leading Role

Her dedication continued to shine with the film “I’m Afraid”, also directed by Maxutov, which earned her the ‘Best Actress’ award at the MultiDimensional Independent Film Festival. And if that wasn’t enough, she landed a lead role in the Off-Broadway play “Women Who Cut”, sharing the stage with industry legends like Chelsea LeSage, Kathi Reichel, and Monte Bezell. What an incredible team!

While dazzling audiences at the AMT Theatre, Juliette was also fully invested in her thesis film, “Eternity with You”, which won her another ‘Best Actress’ award at the Stockholm City Film Festival. Talk about multitasking! This touching story about motherhood was personal for her—a fitting conclusion to her years of education.

Surreal experience

Just when you thought her schedule couldn’t get any busier, Juliette landed a lead role in her first feature film, *The Blue Woman*, directed by Kyle Sharp. Although the film is still in post-production, she’s buzzing with excitement for its release. Working alongside a cast that quickly feels like family has been a surreal experience, especially with co-star Andrei Kogolenok, who makes the journey even more enjoyable.

In an unexpected turn, Juliette recently teamed up with Kaisar Maxutov for a fully improvised independent feature, embracing the spontaneity of the moment. Alongside talented actors like Manuel Zopiyaxtle, Dasha Zhykharska and Jaylen Stapleton, she learned to thrive in the chaos—it’s all about being present!

Interests

But there’s more! When she’s not dazzling on stage or film sets, Juliette explores other artistic interests. Whether learning piano as a tribute to her granddad, dabbling in photography, or immersing herself in dance and martial arts, her creative spirit knows no limits.

Juliette Cochet is indeed a force of nature. With relentless determination and a strong belief in her dreams, she’s relishing every moment in the greatest city in the world. And guess what? She’s just getting started!

Juliette Cochet – Create Your Story

If her journey teaches us anything, it’s that with the right support and a dash of optimism, you can achieve anything you set your mind to. If I were to take a page from Juliette’s book, it would read: stop waiting, stop dreaming, and start creating your own story. 

France

Juliette, when you were growing up in France, what sparked your dream of making it in Hollywood?

When I was younger, especially living outside the US, Hollywood seemed like the ultimate destination, the best place where dreams become reality. But what truly inspired me to become an actress is actually a funny story. I watched “Mission Impossible 4” for the first time, and being a young girl, I had a huge crush on Tom Cruise. 

I remember telling my family, ‘When I grow up, I’ll be working with Tom Cruise’—not realising there were so many other jobs that would allow me to be around him! My only thought was that I needed to become an actress to work with him. So far, I still haven’t shared the screen with Tom, but I know it will happen sooner rather than later. If he ever comes across this… please hire me!  

Moving

Moving to New York City is no small feat! What was the biggest challenge you faced when you made that leap?

The first challenge I faced was mainly in the language. I had a high level of English in France, but learning the slang of a country and a city specifically, learning some expressions that school will never teach you, as well as speaking, reading, writing, and thinking in English every day for years was definitely harder than I expected. For the first few months, my brain had a hard time getting used to it, but it became easier faster than expected.

The second, and definitely harder, challenge I faced was gaining my independence so quickly. I’ve always been independent, even when living with my family, but when you live alone, far from everything you thought you knew, it truly forces you to grow faster, without a choice, and that process is quite lonely. When you wish to talk to someone who lives on another continent with a big time difference and realise you can’t right away, it forces you to sit with yourself, make your own decision, and own up to it. 

New York

We heard you had some fantastic experiences at the New York Film Academy. Can you share a bit about the collaborators you met there and how they influenced your journey?

Everybody that I’ve worked with has influenced my journey one way or another. Whether it is by getting another point of view, learning about another culture, or just being inspired by them. I’ve met some of the most inspiring artists, who I believe should be better recognised for the work they put in, given how talented they are. 

I love asking questions to the crew on set, getting to understand their work and how they create this magic, and I’ve been fortunate to be around people who have been willing to teach me some of their craft. 

Craft

The cinematographers, grips, sound mixers, gaffers, assistant directors/camera and script supervisors have all taught me something about their craft, and it has made me, as an actress, more patient, grateful, and hardworking. When you know a group of people come before you and leave work after you to create an environment that will make you, the actor, comfortable enough to simply play, it makes you want to give all that you have to make all of their work worth it.

Some of the future greatest actors of our generation that I’ve met will never cease to inspire my craft. I learn so much just by watching them. We’re all on the same boat: we all love acting and want to learn, so, at the end of the day, actors will always be my biggest inspiration. It’s hard to open yourself up to someone in real life; it’s even harder when you do it in front of dozens of people while being filmed to be shown afterwards. So when I see an actor being truthfully open and vulnerable, it makes me so grateful to be there to experience it. 

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Juliette Cochet – Mon Amour

Your first big break was with *Mon Amour*. What was that experience like, and how did it feel to receive all those festival awards?

The shoot itself was so much fun! It was my first time feeling like I was shooting a movie! My co-stars were so talented, the story was interesting and fun, and the crew was full of energy! I remember doing the photoshoot for the poster, and my best friend from France was there, and she was just as in awe as I was! 

Receiving those festival awards felt unreal. I didn’t know much about it, so when I heard the news, I was shocked, euphoric and very proud! 

Achievements

You’ve had some significant achievements, like winning ‘Best Actress’ for “I’m Afraid”. What do these accolades mean to you personally, and how do they impact your work?

It’s quite unreal, to be honest. I try not to think about it too much, because though it means a lot, I want to keep the momentum going and use it as fuel for my future work! I want to keep in mind why I came here to do this. It’s a beautiful thing to receive, and it will help me move forward. 

Juliette Cochet – Balance

Balancing a lead role in “Women Who Cut” and your film “Eternity with You” sounds intense! How did you manage the pressure of multitasking on and off stage?

It was intense, that’s for sure! But the two characters were so different that switching between them was easier. Lila, from “Women Who Cut”, a comedy, is way more naive, younger, positive and very energetic. At the same time, Becca, from “Eternity with You”, is inspired by the dramatic play “Rabbit Hole”; she’s older, hurt by life’s experiences and grief, and way more grounded. I’d also worked with Becca for months before that shoot; I knew her in every way. 

Character

I knew her past, her present, her thoughts. I would also sometimes walk around the city and catch myself thinking the way Becca would be thinking: on her guard and attentive. At the same time, I was still learning about Lila and working on her. And to be fair, Lila was a light, fresh air to come back to after the heaviness of Becca. 

But the pressure itself doesn’t bother me, quite the opposite. I thrive on pressure. While my real pressure is when I have nothing to do: that’s the hard thing for me to deal with!

Juliette Cochet – First Feature Film

Tell us about “The Blue Woman”. What was it like working on your first feature film, and what are you most excited for audiences to see?

It was so cool working on my first Feature! Most actors will probably agree, but we love working on a character for a long period of time and getting to play with it under different scenarios, so I just loved playing Marie in “The Blue Woman” for a few days non-stop. Plus, we had a small crew with us, so we all bonded so well together, and we were all having so much fun!

Marie felt familiar to me in a certain way, even though she is quite different from who I am. I found myself wanting to care for her and protect her from the challenges she faced. While I can’t reveal too much, the story is very original, and my character is very ambiguous. I’m really looking forward to hearing people’s opinions about her. The audience’s perspectives on Marie will vary widely, which makes me even more excited to see their reactions!

Improvisation

You just wrapped up an improvised independent feature with Kaisar Maxutov. How did diving into improvisation change your approach to acting?

Yes, we did! It actually changed my approach drastically. Though improvisation was fun and stress-free because we didn’t have to prepare anything beyond our knowledge of the character, it reminded me of how important preparation is. And it made me, maybe, more serious about it as well. I would sometimes catch myself watching my co-stars act as if I were part of the audience, and I would find them funny, but I realised that my character wouldn’t find any of it funny. 

So, it made me work more on accepting the reality of the circumstances. Plus, though I’m a firm believer in following your instincts when acting, I also realised that, by making a feature fully improvised, a bit of improvisation is great, but following a script and a strict dialogue is where you can expand your creativity so much. I personally find ideas in somebody else’s ideas. When I have a script to decrypt, I can go extremely deep into it, finding crazy scenarios, and that is what I like the most, personally!

Creative Interests

Outside of acting, you explore a variety of creative interests. Could you tell us how your passions, such as learning Piano and photography, influence your work as an actress?

An actor plays different types of human beings, and even if their skills aren’t shown on screen, I still believe it is important that we know what our character can and likes to do outside of their work and their relationships. So the more I learn, the more I can use it for my acting. 

Learning new skills reminds me that no matter what you work towards, you need to practice a bit more every day to grow. I used to believe that when you learn acting, then that’s it, you don’t have anything else to do. I used to believe that Meryl Streep wasn’t practising every day because she was Meryl Streep. But I was drastically wrong! Acting is a skill like Piano or Photography, and you need to practice a bit every day to get better at it. 

There’s also a quote that I love that influences me to learn new skills every day: “Luck is when preparation meets opportunity”. And that is just so true. So I want to be prepared for anything so that if an opportunity comes, then I’ll be ready to jump in. 

Juliette Cochet – Credits

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Sophia Eleni‘s creative journey has seen her collaborate with leading studios such as the BBC, FOX21, and Paramount. Sophia made a striking entrance to the West End, earning critical praise for two solo performances.

For most people, a good thriller or horror film is all about that heart-racing excitement and a proper scare. These are the films you put on when you want to be kept guessing—packed with suspense, jumpy moments, and twists you never saw coming. Whether it’s a creepy supernatural tale or a tense psychological drama, they deliver a real adrenaline rush—especially if you’re watching with mates and can share a few laughs (or screams). It’s all about enjoying those nerves and chills, safe in the comfort of your own sofa.

Of course, there’s no denying that CGI and all the latest tech make films look incredible these days. Slick effects and clever camera angles can really set the scene. But at the end of the day, it’s believable characters that make a story stick with you. That’s where Sophia Eleni truly shines.

Sophia Eleni – Standout Performance

Meet Sophia Eleni—the rising star everyone’s talking about after her standout performance in the spine-tingling horror flick Bone Keeper. Just this morning, a photo of Sophia at the Glasgow Film Festival landed on my desk. What caught my eye wasn’t the usual red carpet glamour, but her expression—she absolutely radiates pride in her achievement. And who can blame her? She’s earned every bit of it.

With her infectious energy and down-to-earth charm, Sophia is quickly becoming an actress to watch—not just for her talent, but for the warmth she brings both on and off screen.

London

Born and raised in London, Sophia’s love for performing was clear from the start. She trained at Rose Bruford College of Theatre & Performance and The Estonian Academy of Music & Drama, perfecting her craft and developing the versatility that’s now her trademark. After a series of impressive roles on stage and TV—including memorable appearances in BBC’s Casualty—Sophia landed her breakout film role in Bone Keeper, a tense supernatural thriller that put her right at the centre of the action.

In Bone Keeper, Sophia plays a determined and resourceful lead, handling both the psychological twists and the physical demands of a horror movie with real skill. With this milestone under her belt, Sophia Eleni is clearly poised for even bigger things. As she takes on new challenges and unexpected roles, one thing is certain: Sophia is a force to be reckoned with, and her journey is only just getting started.

Sophia Eleni – Early Moments

What first inspired you to pursue acting, and were there pivotal early moments?

I think it started with an interest in people and their behaviours. I was always an intuitive and emotionally sensitive child, and acting gave that instinct somewhere to live. I’ve always believed our early experiences shape us, and acting became a way of transforming mine into something purposeful. One pivotal moment came early in training, when I realised that presence, stillness and listening could be far more powerful than pushing for size. That’s when I understood that authenticity — especially on screen — is the most compelling thing to watch.

Training

How did your training in both London and Estonia influence your approach to performance, and what key lessons have stayed with you throughout your career?

I started training from a very young age, around six, and then went straight to drama school once I’d completed my formal education. London gave me a rigorous, theatre-led foundation — discipline, stamina, and the technical craft of building a performance. Estonia stayed with me in a different way. It was where I properly dipped my toe into screen and voice work, and I fell in love with it immediately — it was exhilarating and felt like a calling. I often regard Estonia as the foundation of my work in screen and voice acting.

Sophia Eleni – Challenges

Can you share a few standout challenges or breakthroughs that marked turning points in your transition from stage to screen and voice acting?

One of the biggest challenges in moving from stage to screen was scale. On stage, you’re trained to project and hold the back row; on camera, the smallest shift in thought can read as a huge moment. The breakthrough for me was trusting stillness — letting the inner life do the work rather than “indicating” it.

Voice acting was another turning point, because you don’t have the support of your face or full physicality in the same way — everything lives in breath, intention and rhythm. You’re often working alone in the booth, which means relying far more on imagination and visualisation. I like to think of the microphone as a close-up camera! Once I treated it as full acting rather than “just voice,” it unlocked a whole new level of freedom and specificity.

The Voice Of Aava

You’re the voice of Aava, the lead character in the hugely successful survival-climbing game Cairn, which recently won an award at Tribeca in New York. What drew you to the project, and how did you prepare to bring such a central character to life?

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I was immediately drawn to Cairn because it has real emotional integrity. The narrative grabbed me because it’s survival with soul. Aava is central to the story, and the writing treats her like a full human being — not a stereotype. I prepared by building her psychology first, then grounding it in the physical reality of climbing: breath, effort, timing, and the way determination sounds when you’re running out of strength. I wanted her to feel truthful — not performed.

Sophia Eleni – Bone Keeper

You play Nadia in Bone Keeper opposite John Rhys-Davies. What can you tell us about the role — and is there a moment from set that’s stayed with you?

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Nadia is an interesting character because she genuinely wants to help her friends uncover the truth about this legendary creature in the caves — but she absolutely has her own agenda. She’s a scientist with a real curiosity for geology and biology, and she’s determined to be the first to work out what’s actually going on… partly because it could be the discovery of a lifetime and, yes, it would elevate her career. That makes her tough, prickly at times, and brilliantly unapologetic — she’s not here to soothe egos, and she’s especially sceptical of the men around her!

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And of course, working opposite John was a masterclass in presence. He has that rare ability to make a scene feel alive through timing and stillness, and it raises your game instantly. John often improvised scenes, and we all just ran with it! Quite a lot of the takes in the film were the ones where we improvised, actually.

The crossroads of film, TV, and next-gen voice acting and performance capture

Your career sits at the crossroads of film, TV, and next-gen voice acting and performance capture. How do you adapt your acting process for each medium, and what unique challenges do they each present?

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I adapt by keeping the same core truth, but changing the scale. On screen, it’s about restraint and specificity; in TV, it’s about consistency and speed; and in voice and performance capture, it’s about clarity – making the inner life audible and physical, even when you’re working in a booth or in a suit with no environment around you. I often say the microphone is like a film camera: it picks up nuance in exactly the same way.

The unique challenge across every medium is balancing technique with freedom. You have to be disciplined enough to meet the technical requirements, but free enough to stay alive and human in the moment.

Misconception

Performance capture and voice acting are rapidly evolving fields. What’s one misconception about this work that you’d love to set straight?

A common misconception is that performance capture and voice work are solitary or mechanical — that it’s “just voice,” or somehow lesser than on-camera acting. In reality, the tech only records what you give it. You’re doing full acting: intention, relationship, rhythm, breath, and emotional truth and often without the usual supports of set, costume, or even scene partners. It’s highly technical, but it’s still fundamentally human work.

And while you’re often in a booth or in a suit, frequently working alone, it’s deeply collaborative. You’re building a living character with writers, directors, animators, and designers — it’s acting that lives across an entire team, and then carries into new technology.

Technology and Storytelling

With technology and storytelling more intertwined than ever, where do you see the future of performance capture heading, and what excites you most about it?

I think games are becoming ever more cinematic – and the appetite for that kind of storytelling is only growing. What excites me is where performance capture is heading: more nuanced, actor-led work that feels as intimate as film, but inside immersive worlds audiences can actually step into, interact with, and actually alter narrative. That blend of emotional truth and interactive storytelling feels very current, and I believe it is paving the way for an exciting future in our creative industry!

The Entertainment World 

The entertainment world often expects individuals to fit into certain “boxes.” How have you navigated the industry while staying true to yourself and your passions?

It can be frustrating, because the industry often prefers shorthand — it wants to understand you quickly, and that can turn into typecasting. For me, the answer has been clarity and consistency: choosing roles that genuinely excite me, staying focused on craft, and making sure my materials and public work reflect the breadth of what I can do. I’ve learned you can’t control the boxes people try to put you in, but you can control the story your work is telling.

Sophia Eleni – Advice

You’ve built momentum in your career outside of traditional routes. What advice would you give to other actors looking to carve their own path in the industry?

I’d say: focus on craft and creating momentum you can control. That means having materials that truly represent you, making work where you can (quality work – you at your best) and being strategic about how you’re seen. Keep your message clear: what you do, what you’re best at, and what lane you’re building.

And don’t underestimate consistency. One good performance helps, sure, but a pattern of strong work is what changes how the industry responds to you. Be patient with the timeline and ruthless about the quality!

Credits

Website cover photography – Jasper Quinn ©

Photography permissions obtained by Sophia Eleni ©

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“Training_set is an absolute must-see for anyone intrigued by the evolving dynamics between AI and human relationships, this narrative bravely ventures into the complexities of love and intimacy in the digital age.” – Networking Magazine

Sitting comfortably at home, I was relaxing in my chair and watching the news when my phone pinged. At first glance, I thought it was just a text, but upon closer inspection, it turned out to be a Google Drive link.

I’m going to watch a play! It felt like my little way of helping to reduce a carbon footprint, but more on that later. The link led me to an exclusive sneak peek of the play “Training_set.” I absolutely love theatre; there’s something almost therapeutic about soaking up the atmosphere and ambience that comes with it.

Even though I was watching on a screen rather than in person, I still appreciated the experience. So, here’s my take on a play that carries a powerful message and explores the complex relationship between AI and humans.

In a world where technology seeps into every aspect of our lives—often getting in the way—Sonny Marwah’s “Training_set,” produced by Jenilyn N. Rodriguez, Chelsea LeSage, and Sonny Marwah (Golden X Productions), offers a captivating look at the delicate balance between artificial intelligence and our human experiences. Luckily, I got to catch this thought-provoking play thanks to that Google Drive link popping up on my phone—a real treat for a theatre lover, even if I was settled in my living room.

With my feet up, popcorn in hand, and the show cast onto my large screen, I did my best to recreate some of that theatre magic—well, I tried, anyway.

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Training_set – Narrative

The narrative introduces us to two millennial women—a spirited divorce lawyer and an innovative figure in the art world—who navigate the thrilling, complicated waters of their friendship while tackling the challenges of love in this tech-driven age. When a Gen-Z man enters the picture, it ignites a whirlwind of desires, revelations, and confrontations, raising important questions about what connection truly means in a world where privacy seems to vanish by the second.

Interactions

As the algorithm quietly observes their interactions, it learns to pick up on even the unspoken feelings between them. This clever twist (no spoilers) adds a fascinating layer to their relationship, urging the characters to examine what it means to love when every moment is under the watchful eye of technology. The story delves into the effects of tech on our emotions and connections, pushing the women to rethink what it means to open up their hearts when they know they’re being scrutinised.

“An audacious exploration of intimacy in the digital age, this narrative blends emotional depth with sharp societal commentary. The characters are vividly drawn, making their journey both relatable and thought-provoking—a must-read for anyone trying to navigate love in a time of constant observation.” — Networking Magazine

Chelsea LeSage and Jenilyn N. Rodriguez delivered standout performances in “Training_set,” each bringing depth and nuance to their characters. Chelsea, portraying the spirited divorce lawyer, infused her role with a mix of fierce determination and vulnerability, skillfully capturing the balancing act of professional ambition and personal relationships.

Jenilyn, an innovative figure in the art world, presented a layered performance that revealed her character’s complexity and emotional struggles. Her ability to convey the challenges of navigating friendships and love in a tech-saturated environment resonated deeply with the audience. Together, their chemistry and contrasting personalities created a dynamic interplay that underscored the play’s themes, making their performances both compelling and memorable.

The chemistry between them was indeed clever casting and personally lived up to the screenwriter’s creation.

Against a backdrop where friendships and romances unfold under the watchful gaze of AI, this narrative highlights the challenges of intimacy and the intricacies of modern love. Audiences will be drawn into an engaging exploration of desire, jealousy, and the lengths we go to for connection.

An innovative tale, where friendship and technology collide, creating a narrative that feels both timely and strikingly relevant. Although I didn’t get the chance to fly over and soak up all this play had to offer, I did get the next best thing!

Podcast

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Credits

Poster & Stills

Tamar Shemesh

Juliette Cochet

Portrait photo for Jenilyn – Cara D’Adamo

Portrait photo for Chelsea – Juan Carlos Espinoza Abrigo

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Sherine Lionel, after a personal journey of self-discovery, weight loss, and finding her self-confidence, she recently stepped in front of the lens and embraced a new chapter.

We all know someone who has faced various forms of hardship, each as unique as the individual enduring them.

In a world filled with challenges, it’s easy to recognise that many individuals grapple with their own personal battles. Yet society often ignores these subtle cries for help, neglecting those on a relentless quest for strength and resilience.

Our social media feeds frequently bombard us with curated images of perfection, where beauty is often equated with immense talent or sheer luck. This idealised portrayal can create a distorted view of reality, masking the struggles that lie beneath the surface.

Weight gain, though more common, can also lead to feelings of wanting to hide. Those who fight back, often for health reasons, carry the torch for many who feel lost and in need of direction. 

One such champion is Sherine Lionel, a figure on social media who is gaining a curated audience of people who relate to her struggles. We caught up with her for a candid conversation about modelling and how she overcame her personal challenges to emerge on the other side.

Journey

Can you tell us more about your personal journey of self-discovery and how it has shaped who you are today?

My journey of self-discovery really began with my health not being the best. I tried everything I could to improve it, but eventually I realised something bigger needed to change. In 2023, I made the life-changing decision to have surgery, a choice that led to losing a whopping 11 stone.

I’ve always been the fun-loving, bubbly person in the room, and that’s genuinely part of who I am. But deep down, I knew I was also hiding behind that personality because of my physicality. I loved taking selfies, but always with a filter, never fully showing the real me. It was a way of protecting myself while still wanting to be seen. 

Losing the weight didn’t just change my body; it changed my relationship with myself. It allowed me to love who I was both inside and out. For the first time in many years, the person looking back at me in the mirror finally felt like me, the person I had always wanted to see.

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Creative Shoots

Can you share some memorable moments from your creative shoots that particularly resonated with you?

I’ve been lucky enough to experience a handful of shoots, all completely different, from modelling for an independent hair company to carnival costume shoots, pageantry headshots, and fun creative projects. 

Every single one has been incredible, and I’ve cherished them all in different ways. However, the shoot that truly reflected my journey was the one I did for my very first pageant. Stepping into a professional shoot for the first time and seeing the new version of myself and how far I had come felt like a real pinch-me moment. 

I had always been the one behind the camera, so finding the confidence to let someone else take my photos was a huge step. Seeing the final images and loving the outcome was genuinely breathtaking.

The Reward

What do you find most rewarding about being involved in the pageant industry, and how has it impacted your view of self-celebration?

What I find most rewarding about being involved in the pageant industry is the way it encourages growth, confidence, and self-belief. It’s so much more than appearances; it’s about showing up as your authentic self, owning your story, and celebrating how far you’ve come. 

Being part of pageantry has completely changed the way I view self-celebration. For a long time, I struggled to truly celebrate myself, but pageantry has taught me that it’s okay and important to be proud of the journey. 

Standing on stage, knowing everything I’ve overcome with my health and personal confidence, has helped me embrace who I am without guilt or hesitation. It’s allowed me to celebrate myself openly and inspire others to do the same.

Sherine Lionel – Modelling

How do you express authenticity and individuality in your modelling work?

I express my authenticity and individuality in my modelling work by showing up as my true self and letting my personality shine through. I’ve always been fun, bubbly, and expressive, and now I no longer use that as a shield; it’s simply who I am. 

I love having fun with the shoots, but I also know when to keep it professional. One thing I can’t do a shoot without… is music! Music really helps set the scene, so I love to make sure the environment is relaxed and fun, and it also helps me get in the zone!

Sherine Lionel – Challenges

What challenges have you faced in your journey, and how have you overcome them?

One of the biggest challenges I faced was the judgment and negative comments from others when I chose to be open about my journey online. Some people said I had taken the “easy way out,” which was incredibly difficult to hear, especially when the decision was deeply personal and made to improve my health and quality of life. 

I overcame this by constantly reminding myself that I was doing this for me, and only me. It was about protecting my health, my happiness, and my future. I also leaned into my spirituality, with a wise woman once reminding me that people only try to dull your sparkle when they’re already in the dark. I truly believe that, and it helped me stay grounded, focused, and confident in my choices.

Motivation

How do you stay motivated and driven in the competitive world of modelling and creative projects?

I stay motivated and driven by always remembering why I started. Everything I do is rooted in bettering my health, my confidence, and my quality of life, not in seeking validation from others. That keeps me focused and grounded, especially in such a competitive industry. 

I also draw motivation from my journey and how far I’ve come. Modelling and creative projects are no longer about proving myself; they’re about celebrating growth, authenticity, and self-expression. I stay driven by surrounding myself with positivity, trusting my instincts, and holding onto the belief that no one else can dim my sparkle unless I let them.

Message

What message do you hope to convey through your work, especially in the context of confidence and creativity?

Through my work, I hope to convey that confidence and creativity come from embracing your authentic self. I want people to see that self-expression isn’t about perfection, it’s about celebrating who you are inside and out, no matter your journey. 

Having gone through my own transformation, I’ve learned that confidence grows when you allow yourself to be seen, to experiment, and to take up space unapologetically. My goal is to inspire others to embrace their individuality, trust themselves, and find joy in expressing it creatively, and to show that anything is possible if you want it.

Sherine Lionel – Goals

What are your future goals in the modelling industry, and how do you plan to continue your journey of growth?

My future goals in the modelling industry are to continue working on diverse and creative projects that allow me to express authenticity and inspire confidence in others. This year, I’m taking part in the Miss Great Britain pageant, which isan exciting opportunity to challenge myself even more and push my personal and professional boundaries.

I will continue my journey of growth, as I plan to keep learning, refine my skills in front of the camera, & exploring new aspects of the industry. I plan to share my story to empower others, stay grounded, embrace new opportunities, and remain true to myself, which will always guide my growth, both personally and professionally.

Credits

Website cover Photography by: The Creative Fox Photos© @thecreativefoxphotos

Sherine Lionel – Instagram

Contact the magazine.

Talk Show

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Cypher 4 is out now! featuring Lampros Kalfuntzos, Matt Drago, Kristi Murdock, Simba Masaku, Helen King, Améthyste Mangangu and Lexi Jo.

After more than 200 hours of dedicated production and overcoming tight deadlines, we are thrilled to unveil Cypher 4. I thoroughly enjoyed engaging in insightful interviews both here in the UK and in the United States.

Featured Stories

Lampros Kalfuntzos offers candid insights from his professional and personal journey in a conversation with Networking Magazine.

Matt Drago is making waves in the entertainment industry and is best known for his role as Fabian in “Somewhere in Montana.”

Kristi Murdock shares her story in an exclusive interview with Networking Magazine, delving into both her professional and personal experiences.

Simba Masaku, the driving force behind Kamba Entertainment, discusses his contributions to the independent film sector.

We attended Helen King’s captivating performance at the iconic Hope and Anchor in Islington.

Tune in to our signature podcasts, where model and actress Améthyste Mangangu and model Lexi Jo share more inspiring stories.

Cypher 4 – Limited Print Edition

Limited to a print run of only forty copies sold worldwide. Printed with high gloss covers, 115 gsm silk coated paper. Purchased directly from our worldwide printer.

Print Shop

Cypher 4 – Digital Magazine

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Get Featured

If you are an actor, musician, or creative, we would love to hear from you. As a registered UK press outlet with a distinctive signature style, we offer exceptional coverage that is both unique and eye-catching. Your following could be the perfect complement to our narrative.

Talk Show

With stories spanning the globe and a presence in 21 countries, our content reaches audiences worldwide through platforms such as Spotify, Amazon Music, Apple, YouTube, Podcast Index, Podcast Addict, Podchaser, Pocket Casts, Deezer, Listen Notes, and Player FM.

Contact us to be featured. We design our own bespoke podcast covers and utilise the latest online studio technology, so your location is never a barrier.

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Helen King is carving out her path as an emerging music writer and artist. Integral to her journey is leaving an impression at venues that have welcomed some of the most recognisable names in British music.

Helen King – The Gig

One of the things I adore about London is its vibrant sense of history; it envelops you at every turn. Nowhere is this unique character more apparent than in the city’s iconic music scene. Having followed the brand Helen King and her journey as an artist for over a year, I couldn’t wait to see her perform live. 

We were like a couple of old friends catching up, which was so weird because we had only spoken on the phone over the year. Suffice to say, she has grown as an artist, with her style, confidence, and even the way she carries herself all the more present. You can’t help but feel proud watching from the sidelines.

Helen’s voice has this warm, honest quality that just draws you in. It’s got a gentle, slightly raspy edge that makes every lyric feel real and heartfelt, like she’s telling you a story over coffee. There’s something soothing about it, but it’s also full of character—totally unique and impossible to ignore.

“There’s nothing quite like seeing your friends succeed and feeling genuinely proud of how far they’ve come.” 

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A post shared by London Music Showcase (@londonmusicshowcase)

The Genre

The indie genre is all about that independent spirit—artists creating music on their own terms, away from the big record labels and commercial pressures. It’s a scene where the DIY approach rules, with musicians often recording, producing, and releasing their songs themselves or through small, independent labels. That’s why indie music feels so personal and authentic; it’s raw, sometimes a bit rough around the edges, and always true to the artist’s vision.

What’s great about indie is that there’s no single sound. You’ll find everything from jangly guitars in indie rock bands like Arctic Monkeys or The Strokes, to dreamy indie pop from Florence + The Machine, or the heartfelt acoustic vibes of Bon Iver and Laura Marling. The focus is really on originality, creativity, and emotional honesty, making it a genre that’s constantly evolving and attracting listeners who want something real and different from the mainstream.

Photography

Among the creative forces shaping our magazine’s visual identity is the exceptionally talented photographer Iain Atkins. With a versatile portfolio spanning countless genres—from portraiture and fashion to studio work—Iain brings a unique eye to every assignment. Yet, it is in the dynamic world of live music photography where he truly shines, capturing the raw energy and emotion of performers on stage. His images do more than document an event; they tell the story of the music, the artists, and the atmosphere, bringing our features to life and offering readers an immersive window into the live performance experience.

I’m lucky enough to have Iain’s photos alongside my words—they really lift the whole piece. The way he plays with light, colour and exposure is seriously impressive. You’ll spot his details under each shot, so if you like what you see, definitely give him a follow on Instagram!

Iconic Brand Names

During the 1970s and 1980s, the Hope and Anchor became a legendary springboard for the British music scene, hosting a remarkable array of bands. From The Clash, The Cure and The Jam, to The Police, Dire Straits and The Specials, its stage became synonymous with musical innovation. U2 played one of their earliest London sets here—famously to an audience of just eight—while Joy Division’s frontman, Ian Curtis, experienced his first epileptic seizure after performing. The Stranglers, The Damned, Dr Feelgood, X-Ray Spex, Eurythmics, Elvis Costello, and Madness all added to the venue’s electric legacy.

The Hope and Anchor

The Hope and Anchor’s reputation soared, culminating in the 1977 Front Row Festival, which featured XTC, Shakin’ Stevens and Tom Robinson. The festival was immortalised as a live double album, rising to number 28 in the UK Album Charts and firmly establishing the venue’s place in British music folklore. Helen King stepping onto this stage wasn’t just another gig—it was a real statement. Her presence here put her name alongside some of music’s true legends, showing that she’s an artist who belongs in that kind of company.

“Everybody who is involved in music will tell you that there’s no such thing as a finished record, only an abandoned one.” – Music producer Brian Eno.

Memories

The Hope and Anchor’s walls hold more than just memories. Live albums by The Stranglers, Elvis Costello and The Saints were recorded here, and Madness filmed their classic “One Step Beyond” video within its walls. The lively bar even inspired Splodgenessabounds’ cult single, “Two Pints of Lager and a Packet of Crisps Please”—a playful nod to the struggle of being served—which reached number seven in the UK Singles Chart. The spirit of independence thrived here, too: Stiff Records, a pioneering label, was founded at the Hope.

Recent Years

In more recent years, acts such as The Libertines and Enter Shikari have continued the tradition, ensuring the Hope and Anchor remains a cornerstone of live music.

The Hope and Anchor has recently undergone a comprehensive refurbishment, boasting a state-of-the-art PA system, an enlarged stage, new lighting, and a full backline for performers. True to tradition, the stage now occupies its original, iconic spot—just as it did in the venue’s golden era.

The Grade II-listed Hope and Anchor appeals to music lovers and history enthusiasts alike. Step inside and you can almost hear the echoes of legendary gigs and visualise the musical icons who have graced its doors.

Credits

The information used in this article is based on the content from “The Hope and Anchor website”.

Helen King on Spotify.

Editorial photography by Iain Atkins Photography.

Band

Tom Barlow on Guitar @colbyoverdrive

Matt Pittkin drummer @mattpittkin

Base Guitar – @Ike Monteiro

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