Maria Costin is one of British fashion’s rising stars. With natural beauty and creative flair, she’s already turning heads—from her standout “Catwalk Diaries” cover to her dynamic work in front of the camera.

Maria Costin is making waves as an up-and-coming model, bringing a real flair for fashion, beauty, and all things creative – with a particular soft spot for fantasy photography. In just a year, she’s already developed a dynamic portfolio across fashion, beauty, and lifestyle projects, always radiating confidence and adaptability.

If you haven’t heard of Maria Costin yet, you soon will. Effortlessly sophisticated and undeniably classy, she’s got a distinctive look that’s perfectly suited to commercial modelling. With her versatility and presence, Maria is definitely one to watch.

Portfolio

My introduction to Maria Costin came from a friend of mine – a seriously talented photographer (Iain Atkins) – who sent her details my way with the highest recommendations. From the very first glance at her portfolio, it was obvious that Maria is a natural in front of the lens; she knows exactly how to work the camera, bringing her unique charm and effortless poise to every shot. It didn’t take long to realise I simply had to sit down for an interview with her.

“I think modelling is all about telling a story—whether it’s through fashion, a bit of fantasy, or just being yourself in front of the camera.” – Maria Costin

Maria Costin – Catwalk Diaries

When it came time to select the perfect image for the back cover of “Catwalk Diaries” issue 9, one of Maria’s shots stood out immediately. The decision was very easy – her photograph captured the spirit of the magazine’s theme: a celebration of models from all backgrounds, some already making a name for themselves, others with potential and on the verge of discovery. Her image fit seamlessly with this collective, embodying both the confidence of experience and the promise of new talent.

Commercial Work

Her upbeat attitude and professionalism haven’t gone unnoticed, either. She thrives on collaborating with photographers, brands, and fellow creatives to bring bold ideas to life. She’s particularly drawn to commercial work, approaching every shoot with loads of enthusiasm and a keen eye for top-notch results.

Away from the camera, she’s got a Business degree from Northampton University and a Level 3 in Childcare under her belt. Her knack for makeup and content creation means she crafts beauty and lifestyle content that really stands out, and she’s eager to team up with brands that champion creativity and genuine storytelling.

Interview

We had the pleasure of catching up with Maria for an exclusive interview, during which she opened up about her professional rise in the modelling world and the personal experiences that have shaped her along the way. Our conversation offered a fascinating glimpse into Maria’s ambitions, inspirations, and the unique path she’s carving out for herself in the industry.

Modelling

Let’s start at the beginning—how did you first get into modelling, and what was it about the industry that caught your eye?

I’ve had a passion for modelling since I was younger and did a few photoshoots here and there, but I never really considered pursuing it seriously until last year. I wanted to step out of my comfort zone and challenge myself, and modelling felt like the right way to do that.

What really caught my eye was the fashion and editorial side of the industry. I was drawn to the creativity and storytelling behind every image, and that inspired me to pursue modelling with a lot more purpose.

Maria Costin – Portfolio

You’ve already built quite an impressive portfolio—what’s been the most memorable shoot or project you’ve worked on so far?

I really appreciate that. I always approach every new project with enthusiasm because I love meeting new people, collaborating with different creatives, and seeing everyone’s unique approach. Every shoot teaches me something new.

That said, my most memorable photoshoot was my first project with @kayadcreative. She made me feel so comfortable, helped build my confidence, and encouraged me to see a beauty in myself that I’d never recognised before. That experience completely changed the way I saw myself in front of the camera.

Styles

Your work covers a range of styles, including some really striking fantasy shots—are there any particular themes or styles you especially enjoy? 

As I’m also a makeup artist and content creator, I really enjoy taking part in commercial photoshoots. I also have a passion for fantasy photography and high-fashion editorial work because they allow creativity to take centre stage.

At the same time, I embrace every opportunity and love challenging myself, no matter the style or concept a photographer presents. Every project is an opportunity to learn, grow, and explore something new.

Inspiration

When you’re in front of the camera, you always seem so confident and creative—who or what inspires you in those moments?

To be honest, when I’m in front of the camera, everything else seems to disappear. All I can see is the camera lens, and all I can hear are the photographer’s instructions. I naturally become completely focused and immersed in the moment.

I always welcome constructive feedback from photographers and everyone involved in the project because my goal is to bring their vision to life as authentically as possible. I think that openness helps me grow with every shoot.

Maria Costin – Balance

Balancing modelling with your studies and other interests can’t be easy—how do you manage to juggle it all?

I started modelling around the time I graduated, as another way to express myself creatively. It was the first time I truly felt I could choose what I wanted to do, rather than what was expected of me, and trusting that feeling led me to where I am today.

My childcare career is also very creative, so it feels like I’m constantly surrounded by opportunities to express myself. When life becomes overwhelming, I make time for self-care, reflection, and painting. I’m not a professional artist, but it’s something that helps me clear my mind and make space for new ideas.

Discovery

Away from the camera, there’s always more to the story—what’s one thing people might be surprised to learn about you?

I think people would be surprised to learn that, growing up, I wasn’t confident at all. I was raised in an environment where there was a lot of pressure to compare myself to others and follow society’s expectations, which made it difficult to fully express myself through my art.

After finishing high school and completing my Level 3 Childcare Diploma, I moved to London to study Business at University and started a completely new chapter. That was the moment I truly began living for myself, becoming more independent, and discovering the confidence I never knew I had.

Maria Costin – Passion

You’re clearly passionate about your career—do you have any dream collaborations or brands you’d absolutely love to work with one day?

I’m always excited by the opportunity to work with different brands and fashion designers, but my dream collaboration would definitely be with Robert Wun. His haute couture shows speak to my soul, and I’d be honoured to be part of one in any capacity. I admire how he constantly challenges expectations and expresses emotion through fashion.

As for brands, I grew up watching makeup creators on YouTube, which first sparked my interest in commercial photography. I’d love to collaborate with beauty and fashion brands that align with my values and appreciate creativity as a form of storytelling.

Advice

Finally, for anyone wanting to follow in your footsteps, what advice would you share with those hoping to break into the world of modelling?

Let go of the imposter syndrome. I still find myself battling thoughts of not belonging or not being enough, but as cliché as it sounds, there really is room for everyone. There will always be someone you inspire simply by being your authentic self, and it’s never too late to pursue your dreams. Don’t be afraid of being perceived or put into a box by society. You are constantly growing, evolving, and becoming a better version of yourself.

You are enough, and you deserve to be appreciated by the right people. Negative experiences don’t define who you are. We’re all just humans navigating life, and if modelling is something that genuinely sparks your interest, don’t be afraid to explore it. Collaborate with other creatives, embrace the journey, and allow yourself to grow through the creative process.

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Credits – Website cover photography by: Iain Atkins Photography© / @iain_atkin

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“For us, it’s absolutely non-negotiable. We source all our ingredients from organic farms, ensuring they’re grown without synthetic pesticides or fertilisers. We also steer clear of GMOs and avoid artificial additives altogether.”

In recent years, more and more people have begun paying closer attention to what they put on their skin. This shift in awareness has sparked a real boom in the popularity of certified organic and natural makeup. But what’s actually behind the trend, and is there a genuine difference between these two categories?

To get a closer look at what makes these products special, we spoke to Sandeep Gill, the owner of Blushgreen, a brand passionate about clean beauty. According to Sandeep, certified organic makeup sets the gold standard for those aiming to keep things as pure and natural as possible. “For us, it’s non-negotiable. Our ingredients are sourced from organic farms, grown without synthetic pesticides or fertilisers. Plus, we avoid GMOs and artificial additives entirely,” Sandeep explains. 

Blushgreen – Certification Process

She also emphasises the importance of the certification process: “A third-party body like COSMOS, Ecocert, or the Soil Association checks every stage – from how the ingredients are grown to how the finished product is made. When you see a ‘certified organic’ label, you know the claims have been thoroughly vetted and the product meets strict international standards.”

For many, the appeal of organic and natural makeup goes beyond simply avoiding chemical nasties – it’s about supporting sustainability and being kinder to the planet, too. Organic farming methods tend to be gentler on the environment, promoting healthier soil, reduced pollution, and better biodiversity. Plus, brands that go the extra mile for certification often care about their overall eco-footprint, using recyclable packaging and ethical sourcing policies.

At the end of the day, whether you go for certified organic or just natural, it’s all about making choices that align with your values and your skin’s needs. Just remember: not all ‘natural’ products are created equal, so a bit of label-reading goes a long way.

Blushgreen – Blog

What really impressed me about Blushgreen is that their blog goes beyond just showcasing products—it offers genuine advice and guides customers through the process behind clean beauty. The website itself is a breeze to navigate, and I have to say, the checkout process is equally seamless. Their clean-lined, earth-toned branding creates a welcoming online retail space setting. With their presence on both Amazon and Shopify, it’s clear they’ve set their sights firmly on success.

In this interview, we learn more about Blushgreen’s product range and uncover Sandeep’s inspiring vision for the brand. Sandeep reveals not only what goes into each product but also the passion for transparency, ethical sourcing, and sustainability that drives every decision at Blushgreen. From prioritising certified organic ingredients to championing eco-conscious packaging, Sandeep’s commitment shines through—making Blushgreen a standout choice for anyone seeking clean beauty with integrity.

Interview

Blushgreen Cosmetics – The Journey

What inspired you to start Blushgreen, and how did your vision for clean beauty take shape?

Beauty has always been a huge part of my life. My passion for makeup began when I was just 16 years old. After completing a one-year professional makeup artistry course, I qualified as a professional makeup artist at the age of 16. From that moment, I fell in love with how makeup could enhance confidence and allow people to express themselves. Although my career later took me into accounting, where I worked for a multinational beauty company, I never let go of my passion. Alongside my full-time accounting role, I continued working as a part-time and weekend makeup artist, keeping that passion alive while gaining valuable experience in both the beauty and business worlds. At the same time, I struggled with extremely sensitive skin and found that many conventional foundations caused irritation and allergic reactions, leaving me frustrated that I couldn’t enjoy makeup like everyone else.

Sensitive Skin

During the COVID-19 lockdown, when people around the world were becoming more conscious about natural and organic products, I began researching cosmetic ingredient labels to understand why my skin reacted so badly. I also realised there was very little choice for genuinely natural, high-quality makeup available in the UK at that time, particularly products that catered to sensitive skin without compromising on performance. The more I learned, the more I felt this was my calling. I attended international beauty exhibitions in Italy, Las Vegas and London, where I met the supplier who shared my vision for clean beauty. That was the moment the idea for Blushgreen was born. After two years of research, development and testing, I proudly launched Blushgreen in 2023—a brand created to offer beautiful, high-performing makeup made with certified organic ingredients that people can trust.

Can you walk us through the process of sourcing your certified organic ingredients and why that’s so important to you?

From the beginning, I knew that ingredient quality would never be something I would compromise on. Finding the right manufacturing partner wasn’t simply about producing cosmetics—it was about working with experts who shared my commitment to certified organic, ethically sourced and skin-friendly ingredients. I spent a great deal of time researching suppliers, attending international trade shows and asking detailed questions about certifications, ingredient origins and manufacturing standards before making any decisions.

As someone with sensitive skin, I understand how important trust is when choosing beauty products. Every ingredient we use is carefully selected for its quality, safety and effectiveness, ensuring our products are gentle without sacrificing performance. Using certified organic ingredients isn’t just a marketing decision for Blushgreen—it’s part of our promise to customers that they can enjoy beautiful makeup while knowing exactly what they’re putting on their skin.

How does Blushgreen ensure full transparency for customers curious about what goes into each product?

Transparency is one of the values that Blushgreen was built upon because I know first-hand how confusing ingredient labels can be. Before starting the brand, I spent countless hours researching cosmetic ingredients to understand what was causing my own skin reactions. That experience taught me that customers deserve honest information rather than complicated terminology or misleading marketing claims.

That’s why we clearly list our ingredients and are always open about how our products are formulated. We want customers to feel confident and informed when purchasing from Blushgreen. If someone has questions about a particular ingredient or whether a product is suitable for sensitive skin, we are always happy to provide guidance because building trust is just as important as creating beautiful makeup.

Sustainability is clearly a core value for Blushgreen—what steps do you take to minimise your environmental impact, both in packaging and production?

For me, sustainability isn’t something that can be added later—it has to be considered from the very beginning. As Blushgreen was being developed, I wanted every decision, from formulation to packaging, to reflect our responsibility towards the environment. We work closely with manufacturers who follow responsible production practices and who understand the importance of reducing unnecessary waste wherever possible.

We also carefully consider our packaging choices by selecting materials that are more environmentally conscious while still protecting the quality of our products. As a growing independent brand, we know sustainability is a continuous journey rather than a destination. We are always looking for new ways to improve our environmental impact while maintaining the premium quality our customers expect.

What challenges have you faced in maintaining ethical sourcing, and how have you overcome them?

One of the biggest challenges has been finding suppliers who genuinely meet the high standards I set for Blushgreen. It’s easy for businesses to make claims about being natural or sustainable, but I wanted to work with partners who could demonstrate those values through recognised certifications, ethical sourcing practices and consistent product quality. That meant taking my time, asking difficult questions and never rushing important decisions.

Building these relationships required patience, but it has been worth it. By visiting international beauty exhibitions and speaking directly with manufacturers, I was able to find partners who shared my vision for clean beauty. Maintaining ethical sourcing is an ongoing commitment, and we regularly review our suppliers to ensure they continue to meet the standards that both Blushgreen and our customers expect.

For someone new to natural and organic makeup, what makes Blushgreen’s products stand out from the crowd?

Blushgreen was created by someone who truly understands the challenges of sensitive skin because I’ve experienced them myself. I know how disappointing it is to buy makeup that promises beautiful results but leaves your skin feeling irritated. That’s why every product is designed to combine skin-friendly ingredients with professional-quality performance, so customers never feel they have to choose between the two.

I also believe Blushgreen stands out because of the care and passion behind the brand. This isn’t simply a business opportunity—it was built from a personal journey that started with my own skin concerns and grew into a mission to help others enjoy makeup with confidence. Every product reflects the values of honesty, quality and wellbeing that inspired me to create the brand in the first place.

Looking ahead, what are your hopes and plans for Blushgreen and the clean beauty industry as a whole?

My vision for Blushgreen is to continue growing into a trusted clean beauty brand that people recognise for both quality and integrity. I want to expand our product range with innovative organic formulations that meet the needs of customers with all skin types, especially those with sensitive skin. As the business grows, I also hope to reach more international markets while staying true to the values that inspired the brand from day one.

More broadly, I hope the clean beauty industry continues to move towards greater transparency, higher standards, and genuine sustainability rather than simply following trends. Consumers are becoming more informed and deserve products that are both effective and responsibly made. I believe Blushgreen can play a small but meaningful role in shaping that future by proving that beautiful makeup can also be kind to your skin, ethical in its ingredients, and respectful of our planet.

PODCAST – COMING SOON

The Journey to Clean Beauty:
Sandeep shares how Blushgreen began, her personal motivations, and the challenges faced along the way.

Contact the magazine.

Blushgreen Website Link.

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In the summer of 2023, she took a leap and entered Runway Idol, strutting her stuff for the first time in support of Retina UK. The thrill of giving back inspired her to join her first pageant, where ‘Sherry-Baby’ truly came to life as a Miss Swimsuit UK 2025 finalist.

In the summer of 2023, she fancied a bit of adventure and threw her hat in the ring for Runway Idol, strutting her stuff on stage for the very first time. The whole thing was for a brilliant cause—supporting Retina UK, a charity close to her heart. After enjoying a bit of success and loving the feeling of giving back, she couldn’t resist chasing that buzz again—this time by entering her very first pageant.

Sherry-Baby

That’s when the name ‘Sherry-Baby’ really came to life, evolving as she took the stage as a finalist in Miss Swimsuit UK 2025. Now, she’s a Yorkshire-based fashion model with a passion for pageantry and self-expression thrown into the mix.

With just over a year’s experience in the modelling game, all sorts of runway opportunities have come her way—including York Fashion Week and West Yorkshire Fashion Week. Most recently, she hit the runway at The London Fashion and Bikers show. She’s teamed up with a whole range of creative designers, from Michael Adam—the couture bridal gown mastermind—to Cathy Neale, who’s all about bespoke alt-punk, goth, and glam, and Lucini London, creators of standout swimwear.

Sherrianne Jones – Portfolio

What really sets Sherry-Baby apart are her unique features, which carry her forward on her journey in front of the camera. Her portfolio is a versatile blend, showcasing professionalism, a knack for setting trends, and a real soft spot for charity work. Sherry-Baby is known for her vibrant enthusiasm, always keen to dive into new and exciting projects, and never afraid to step outside her comfort zone.

Beyond the world of modelling, Sherrianne graduated from Leeds Beckett University in the summer of 2024, earning a Bachelor of Honours in Psychology. After completing her inductions, she gained voluntary experience as a witness care support officer in the magistrates’ court. At the same time, she worked with Key Stage 2 children in primary schools, helping to assess for dyslexia and dyspraxia. Just two weeks after MSUK, she was scouted and is now represented by Paris Runway Officials—with Revlon stepping in as her sponsor.

You hold the key to unlocking your true potential. Prove to yourself that you can achieve it, and with consistency and perseverance, you’ll turn your dreams into reality. Stay true to who you are.

Sherrianne Jones – Interview

Modelling Career

You’ve had such a whirlwind start to your modelling career. What was going through your mind when you stepped onto the runway for the very first time?

I was excited to celebrate with the new friends and fellow models I’d met that night. Backstage, we danced and made memories, hyping each other up before stepping out onto the stage. My emotions were all over the place—nervous and shy one minute, then beaming and completely in the moment the next. 

The size of the audience was intimidating at first, but after my first walk, I was raring to go again. In that moment, I could feel my heart open up and just burst with gratitude.

Pageantry

Pageantry and modelling often go hand-in-hand, but they each bring something unique to the table. How did your experience in pageantry influence your approach to modelling and self-expression?

The first time I stepped into the National Pageant Expedition, which only comes around once a year, I was struck by what a whirlwind I’d landed in—almost like a real-life Wizard of Oz moment. I had no idea that anything like this even existed. Suddenly, a whole new world had opened up before me, and while I couldn’t quite put my finger on my purpose there, I knew I had to follow the path laid out in front of me, just like following the yellow brick road. The excitement of discovering what pageantry was all about helped me find a balance between the sparkle and spins on stage and standing up for something far bigger than myself.

Creative Designers

You’ve worked with a variety of creative designers and on some incredible projects. Which collaboration or project has been the most memorable for you so far, and why?

‘Angel Of Mine’ by Michael Adam was a special collaboration with Little Lady Locks, a charity that provides hair and wigs for children experiencing hair loss.

The setting for the fashion show was absolutely breathtaking—Rochdale Town Hall, with its dramatic, dreamy atmosphere, felt like a place where destiny was unfolding.

The dresses I modelled were both stunning and unique: one was a red evening gown sparkling like the stars, and the other was a bridal dress with a lace train and enormous angel wings, pure jaw-dropping luxury.

Balance

Giving back seems to be a big part of your journey, especially as you balance charity work with the fast-paced world of fashion. How do you stay motivated and inspired?

Motivation comes naturally to me—I’ve always been quite disciplined. I make a point of taking time out for myself and treating self-care as essential. Looking after my wellbeing is a big part of staying at the top of my game.

I enjoy midweek walks and try to fit in the gym, swimming, and running whenever I can. Every so often, I’ll even practice my aerial hoop skills.

I love to push myself with new and exciting challenges—recently, I even earned a certificate for taking part in a fire-breathing workshop! I’d recommend it to anyone wanting to ignite their spirit and feel truly alive.

Advice

Looking back on everything you’ve achieved, it’s clear you’ve learned a lot along the way. If you could give one piece of advice to your younger self before this journey began, what would it be?

Believe in yourself. If you have a vision tucked away in your mind, remember—you hold the key to unlocking your true potential. Prove to yourself that you can achieve it, and with consistency and perseverance, you’ll turn your dreams into reality. Stay true to who you are.

Credits

With special thanks to Iain Atkins Photography© / @iain_atkins for the website cover and editorial photography.

Guest Instagram – @Sherry_baby.01

Designer – Cathy Neale© @cathyneale_fashion_designer

Magazine Publication – “Catwalk Diaries” Issue 9 in print.

Catwalk Diaries – Talk Show

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By: Sanj Saigal

Independent filmmaking has come a long way in recent years, shaking off the old prejudices that used to haunt low-budget cinema. With Terra, Rory Wilson proves that no blockbuster budget is needed to deliver a gripping, emotionally charged experience. From its very first moments, the film refuses to pull its punches—the opening sequence is not for the faint-hearted, immediately immersing the viewer in a world brimming with danger and authentic emotion.

Terra’s cinematography is nothing short of stunning. Every frame is loaded with atmosphere, capturing a constant sense of fear and suspense. It’s impossible not to be drawn in, always eager (and sometimes anxious) to see what will happen next. Meg Birley turns in a standout performance—her silent, expressive glances speak volumes, inviting the audience to share in the characters’ turmoil without a word being spoken.

Terra – The Story

The story is set in a war zone, where a dedicated doctor and his resilient team are forced underground to run a makeshift hospital. Just as they begin to adapt to their grim reality, a desperate father, Dabir (Ramin Farahani), arrives with his daughter, determined to do whatever it takes to secure help and a chance at escape. Their plight becomes the film’s emotional core.

Terra will make its premiere at the prestigious Oscar- and BAFTA-qualifying Raindance Film Festival this June at Vue Piccadilly in London, having already scooped up nominations for Best Performance, Best UK Feature, Best UK Director, and Best Cinematography. These accolades are well deserved.

I had the privilege of a private screening, and the strength of the story was so captivating that I abandoned my phone for the big screen—a rare move, but entirely justified.

Emotional Ride

Wilson’s direction drops us straight into chaos, never letting us forget the stakes. The grim, almost dystopian world pulls you into an emotional ride, where hope is scarce and survival is uncertain. The chemistry between Ramin Farahani and newcomer Runya Ghani (as Dabir’s daughter) is magnetic, giving the film a powerful, character-driven focus. Rather than relying on spectacle, Terra finds its soul in the intimate moments between its leads—a choice that pays off in spades.

Tension is ever-present, with constant threats looming over the central characters. The musical score amplifies the anxiety and keeps the pace taut, though it occasionally threatens to overwhelm quieter scenes. The film doesn’t shy away from the graphic realities of war—injuries and suffering are shown with unflinching honesty, making it a tough watch at times but all the more unforgettable for its authenticity.

Terra – Narrative Focussed

Terra’s pacing can be uneven—some characters could use more development, and the final act slows after a frenetic opening. Yet, the tight runtime keeps the narrative focused, and once the action ramps up, you’ll find yourself glued to the screen until the pulse-pounding finale.

What’s most impressive is the film’s ability to make the most of its limited resources. By confining much of the action to a single location, Wilson maintains a claustrophobic intensity that reinforces the story’s themes. His use of extreme close-ups brings us face to face with fear, isolation, and the brutality of conflict.

Human Stories

There are moments when character backstory feels a bit forced, and the father-child dynamic might seem familiar from other films. Still, the performances and emotional honesty elevate Terra above mere genre fare. At its heart, this is a story about empathy—fathers risking everything for their children, doctors doing their best in impossible circumstances, and ordinary people caught in the crossfire. The conclusion is emotionally overwhelming, tying up narrative threads with a sense of closure while leaving you pondering what the future holds for these characters.

In short, Terra is an unforgettable depiction of the horrors of war, offering a colossal helping of empathy for both the healers and the helpless. The lead performances, especially from Farahani and Ghani, are outstanding, and the supporting cast is equally strong. Wilson’s vision is raw and uncompromising, never losing sight of the human stories at its core. If you’re looking for a film that will move you, challenge you, and stay with you long after the credits roll, Terra is one not to miss.

Terra is a gripping independent film directed by Rory Wilson, set in a war zone and featuring standout performances from Ramin Farahani and Meg Birley. Premiering at the Raindance Film Festival, Terra delivers an unflinching look at survival, empathy, and the human spirit.

Terra – Rory Wilson

What draws you to telling stories about people facing tough moral choices? I’ve always been fascinated by those moral dilemma riddles, the classic railroad tracks etc, they can be so revealing, about thought processes and how people make decisions. Within a narrative context, these moments of moral dilemma hold the most revelation in terms of character and understanding who somebody is and what they are capable of. With a tough moral choice, there is a moment of decision where all options are considered, no matter how immoral, and in that moment is a beautiful ambiguity of character, a faustian moment where all outcomes exist just by the fact they are being considered. Perhaps underneath it all I believe we are all capable of much more than we think, both good and bad. In TERRA, the circumstances are extreme and several characters are faced with crossing their own moral line.

Self-taught Filmmaker

As a self-taught filmmaker, what’s been your biggest creative breakthrough so far? Most nominated film at Raindance! Honestly, the creative breakthrough/achievement I’m most proud of is that TERRA is exactly the film I set out to make. Despite the limitations, I went big and somehow it didn’t all fall apart. There are cracks, held together very tenuously, but it’s a finished film. I’m extremely proud of the performances in the film and what the cast brought to the story despite the unconventional production. We’ve had an amazing buzz around the project and we are looking forward to handing the film over to audiences. The aim is to get worldwide distribution, that will be the big breakthrough.

First Feature Film

Terra is your first feature film—what inspired the story, and was there a moment you knew you had to make it? I started to develop a fascination for war doctors who in my eyes are the true super heroes of the world. Dr David Nott is a particular hero of mine, he wrote a book called War Doctor. The intense decision making under pressure, the hippocratic oath, the Geneva convention, these strong moral codes, a shining light of goodness in the most extreme of circumstances. I spent a few years working on Film & TV sets working in various departments, eventually as an AD. On every set I was always drawn to the set medics, many of which had experience as combat medics. Some of the stories were breathtaking. The best and worst of humanity. The stories of decision making, treating “assailants” in the same space as innocent civilians.

Script

One second-hand story stood out, about a civilian who, out of desperation, held a doctor at gunpoint, demanding to be helped. I started to piece together a script, and continued to dive into books, documentaries and current affairs. ‘In the Wars’ was another immense read by Dr Waheed Arian. I had the makings of a script but wasn’t entirely sure where it was heading or if in fact I was the right person to be making this film. This thought was not lost on me. And then I met Rukar Ghani through my work with a sports charity. Rukar is from Northern Iraq and was telling me some stories from his youth growing up around unrest and warfare. I gently mentioned I was writing something about war doctors and outlined the story. His face changed  and he stopped me.”Rory, can I tell you my story.” My heart stopped. Rukar went on to tell me a story about a rundown hospital and a civilian taking up arms out of desperation to be helped by the doctor. Rukar and his family were at the hospital at the time, held at gunpoint. I remember the way Rukar described the man holding the gun, “as if he had never held a gun before, so unconvincing, which made it all the more dangerous, just a normal guy, just desperate.”

Writing & Directing

You wear a lot of hats—writing, directing, shooting, and editing your own films. How does that hands-on approach shape your process? Honestly, I cannot wait for the day when I have a team of collaborators and the process isn’t quite so lonely, but thus far this has been my modus operandi, very very hands on, right in the action. Particularly when it comes to shooting my work myself, it creates an immediacy to the filmmaking process, an intimacy with the actors, their performances and importantly the way those performances are being captured. I absolutely love it, camera on my shoulder, moving through a scene with the characters, catching moments, holding in a suspended moment, gently directing mid-take. This intimacy with the footage carries right through to the edit, I know exactly which moment of which was the best because I was right there when it happened. I know there’s a 15-second moment of transcendental acting from Meg Birley or Ramin Farahani buried in a take that was riddled with technical faults and mostly unusable, bar that glorious moment.

Authenticity

What’s it like making a movie with minimal resources and a local cast—does it add to the authenticity you’re after? The authenticity was a major priority and I was led as much as possible by Rukar Ghani who was our Kurdish consultant, supported with the script and was on-set every day. He was an incredible sounding board, sharing photos and stories from his youth, supporting with reference images for the production design. It was Rukar’s involvement that gave me the grounding to bring the story to life. All that said, this is a proper independent production with a budget smaller than the coffee tab of a major production. My job is to make a virtue of necessity, to make every choice feel deliberate, even though it may have been the only choice available to me!

Process

Writing in the knowledge that I’ll be shooting, I’m making choices very early in the process to avoid being backed into a corner. I knew where I was going to shoot the film as I was writing it so I knew where to stage certain scenes and how the geography of the ‘hospital’ corresponded to the story. But it’s pretty chaotic. I am very grateful to my cast who put a lot of trust in me. The script was vast and there was a fairly big story to try and tell, and slowly I drip-fed just how small this production was going to be…I’ll try to paint a picture – Camera on my shoulder, 25 SAs, totally outnumbering our 4+ crew. The scene is blocked, we are placing the SAs, trying to maximise their screen presence, we want it to feel like 60, I could only afford 25.

Production

My phone rings, an inbound actor for a scene that afternoon is delayed, train issues…I make a call to the taxi I had booked for pick-up. Cancel. Re-book for later pick-up. Hopefully the train isn’t cancelled. I’m already making plans to lose that actor and shoot something else. Camera still on shoulder. Actors are ready to go. ‘Phone rings again. Another cast member due-in any minute, involved in the next scene, is stuck at a train station nearby. Their taxi  didn’t show up. It’s a small remote station. No local taxis. I’m going to have to send Finn, my co-producer and production foot-soldier. Losing a crew member is not what I need, especially not Finn who is keeping this set from crumbling…applying make-up to the SAs, clapper board, blocking SAs, shepherding and corralling. But off he goes, yikes. We are also dangerously close to lunch and I need to wrap this scene before we break. Okay! Camera ready, and ACTION!

Your short films have been recognised by the BFI and you have been selected for both BFI and Warner Bros. Discover Emerging Directors Programmes, how have those experiences influenced the way you approach filmmaking now? I’m very conscious of being a ‘Rogue Filmmaker’, because ultimately I am trying to build a career and increase the scale of my productions, so being part of the BFI and Warner Bros programmes has helped to anchor me into the industry and to understand how productions operate at scale. I want to be part of the industry, be a “professional director”, build a team of collaborators, make impactful big-screen films and add to culture, but there will always be a rogue spirit to my filmmaking.

Terra – Meg Birley

You’ve said you’re drawn to stories with moral complexity and deep human connection—what sort of roles really get your heart racing?

For me, it always comes down to high stakes, intense pressure, and impossible choices. I’m deeply drawn to three distinct worlds that, on the surface, seem very different, but all share that same raw human heartbeat.

First, I love the claustrophobic, high-adrenaline energy of gritty contemporary dramas and modern warfare stories. Projects like Boiling Point, The Bear, Adolescence, Kin, Warfare  or Ozark completely captivate me. I’m fascinated by characters pushed to the absolute brink—whether they’re navigating the criminal underworld, dealing with drugs and survival, family loyalty being pushed to the edge, life-or-death environment of a modern war drama like American Sniper. There is a psychological thrill in playing someone operating on the edge of a knife, where one wrong move changes everything.

On the flip side, I get that exact same rush from sci-fi, particularly space survival. I love the crucible of putting astronauts in isolation, facing a massive moral dilemma where they have to make an agonizing choice with lightyears of distance separating them from safety.

Fantasy

Finally, my actor’s brain absolutely lights up with fantasy. I love the grand scale of it, but also the sheer fun and character depth it allows. I’d jump at the chance to play a character exploring the reality of having magical powers—even the brilliant, everyday magic of using powers to navigate mundane daily tasks! But I’m also fascinated by the deep, complex dynamics you can find in immortal characters. Imagine playing a 500-year-old vampire who forms an unlikely, deeply rooted bond with a werewolf; that kind of history and hidden vulnerability is a goldmine to explore.

Ultimately, whether a character is surviving a crisis in deep space, navigating a dangerous street or combat zone, or wielding ancient magic, it’s that pressure-cooker environment and deep connection that gets my heart racing. I want to play people whose choices force the audience to look inward and ask, ‘What would I do?’“

Syrian roots

Coming from Syrian roots, do you find your background shapes the way you approach your characters or the stories you’re most passionate about?

To be completely honest, I didn’t grow up with my Syrian father—I only met him when I was 18—so I didn’t have that direct cultural upbringing shaping my perspective from an early age. But rather than closing a door, that separation actually created a deep, lifelong curiosity within me. It made me want to explore that heritage and the history of my father’s side through my work.

Because of that, I’m incredibly eager to delve into Middle Eastern stories and roles. In fact, it was a brilliant stroke of luck early on that led me to a casting call for a Middle Eastern character—a Kurdish role, specifically. I had to dive straight into the deep end, learning a general Middle Eastern accent and even lines of Kurdish.

That experience only fueled my fire. So while my background didn’t dictate my past, it definitely shapes my future aspirations. I would absolutely love to continue using my heritage to bring authentic, complex Middle Eastern characters to life, using acting as a way to connect with and honor that part of my roots

You didn’t go the traditional drama school route—what’s been the biggest challenge (or maybe secret advantage) of building your acting career independently?

Biggest Challenge

The biggest challenge is undoubtedly the unpredictability and the lack of a linear ladder. In a traditional career, you move from assistant, to supervisor, to manager. In acting—especially when you’re finding your own way in through the back door—there is no roadmap. You constantly have to try to read and predict the industry. One minute you’re busy and riding high on a lead, and the next, you might find yourself a year out from a high-quality project, working on a student film just to stay sharp.

There’s absolutely nothing wrong with student films, but when you’ve had the privilege of working on an incredible project like TERRA with Rory, it’s deeply humbling. It forces you to sit with those quiet moments and re-evaluate your life choices when you’re striving to land that next cinema- or TV-worthy project. Having TERRA under my belt now—especially with the four award nominations it’s received—is a massive anchor for me. It’s the proof that the hustle pays off, and it really keeps me going during the dry spells.

As for my secret advantage? Well, it’s not much of a secret anymore, but it’s working for free on the right passion projects. Early on, indie films and short projects where you work for expenses were everything to me. It is an unmatched way to flex your acting muscles, build a showreel, and network. I’ve met some of the most incredible, collaborative people on those sets—people I still work with today. When you don’t have a drama school showcase to hand you connections, you create them yourself on the ground, and that grit becomes your greatest superpower.”

Future

From gritty dramas to sci-fi and fantasy, is there a role you’re still dreaming of playing one day?

Honestly, there is so much I want to sink my teeth into, and so little time! But if I had to narrow down the ultimate dream roles, they fall into a few distinct, high-stakes categories.

First, on the gritty drama front, I’m dying to play someone from a raw, uncompromising UK background—whether that’s a struggling mother of six on a council estate, someone navigating the survival-driven world of a drug dealer, or a character trying to rebuild their life fresh out of prison. I’m fascinated by gritty, true-to-life stories because they demand absolute authenticity. For an actor, stripping away any pretense to play that kind of raw survival is the ultimate, humbling challenge.

Chess

On the complete flip side of that, I’d love to play someone incredibly sharp, polished, and put-together on the outside, but with a completely broken moral compass underneath. Think of a seemingly perfect professional who is secretly laundering money or hiding a dark, dangerous double life. The psychological chess match of playing someone who wears a flawless mask while doing awful things is just a goldmine.

When it comes to war dramas, that desire comes from a very personal place. I actually wanted to join the cadets when I was younger, and even tried to join the Army Reserves later on before an ankle injury sidelined me. Because of that, I have an immense fascination with the psychological bravery of soldiers. To be able to honor and depict that kind of profound mental and physical pressure on screen would mean the world to me.

And finally, my imagination completely runs wild with sci-fi and fantasy. I dream of playing a character like Matthew McConaughey’s in Interstellar or Sigourney Weaver’s Ripley in Alien—ordinary people carrying the weight of the universe on their shoulders in deep space. Or, in the fantasy realm, diving into worlds like Shadow and Bone or playing a fiercely complex creature like Cara Delevingne’s character in Carnival Row.

Ultimately, my dream isn’t just about one specific role; it’s about pushing myself to the absolute extremes of human experience.”

Outlander was your first taste of the industry—do you remember the moment you thought, “This is it, acting’s the thing for me”?

Outlander

Oh, absolutely. I can pinpoint the exact moments it happened. The first was the sheer, immersive scale of it. Walking onto the Outlander set—I think it was Season 2—wearing this incredible, heavy 17th-century ball gown, and another time playing a villager in a completely fabricated historical town they’d built up in Cumbernauld, Scotland. You are quite literally transported to another century. It felt like the ultimate form of ‘dress-up,’ and the inner child in me was completely captivated.

But the real turning point—the moment the deeper fire was lit—happened when I was standing just a few feet away from Sam Heughan (Jamie Fraser) and the director.

I was close enough to overhear this incredibly quiet, intimate conversation they were having right before a take. They were discussing the close-up, and Sam was explaining how he was only going to give about 80% on this specific pass to save the rest for the next angle. Watching that technical, psychological chess match happen in real-time was fascinating. It wasn’t just magic; it was a craft.

Standing there in my costume, listening to them dissect the scene, everything clicked. I thought, ‘That scenario right there. That conversation. I want that.’ That was the catalyst. As soon as I got home, I jumped straight into more acting classes, started hunting down short films, and began networking like crazy to build my own way or something gracefully muscle my way in!

Unexpected Job

You’ve juggled side hustles while building your career—what’s the funniest or most unexpected job you’ve had along the way?

Oh wow, that is a tricky one because I’ve literally had over 40 jobs! I honestly think I could write a comedy series based entirely on my resume at this point. I’ve done everything from assisting swim teachers to sports massage, folding jumpers at Superdry, working festivals, doing heavy lifting for removals, newborn baby photographer in hospitals, dressing wedding chairs, and working in care. You name it, I’ve probably done a shift in it!

But if I had to pick the highlights, the most unexpected was definitely a stint making luxury Christmas crackers for high-end retailers. My mum and I would drive down to a local warehouse, pick up all the raw materials and premium gifts, and assemble them together at our office table. I quickly realised I didn’t quite have the meticulous patience required for that level of craftsmanship, though my mum bravely carried it on for a bit!  

Unexpected

The funniest job by far, though, was being a live host on the auction app Whatnot. I would go live for four hours straight, talking non-stop, selling the most wonderfully random items to absolute strangers, and then spend hours packing it all up afterward. It was exhausting, but looking back, it was actually the ultimate, accidental acting training—absolute pure improv, high energy, and dealing with whatever unexpected thing happened live on camera.

But the most interesting job by far was working at an auction house. I was completely taken aback by the sheer volume of history passing through the doors—beautiful vintage rugs, antique furniture—where every single item clearly had a rich story to tell. I absolutely loved it, and I was actually starting to train to be an auctioneer—yes, the ones who talk super fast!—before I ended up relocating.

If anything, having 40 different jobs hasn’t just paid the bills—it’s given me an endless library of human behavior to pull from for my characters!”

Terra is a big milestone for you. Looking back, what’s something you wish you could tell your younger self starting out in this business?

Younger Self

Looking back, there are two distinct pieces of advice I would give my younger self, and they both boil down to taking back your own power in an industry that can often make you feel powerless.

The first would be: start making your own films immediately. Finish writing that script, learn the camera gear, and understand the production side. When you know how to make your own work, you stop waiting around for permission or relying on someone else to cast you. You create your own opportunities and give yourself something tangible to talk about. I actually get a bit annoyed with myself because I did Media and Film Studies at A-Level—we literally had to create title sequences and learn camera work! If I had just kept that momentum going, I’d have a decade of filmmaking experience by now. I’d tell my younger self not to let those skills sit on a shelf.

The second piece of advice is something that actually only sunk in for me recently, after a reassuring voice note from a close friend: stop stressing about finding 100% ‘flexible’ gig work all the time.

Actors are notoriously known for being skint, but the endless anxiety of zero-hour contract side hustles can drain your creative tank. I’d tell myself to find a stable job I actually enjoy, with predictable hours that allow me to pay rent without panicking, afford a birthday present, or save for a holiday. At the end of the day, if you can’t occasionally request a shift off, or ultimately walk away from a job when your dream passion project finally comes calling, then what are you doing it for anyway? Take care of your life and your financial mental health first—the acting will thrive because of it.”

Podcast Show

The post Terra – A Raw, Unflinching Portrait of War’s Human Cost appeared first on .

Lilly Rose is shaking up the fashion scene with her effortless style, creative flair, and a passion that’s impossible to ignore—she’s definitely one to watch this year.

Lilly Rose is the sort of model who turns heads wherever she goes, steadily making waves in the bridal, fashion and editorial scenes. With plenty of hands-on experience in the beauty industry, she’s earned a reputation for bringing a real sense of elegance and authenticity to every hair and make-up shoot – always managing to turn creative ideas into eye-catching photos.

She’s strutted down the runway before and has plenty of exciting collaborations with up-and-coming brands and designers coming up. Lilly’s portfolio just keeps growing, and it’s clear she’s one to watch. She’s got that effortless confidence in front of the camera, matched with a hint of poise and loads of professionalism, which makes her visual stories really connect with people.

Whether she’s on set for a bridal campaign, fashion editorial or strutting her stuff on the catwalk, Lilly brings buckets of energy and a vibe that’s all her own. She’s seriously passionate about the world of modelling, always looking for new challenges that show off just how adaptable and unique she is.

But modelling isn’t her only claim to fame – Lilly also runs a thriving beauty business. She even landed the 17th spot in the UK for Nail Technician of the Year in 2025, out of thousands of applicants. Not bad, right?

She has not yet signed with an agency but is actively searching for the right fit.

Confidence

What’s your favourite part about working in both modelling and the beauty industry? Do you find that one passion enhances the other?

For me, the best part of working in the beauty industry is helping people to feel beautiful and confident in their own skin. Modelling, on the other hand, gives me the chance to express my creativity, tell stories through imagery, and connect with a range of brands and audiences, while the beauty industry allows me to make a personal difference to how people look and feel.

I truly believe the two passions enhance one another. My work in beauty has given me a deeper understanding of skincare, makeup, and presentation, which has really benefited my modelling. At the same time, modelling has helped me develop confidence, professionalism, and the ability to collaborate with different creative teams—skills I bring back to my beauty work. Together, they enable me to blend creativity, self-expression, and empowerment in a way I find incredibly rewarding.

Podcast

Lilly Rose – London Fashion Week

You’ve had some exciting runway experiences! Is there a particular show or moment that stands out to you?

I was recently invited to model for a designer at London Fashion Week, which honestly felt surreal. Just attending the event has always been a dream of mine, so actually walking the runway was a proper ‘pinch me’ moment.

Sharing Ideas

How do you stay inspired when it comes to your creative shoots? Any go-to sources for ideas?

Pinterest is my absolute go-to! I always create a mood board before every shoot or share ideas with the photographer or shoot organiser—I do love being organised!

I also find a lot of inspiration from other models and creative professionals on social media.

Lilly Rose – Beauty Business

Running a beauty business while modelling sounds like a balancing act! How do you manage your time between the two?

Balancing a beauty business with modelling definitely calls for good time management, but I do enjoy the challenge. I like to stay organised by planning my schedule in advance and prioritising client appointments and business tasks, while remaining flexible for castings, shoots, and modelling opportunities.

Having clear goals for both helps me stay focused, and I’ve learnt the value of being disciplined with my time. The two careers actually complement each other well, as both are centred on creativity, professionalism, and building relationships. Things can get hectic at times, but my passion for both means it feels rewarding rather than overwhelming.

Determination

Landing the 17th spot in the UK for Nail Technician of the Year is impressive! What does that recognition mean to you personally and professionally?

Running your own business is no easy feat—there are always plenty of hurdles to overcome. I absolutely love what I do and pour my heart into it, so to place so highly in such a major competition was an incredible achievement. It was a fantastic reminder that all my determination, hard work and consistency really does pay off.

Agency

Lilly, you mentioned you’re looking for the right agency fit—what qualities are you hoping to find in a potential agency partner?

I would love to find an agency with a strong reputation and strong industry and brand connections.

Lilly Rose – Collaborations

With so many exciting collaborations on the horizon, can you give us a sneak peek into what’s coming up next for you?

I’ve got loads of exciting shoots lined up with some seriously talented industry professionals, plus London Fashion Week towards the end of the year!

Credits

Website editorial cover photography by: @mOrph01

Contact the magazine.

Spotify

Join us for our spin off “Catwalk Diaries” talk show. Have a listen!

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Angel Ntoni is redefining fashion with her unique style, positive energy, and authenticity—captivating both major brands and a devoted online audience.

Fashion is an industry where every little detail counts, and brands are after much more than just pretty faces and perfect poses. As a journalist, I’m constantly searching for models who offer more than looks—they inspire, they contribute, and they truly stand out. When Angel comes to mind, two words immediately spring up: stylish and classy. Yes, Angel is a TikTok influencer and has worked with some major brands, but it’s her positivity and relentless drive that really set her apart. That’s exactly what’s powering the growth of her brand.

Angel Ntoni – BIO

Meet Angel Ntoni: at just 25, this UK based creative of Congolese heritage is quickly making waves in the world of commercial modelling and digital media. Standing tall at 5 ‘8 with striking dark brown hair and warm brown eyes, Angel has already worked with big names like Nivea, PrettyLittleThing, and Dior. Her genuine, fashion-forward content has earned her more than 110K loyal followers across TikTok and Instagram.

Known for her chic “clean girl” aesthetic and magnetic on-camera presence, Angel’s talents extend beyond modelling into singing, dancing, acting, and content creation. Her style philosophy is inspired by the iconic Coco Chanel quote: “Every day is a fashion show, and the world is your runway.” Whether attending an event or simply heading to Tesco, Angel believes every moment is an opportunity for self-expression. 

Angel Ntoni – Passion

Outside of modelling, Angel describes herself as “a huge nerd,” with a love for movies, anime, and reading. She is passionate about supporting organisations, including Child Autism UK, Refuge, Women’s Aid, and A-Sisterhood. She is also currently preparing to compete for the title of Miss International UK this July 2026. With aspirations of becoming a TV presenter inspired by icons such as Davina McCall and Maya Jama, Angel hopes to continue building a career that blends entertainment, fashion, and meaningful storytelling.

“Life is too short to spend it at war with yourself.” – Angel Ntoni

Inspiration Station

Every journey starts somewhere. What first drew you into the world of modelling and digital media?

I’ve always been inspired by women who unapologetically take up space. Growing up, I was a huge fan of Naomi Campbell. Not only because of her iconic runway walk, but because of everything she has done to open doors for Black women in the fashion industry. I used to spend hours watching her shows on YouTube, dreaming that one day I could follow in her footsteps.

Angel Ntoni – Digital Media

When it comes to digital media, I’m a full-blown YouTube girl at heart. Creators like Sarah Baska, Breeny Lee, Jackie Aina and Quenlin Blackwell taught me the power of authenticity. They showed me that success doesn’t come from fitting into a mould – it comes from believing in yourself before anyone else does.

I’ve always been a big believer in manifestation. Long before opportunities arrived, I was speaking them into existence. I truly believe that if you can see it, work for it, and remain consistent, incredible things can happen.

Angel Ntoni – Roots & Runways

Style often runs deeper than trends. How does your Congolese heritage shape your style and creative vision?

One word: Sapologie.

Originating from the Democratic Republic of Congo, particularly Kinshasa where my family is from, La Sape is a celebration of fashion, confidence and self-expression. It’s bold, colourful, unapologetic and rooted in the idea that style is an art form.

As a proud Black woman of Congolese heritage, I’ve always admired the way our culture embraces individuality and elegance. Whether through vibrant traditional prints or sharp tailoring, there’s a confidence woven into Congolese fashion that inspires me every day.

I carry that energy into everything I do. I don’t aim to be the loudest person in the room, but I do aspire to leave an impression. I believe style should tell a story, and mine is one of pride, ambition and self-expression.

Behind the Glam

There’s always more than meets the eye. Can you share a behind-the-scenes moment from a big brand shoot that surprised you?

One of the biggest moments for me was being invited by Nivea to Málaga for a campaign trip. From the outside, people see a beautiful photo, a polished video, or a perfectly curated social post. What surprised me most was the sheer amount of teamwork that goes into creating that single moment.

Talent

There were creatives, producers, photographers, videographers, brand managers and talent all working together, constantly problem-solving and refining ideas to bring a shared vision to life. As someone who is used to being a one-woman team as a content creator, it was fascinating to witness.

It completely changed my perspective on the industry. It reminded me that while talent is important, collaboration is often the secret ingredient behind the magic.

Angel Ntoni – Keeping It Real

In an industry that loves a highlight reel, authenticity stands out. How do you stay true to yourself while collaborating with major brands and building your online presence?

I think my authenticity comes from the fact that I genuinely have no desire to be anyone other than myself.

I’ve spent years learning who I am, growing into that person and loving that person. Because of that, putting on a completely different persona feels impossible to me. What you see is what you get: honesty, humour, curiosity, a little bit of quirkiness and a lot of heart.

Opportunities

As my platform continues to grow, I remain intentional about the opportunities I accept. Every collaboration is an extension of my personal brand and values. If it doesn’t feel authentic to me, it won’t resonate with my audience either.

At the end of the day, followers come and go, trends come and go, but character remains. That’s what I try to lead with.

Angel Ntoni – Breaking the Mould

The world of influencers is full of myths. What’s the biggest one about models or influencers that you wish people understood?

I think one of the biggest misconceptions about influencers and models is that we just “take pictures.”

In reality, we’re often wearing multiple hats at once. We’re photographers, videographers, editors, marketers, negotiators, creative directors and sometimes even our own management team. There’s a huge amount of strategy, planning and resilience involved behind the scenes.

Content

People see the final 30-second video but not the hours spent brainstorming concepts, filming content, editing footage, responding to emails and building relationships with brands.

It’s an incredibly rewarding career, but it’s definitely much more than what appears on the surface. The glamour is real, but so is the hard work.

Drive & Determination

Motivation can come from unexpected places. What keeps you inspired and moving forward on tough days?

I think about the younger versions of myself.

At seven, she used her dad’s camcorder to make homemade films for family gatherings. By twelve, she was filming beauty videos for her 56 YouTube subscribers using her mum’s makeup. At sixteen, she dreamed that one day she’d see her face on television.

Those versions of me keep me grounded. Whenever things get difficult, I remind myself that I’m already living parts of the life they once dreamed about.

Mindset

I’m a huge believer in consistency, manifestation and the power of speaking positively over your life. If you constantly tell yourself something is impossible, you’ll never try. But if you dare to believe it’s possible, you start moving differently.

That’s the mindset that’s carried me through everything – from building an online community to competing for Miss International UK. The dream has always been the same; the only difference is that now I’m brave enough to chase it.

Life in Balance

Balancing the spotlight and real life isn’t easy. How do you juggle your personal life with the fast-paced world of content creation?

Balance is something I’m constantly working on, if I’m being honest. Social media moves incredibly fast, and there’s always another trend, opportunity or piece of content waiting around the corner.

I’ve learned that protecting my real life is just as important as building my online one. Whether that’s spending time with family and friends, going to the gym, getting lost in a good book, watching a film or anime, or simply taking time for prayer and reflection, those moments help me stay grounded.

Miss International UK

Competing for Miss International UK has reinforced that for me as well. It’s taught me the importance of looking after your mind, body and confidence away from the spotlight, not just when people are watching.

At the end of the day, content creation is what I do, but it isn’t all of who I am. The best content often comes from living a full life beyond the screen.

Words of Wisdom

So many look up to you as a role model. What advice would you give to young creatives hoping to follow in your footsteps?

Don’t wait until you feel “perfect” to start.

So many people delay their dreams because they’re afraid of judgement, comparison or getting things wrong. The truth is, confidence isn’t something you’re born with, it’s something you build by showing up consistently.

Stay curious, keep learning, and don’t be afraid to take up space. Especially as young women, we’re often taught to make ourselves smaller. I think the world needs more people willing to show up exactly as they are.

Trends come and go, but authenticity never goes out of style. Your individuality is your superpower.

Dream Collaboration

Every creative has a wishlist. If you could team up with any designer or brand in the world, who would it be—and why?

A dream collaboration for me would be Dior.

I’ve always admired the elegance, storytelling and craftsmanship behind the brand. Their campaigns feel timeless and passionate rather than fashion simply for fashion’s sake.

Brands

As someone who is driven about empowering women – whether through my content, my platform, or my journey competing for Miss International UK, I naturally gravitate towards brands that celebrate confidence, ambition and individuality.

Dior creates worlds that people emotionally connect with, and that’s exactly the type of impact I’d love my own career to have. Fashion is powerful, but fashion combined with meaningful storytelling is unforgettable.

Credits 

Bookings: info@thediversity.agency / gabe@apexactors.com 

Socials: @angelntoni

Editorial photography by: Steve Fox / @thecreativefoxphotos

Contact the magazine.

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“What sets Sophie apart is the story she carries with her. Living with chronic illness, Sophie approaches modelling not simply as a career but as a celebration — a joyful, defiant act of honouring a body that so often works against her. That perspective brings a depth and warmth to her work that is impossible to manufacture, and it shines through in every image.”

Sophie Walker is a London-based model, entrepreneur, and creative force who has been in front of the camera since she was just five months old. With a natural ease and instinctive connection to her craft, Sophie has built a varied and impressive portfolio spanning beauty, accessories, fashion editorial, runway, and events, bringing energy, elegance, and authenticity to every project she takes on.

What sets Sophie apart is the story she carries with her. Living with chronic illness, Sophie approaches modelling not simply as a career but as a celebration — a joyful, defiant act of honouring a body that so often works against her. That perspective brings a depth and warmth to her work that is impossible to manufacture, and it shines through in every image.

Sophie Walker – Portfolio

Off the runway, Sophie is a driven entrepreneur with a diverse portfolio of businesses including digital design, CV consulting, photography and videography, and affiliate marketing. Her creative eye and understanding of visual storytelling make her as comfortable behind the scenes as she is in front of the lens, giving her an instinctive appreciation for the collaborative process between model, photographer, and designer.

Sophie is not agency-represented, choosing instead to navigate the industry entirely on her own terms, a reflection of the same independence and determination that defines everything she does.

Photographer

For this feature, Sophie worked with Loughton-based photographer Steve of The Creative Fox Photos, whose thoughtful and artistic approach perfectly complements her vision. Sophie is currently open to editorial, commercial, and creative collaborations.

Credits

Personal Instagram: @sophiewalkerr.x
Modelling Instagram: @sophinthelens
Editorial Photography by: @thecreativefoxphotos

Catwalk Diaries Print Shop.

Catwalk Diaries Podcast

The post Sophie Walker – Shaping Her Own Path appeared first on .

Whether you’re a model, photographer, or designer, don’t miss out—submissions open Monday 8 June. Secure your place and let your work shine.

Catwalk Diaries 9

Catwalk Diaries edition 9 is in the planning stage, which is honestly my favourite part of magazine-making—especially the creative bits. This time round, I’m mixing things up: every model’s getting two full-colour A4 pages. There’s loads of space to really shine a light on each model, let the designer chat about their outfit, give the makeup artist a mention, and give the photographer a bonus slot (even if it’s just a little one) to show off the model a bit more.

The model submissions process:

For Models

• Two professional, high-quality images (please don’t send them via Instagram or WhatsApp, as the quality is reduced).

• A professionally written bio (300 words). Please don’t use AI—we don’t have the time to edit, and bios must be in British English. If it needs editing, we can’t accept it.

• If your photo shows you modelling an outfit, have a word with the designer and send us some details about the garment.

• Check with your photographer and make sure you have permission to use the image.

• Please include Instagram details for yourself (the model), the photographer, the MUA and the designer.

Submissions

Submissions close Friday 12 June at midday—don’t leave it too late!

The magazine is funded entirely by sales. If you purchase a copy, you’ll be promoted across all our channels—including videos. Please note we won’t promote your physical page across our socials unless you support the magazine. Buy more than one copy, and you’ll also have the chance to be featured on a fully optimised page on our website. 

The magazine has the right of refusal, and we simply can’t feature every model who applies. Remember, it’s totally free to submit, and it’s open to everyone. Good luck!

Catwalk Diaries 9 – Advertising

We have a limited number of advertising spots available. Contact us for further information.

Submission Email 

info@networkingmagazine.co.uk

Reference – Catwalk Diaries Issue 9

Bio Example

Sophie James is a London-based model with a keen eye for fashion and a passion for creative expression. With over four years of experience in commercial, editorial, and runway modelling, she has worked with a range of renowned designers including Harper & Lane and Maison Rowe. Sophie’s versatility in front of the camera is matched by her professionalism on set, making her a favourite among photographers and stylists alike.

Her portfolio spans high street campaigns, luxury lookbooks, and international fashion weeks, reflecting her ability to bring energy and elegance to every project. Sophie is known for her collaborative spirit and adaptability, thriving in both high-paced studio shoots and outdoor locations.

Beyond modelling, Sophie holds a degree in Art History from King’s College London and is passionate about promoting body positivity and diversity within the industry. She is represented by Bright Models Agency and is always eager to take on new creative challenges.

Instagram: @sophiejamesmodel

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“Writers are often the unsung architects behind every production, quietly shaping worlds and characters that only come alive when actors step onto the stage or screen.”

Ariella Carmell

Writers are often the unsung architects behind every production, quietly shaping worlds and characters that only come alive when actors step onto the stage or screen. It’s a perspective that resonates with me—having written my own book, Dreamstones, back in 2011, I know firsthand how creativity can simmer late into the night, fuelled by unconventional hours and a relentless drive for perfection. The process is messy, magical, and sometimes solitary, but it’s always deeply rewarding.

Ariella Carmell—her name is practically shorthand for boundary-pushing playwriting and screenwriting, though that’s just the tip of the iceberg when it comes to her talents. It’s impossible not to focus on her writing, given the sheer impact she’s had on the entertainment world, but there’s so much more to her creative journey.

Magazine Interview

In this exclusive interview, Ariella Carmell opens up to Networking Magazine about both her professional milestones and the personal experiences that shaped her along the way. 

Writer, Director, and Producer 

Ariella Carmell is a writer, director, and producer known for her darkly comic and thought-provoking work. She graduated from the University of Chicago and received the 2019 Olga and Paul Menn Prize for Playwriting. That same year, she was named the Michael Collyer Memorial Fellow in Screenwriting by the Writers Guild of America East and the Black List.

Ariella Carmell – Theatre Work 

Her theatre work ranges from intimate character studies to ensemble pieces, all set in memorable places and featuring unique characters. Her plays include Sit for Me (SoHo Playhouse, TheaterLab), Please Let Me Save You (Emerging Artists Theatre, NYC Fringe Festival), and Her Resting Place (New York Theater Festival). 

Directorial Debut 

Last year, she made her directorial debut with her play Women Who Cut at the Circle Theatre Festival at AMT Theatre. She won Best Director, and the play received awards for Best Ensemble and Best Actor in a Comedy (Chelsea LeSage). Since then, the play has been staged again as an immersive experience at Rosa in Williamsburg and as the first play at Pauhaus Gallery in Los Angeles, directed by Bella Balsamo.

Collaborations

Ariella’s screenwriting includes the feature Know Your Body, which has been recognised by BlueCat, the Austin Film Festival, and other competitions. Her script, Fathers and Daughters, was developed through the Collyer Fellowship and reached the ScreenCraft Screenwriting Fellowship Quarterfinals. She recently completed a short film that will be directed by her collaborator, Chelsea LeSage, and is developing several other projects across different genres and media.

Ariella Carmell – New York City

She has trained as a performer at T. Schreiber Studio and the Acting Studio. Her writing has appeared in Alma, the Brooklyn Review, the Sierra Nevada Review, and with the Jewish Book Council. Now living in New York City, she is fulfilling her childhood dreams and building her own creative world. Each new project is a little wilder than the last, so stay tuned.

Thought-provoking Themes

Your plays and screenplays often blend dark comedy with thought-provoking themes—what draws you to this unique mix, and how do you strike that balance?

I’ve always had a bit of a melancholic disposition, and yet I love to make myself and others laugh. The mix of darkness and humour comes from the contradictions of life itself, and the art I love reflects this sensibility. From being a kid reading A Series of Unfortunate Events to a teenager watching Heathers to a young adult inhaling Coen Brothers movies and shows like Barry and Fleabag, I’ve always liked what I like, which happens to be what disturbs me and makes me cackle all at once.

I strike the balance by staying true to the characters’ motivations and desires, never to be funny for the sake of it. There always must be a reason why a character says or does something, and nobody tries to elicit a reaction from an audience they are not supposed to see. Humour is usually a byproduct of the given circumstances, a release of tension, and often it’s the things taken most seriously that end up being unintentionally funny.

Pivotal Moment

Can you share a pivotal moment or breakthrough in your journey from university graduate to award-winning writer and director?

Winning the Michael Collyer Memorial Fellowship in Screenwriting was a huge moment of recognition from a major institution. I attended the Writers Guild of America East Awards that year and got to speak in front of a crowd of industry professionals, including John Krasinski and Emily Blunt. I felt so glamorous.

Since then, the industry has changed so much, and the road has been far from linear, but I look back at that award as something to remind myself that I’m “legit.” Because, honestly, a lot of the time, I am still that university graduate figuring things out — but, also, I know I’m on the path that has brought and will bring me back to spaces like the WGAEast Awards. As an artist, there are often long stretches of time when I work in total, unfettered isolation, and while the pursuit of my craft is never about the awards, the memories of the wins remind me that I am not working in a vacuum.

Ariella Carmell – Inspiration

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“Women Who Cut” has garnered multiple awards and been staged in several formats—what inspired this play, and how did seeing it reimagined in different venues influence your perspective as a creator?

A lot of people think I’m a man-hater because of this play, but that’s not exactly it (although I’ve had my moments of frustration around gender dynamics, as we all have). I was mostly drawn to a sort of “girl’s girl” language around misandry, the way trying to destroy the patriarchy can bring women together, even as we are so often incredibly vicious to each other. I went to an all-girls’ school, so I saw this pattern play out many times. It felt that the only times we weren’t at each other’s throats were when we were directing our rage outward, to the system. Then we’d be back to glaring at each other and denying that anything was wrong. There’s an undercurrent of violence in this candy-coated “yass queen” language that I think is so hilarious that I wanted to see it represented. That being said, I depict everyone, man or woman, in this play cartoonishly. They are all, in their own ways, ridiculous characters, each one capable of being both monster and victim. I take this stance on humanity in general.

Different Formats

Restaging Women Who Cut in different formats and venues has expanded my capabilities as a creator. Before I directed the first performance at the Circle Theatre Festival, I saw myself as a playwright who self-produced out of necessity. Now, I view myself as more than a writer. Both the piece and I are more flexible than I initially thought, which is a necessity in a time when boundaries of entertainment are shifting. I’ve been writing since I was eleven, more or less, so sometimes I don’t have the excitement for it that I have for a new activity. But directing is a whole new adventure, terrifying and exhilarating, that ignites the entire creative process for me. Sometimes it’s good not to be so masterful when you make something, I’ve learned.

Ariella Carmell – Writing & Directing

How has your training as a performer shaped your approach to writing and directing for both stage and screen?

My playwriting teacher, Jeremy Kareken, said that taking an acting class is one of the best things you can do as a playwright, and he was right. Same for directing. I don’t think I would have been able to conceive of directing without taking a Meisner class, which opened my eyes to the perspective of actors, what they need to be told to bring out the best of them. Now I hear repetition in daily life and incorporate it into my work in a way that feels both naturalistic and musical.

My studies also made me consider the actor more as I write. You’d be surprised how little the early-stage playwright considers the realities of acting and stagecraft when writing — I can only speak for myself, but it took me time to understand the specificities of the form that make it different from screenwriting or fiction. Being in the shoes of the actor made me realise, “Oh, I don’t always want to be saying the most poetic thing.” What works for the writer often doesn’t work for the actor. I realised playwriting is not about writing something beautiful for beauty’s sake, but to propel the narrative forward so that it’s impossible to look away. That is the ultimate goal: to keep every eye locked on the stage, to keep every actor engaged in pursuing their own objective. Theatre is quite an athletic endeavour — whether you’re watching or participating, you might be quite sweaty by the end of the show.

Genres and Mediums

You’ve worked across theatre, film, and even immersive experiences—what excites you most about experimenting with different genres and mediums?

As I said earlier, I’ve been writing in several different mediums since I was eleven. I’m almost thirty now (gasp!). There is still so much to discover when it comes to writing, but in some ways, I feel like I am a former piano prodigy who wants to learn different instruments now. Writing will always be my first love, but I do think I’m grappling with the creative scars that come with pressure on my writing from such an early age. When I sit down to write, I sometimes feel the burden of expectation. I want writing to feel like freedom, not a responsibility.

Experimenting with different mediums, as a creator who writes and directs, expands my skillset and keeps me creatively plastic. In this day and age, where everyone has seen everything, the best thing is to keep people engaged. Throwing a play like it’s a party, for example, changes the game for creator and participant alike, blurring the boundary between art and life. As a recovering perfectionist, breaking the rules brings me back to that state of childlike wonder that inspired me to create in the first place. It’s healing to try out different things, to push the limits of artistic definitions.

Feedback

As someone whose work has been recognised by major competitions and festivals, what’s the most meaningful feedback you’ve ever received about your writing?

Funnily enough, I think the best feedback came from Adi Lynton, the production and costume designer for the first run of Women Who Cut: “The gods really came together on this one.” My best work never feels written but rather like it’s fallen from the heavens, from a place of the universal creative soul. I really do believe that I am merely a conduit for worlds and characters that already exist. My job is to keep the channel open and translate these worlds and people into being.

Ariella Carmell – Creative world

You mention building your own creative world—what does that world look like, and how do you stay inspired to keep pushing its boundaries?

With each production, my web of collaborators grows. I love connecting with fellow artists and working with them multiple times, and seeing the way they connect with each other as well. To see how the girls of Women Who Cut kept working on different projects together after the show ended warmed my heart. It makes me feel like each production lives on beyond its run, that there’s a greater purpose to the ephemeral nature of a show.

I want to keep working with former collaborators in different capacities and different roles, as well as expand my network of possibilities. There’s a staggering amount of talent out there, and like a Pokémon master, I’m going to catch ’em all. That’s the satisfaction of working in production and not only writing: the whole venture becomes about something bigger than myself and my words.

Artistic Growth

Collaboration seems central to your process; can you talk about a partnership or project that had a major impact on your artistic growth?

That’s a hard one — I’ve been lucky to have so many talented collaborators: Andie Lerner, Meredith Ginsburg, Talya Dayan, and Emma Tadmor, to name a few. I’ve learned so much from all of them, and each, in their own way, has impacted my work.

Working with Chelsea LeSage on both Sit for Me and Women Who Cut has been so important to me. She’s the real deal, a truly consummate actor, not to mention such a lovely and calming presence. When she auditioned for Sit for Me, the air in the room changed. She was absolutely amazing in that role, and a pleasure to work with, but her performance as Ava in Women Who Cut really showcased her brilliance. Never afraid to try anything, she was absolutely deranged in that role, and I loved every second of it. Off-stage, though, she could not be more calming as I navigated my first time directing. It meant so much to me that I won Best Director and she won Best Actor, a testament to the power of our collaboration, because we both brought out the best in each other. I will work with her anytime.

Ariella Carmell – Advice

Looking back at your journey so far, what advice would you give to emerging writers who want to make their mark in today’s entertainment landscape?

Don’t give up! There have been many, many times when I wondered what the point of making art is, but it’s always when I’m on the verge of giving up that I write the story I need to write. Make things all the time, especially if they’re bad, because constantly creating will prime you to capture the story only you can tell. Don’t be rigid in how you see yourself as an artist — just because you haven’t tried something yet doesn’t mean you shouldn’t pursue it. If you’re a writer in a slump, try acting or directing. If you’re an actor between jobs, try writing. Even if you simply try something once, you will learn so much. You don’t need to be a master of a craft to have permission to do it.

Mystical Act

One last thing I would say is that you need to be the one to get others on board for your vision. Women Who Cut is the most insane thing I’ve written so far, and not everyone understood it on the page. I had to be the one to believe in it to get anyone else to believe in it. Even though I had my struggles with self-doubt, I maintained confidence in myself and my piece that sustained the whole production. I knew, deep down, that I could see something that no one else could see, and it was my job to get them to see it. Writing is its own mystical act, but it’s not enough to sit at home and commune with the gods on your own: you must work with others in order for your words to exist beyond the page.

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For Kathi Reichel a visit to the set proved unforgettable—being starstruck by the cast. Soon after came a first experience as a background actor in a German feature film; sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit.

Acting

The seeds of an acting career were sown early. With just thirty minutes of television permitted each day, a young aspiring performer made a beeline for “Hannah Montana” every evening. It wasn’t long before friends were recruited to join in impromptu skits, performing pop hits with a flair that hinted at future ambitions.

When her brothers landed roles in a German TV show, the competitive spirit was piqued. A visit to the set proved unforgettable—being starstruck by the cast, and perhaps developing a secret crush on the lead. Soon after came a first experience as a background actor in a German feature film. Sitting in the make-up chair, getting hair and make-up sorted, it became clear: this could be a lifelong pursuit. This was a calling.

Medicine Vs Film

But life had other plans for a while. Attending a demanding school meant the focus shifted to academics and family. Growing up in a small town where the arts weren’t exactly encouraged, it was easy to drift away from that early spark. When it came time to choose a path of study, there was a sense of being torn—medicine or film? In the end, film won out.

Then COVID arrived. A hands-on, creative degree suddenly became entirely theoretical, mostly studied from bed. It wasn’t until the final two semesters that a passion for storytelling started to creep back in.

Kathi Reichel – New York

After graduation, a move to New York for an internship followed, but something just didn’t sit right—it all felt miles away from a true sense of purpose. One day, while burning up with a fever, there was a spontaneous decision to sign up for an acting class—one barely even remembered making. That class changed everything, helping to heal, restore confidence, and bring back laughter and dreams. For the first time in ages, there was a sense of feeling truly oneself.

Back in Germany, there was no time wasted searching for a summer acting programme—and that’s when the Lee Strasberg Theatre & Film Institute appeared on the radar. What was supposed to be a brief stint turned into something much more. It became a home, a place to rediscover parts of oneself lost along the way.

Auditions

Instincts said to enrol in the conservatory. After completing the programme, it was time to take full advantage of OPT, diving into auditions and building a growing portfolio. Among the student film credits is ‘Veradens’, which earned Best Horror at the Paradise Film Festival and accolades at the Rome Prisma Independent Film Awards, plus selection for the Lift-Off Global Network Film Festival.

Later, Kathi jetted off to Atlanta to work on the TV pilot/film “Asherah: A Love Odyssey”—a surreal experience, especially being on a set where massive productions, including ones from Marvel Studios, had been filmed.

Women Who Cut

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One of the most life-changing chapters for Kathi was joining Women Who Cut. The people she met there changed everything. They became more than collaborators—they became family. The project picked up several awards, and through her role as Mia, she grew massively as an actor and as a person.

Kathi also got the chance to work as an assistant director on a stage production, which pushed her creatively in brand new ways. Being on the other side of the process gave her a deeper understanding of storytelling and teamwork—and she loved every second of it.

Her final project before heading back to Germany was Women Who Cut Immersive, and it was an experience she’ll never forget. Leaving New York felt like leaving home—like leaving a bit of herself behind.

Creativity

The people she met, the work she created, and the growth she experienced during that time shaped Kathi in ways she never expected. Acting became more than just a job—it became a space for healing, connection, and honesty.

And if one thing’s clear to Kathi now, it’s this: she wants to go back to that place—not just physically, but creatively. That’s where she feels most alive, and that’s where she truly feels at home.

Breaking news: Kathi has just revealed she’s been cast in “Spider-Man: The Book of Peter”! Follow us on Instagram to keep up with her latest adventures.

Kathi Reichel – Credits

Website homepage image – Photography by: Alan Rexroth: @alan_rexroth_visuals

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