“At Saventures, we celebrate the essence of creativity, innovation, and community. I am proud and excited to have brought this vision to life”.

At the heart of our signature fashion and acting brands lies a vital ingredient: networking. In the third edition of Catwalk Diaries, we had the incredible opportunity to spotlight Savana, a visionary who masterfully orchestrated an inspiring fashion show in the UK.

With her eye for talent, Savana (Saventures) boldly unveiled a collection of innovative designers, each promising to leave an unforgettable mark on the fashion landscape. The event was notable for its creativity, uniting an eclectic ensemble of designers, charismatic presenters, soulful singer-songwriters, breathtaking models, and talented photographers. 

Saventures – Buy The Magazine

Saventures – Fashion Show

What truly set Savana’s show apart from the usual fashion spectacle was its rich infusion of artistry and clever designs. Every detail had been meticulously curated, culminating in a distinctive experience that set it apart from conventional fashion events. 

Little did we know that Savana’s journey would soon lead her to the vibrant landscapes of Qatar, where the next exciting chapter of her story is set to unfold. We are happy at the prospect of witnessing her growth and the successful rebranding of her business in this new and dynamic environment.

Qatar

With a skilled photographer and a model by her side, Savana is now harnessing the power of a professional studio, complemented by opulent silk backgrounds, to market her magazine to a fresh, diverse audience. It’s an exciting time for her brand’s expansion, and we can’t wait to see how her vision continues to flourish.

“Savana exuded a captivating blend of pride, passion, and persistent focus, each quality illuminating her path as she pursued her vision”. – Networking magazine

Join in the conversation, tune in to our talk show on Spotify. We interview business owners, models, influencers and actors worldwide.

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Credits

Photo shoot by: Loula Hipstergraphy / @loula_hipstergraphy

Magazine photography by: @rkvishalofficial

Cover and magazine photography by: @iain_atkins

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Lampros Kalfuntzos’s credits include some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”.

A versatile creative whose career seamlessly connects the worlds of film, photography, and design. Based in the UK with roots in Greece, he has carved out a distinctive path as both an actor and visual storyteller, infusing cinematic flair and artistic vision into every project.

As an actor, Lampros’s adaptability and on-screen presence have been showcased in some of the industry’s most high-profile productions, such as “Mission: Impossible – Dead Reckoning”, “Hobbs & Shaw”, “No Time to Die”, “Black Panther: Legacy”, “Ted Lasso”, “The Crown”, and Netflix’s “Back in Action”. He continues to expand his portfolio across film and television, including recent roles in independent shorts and upcoming international features.

Photography

In addition to acting, Lampros is an accomplished photographer and visual designer. His work captures raw emotion and striking aesthetics, ranging from editorial fashion shoots to intimate portraits. His keen eye for detail, developed through years in visual design, translates into photography that feels both cinematic and deeply personal.

Balancing performance and imagery, Lampros thrives on storytelling in all its forms—whether through a character’s journey on screen or a single frame captured behind the lens. For him, acting and photography are not separate crafts but interconnected expressions of creativity, fueled by his lifelong passion for art, people, and the power of visual narratives.

Lampros Kalfuntzos – Interview

Creative Crossroads 

How do you see your experiences in acting, photography, and design influencing each other? Can you share a specific project where this interplay was particularly evident?

For me, acting, photography, and design all revolve around the same core principle: storytelling. Acting gives me the ability to inhabit emotions and narratives from the inside. At the same time, photography and design allow me to externalise those stories visually. A great example was the Private Sale campaign I worked on for Ralph Lauren, where my design shaped the overall visual identity. However, my background in film gave me the instinct to treat it cinematically, with motion, almost as if I were directing a scene. That mix helped me craft visuals that weren’t just stylish but emotionally resonant.

Cinematic Influences

Your work spans high-profile films like “Mission: Impossible” and “Murder on the Orient Express.” What aspects of these productions have shaped your understanding of storytelling in both film and photography?

What struck me most about those productions was the sets themselves. Walking onto the Murder on the Orient Express train was like stepping back in time. Every detail, from the upholstery to the lighting, was crafted to tell a story before a single line was spoken. On Mission: Impossible, the scale was immense, but again, the set design carried the narrative—every location was built or chosen to heighten tension and energy. Those experiences taught me that sets are more than backdrops; they are characters in their own right. In my photography, I approach locations in the same way—I don’t just see them as a stage, but as part of the narrative fabric. The environment shapes mood, influences performance, and often reveals as much about the subject as the subject itself.

Lampros Kalfuntzos – Cultural Roots

Being based in the UK with Greek roots, how do your cultural background and experiences influence your artistic vision and the creative stories you choose to tell?

My artistic vision is deeply rooted in Greece, and especially in Larissa, the town where I grew up. Larissa lies in the shadow of Mount Olympus, the mythical home of the 12 Gods. That presence was always part of my film imagination. Greek mythology taught me that every story has layers of human struggle, divine influence, and symbolic meaning, and those themes naturally flow into my photography and acting. While the UK has given me opportunities to expand and connect globally, it is my roots in Larissa and the mythology of Olympus that anchor me, inspiring me to create work that carries emotional depth and a sense of timeless storytelling.

Lampros Kalfuntzos – Emotional Connection

In your photography, you aim to capture raw emotion. What techniques do you use to connect with your subjects to produce those feelings in your work?

It always starts with trust. I spend time talking with my models before the camera is even set up. I ask questions that allow them to open up, and I observe their natural gestures and expressions. When we do start shooting, I try to create an environment where they can be themselves—music, humour, or even silence, depending on what brings out authenticity. My goal isn’t to pose, but to capture a fleeting moment that feels genuine and make them feel at ease.

Balancing Acts

How do you manage the balance between your acting, design and photography careers? Do you find that one influences or enhances the other in your creative process?

Balance is a challenge, but acting, design and photography are complementary rather than conflicting. Acting sharpens my empathy and helps me read people, which makes me a better photographer. Photography, on the other hand, strengthens my visual awareness—composition, light, texture—that I then bring into my acting, especially when working on screen. Each discipline feeds the other, so rather than separate them, I let them enrich one another.

Lampros Kalfuntzos – Artistic Vision

Can you describe your artistic vision when approaching a new project, whether it’s a film role or a photography shoot? What key elements do you focus on?

I always start with the question: What is the story here? Once I have that, I focus on three things—emotion, atmosphere, and detail. In acting, it’s about building a believable inner life for a character. In photography, it’s about creating a mood that evokes a feeling beyond the image. In both cases, the goal is to create work that resonates with and lingers in people’s minds, rather than merely being aesthetically pleasing.

Independent Projects

You’ve taken on roles in independent shorts and international features recently. What draws you to these types of projects, and how do they differ from your work in larger productions?

Independent projects often give me more creative freedom and a closer connection to the story. They may not have the enormous budgets of Hollywood films. Still, they allow for experimentation and risk-taking, which I find very rewarding for future productions. On big sets, everything is highly orchestrated. On smaller productions, there’s an authenticity and urgency that reminds me why I fell in love with cinema in the first place. Both are valuable, but in different ways.

Storytelling Techniques

You mention that you thrive on storytelling in all its forms. How do you approach storytelling differently in photography compared to acting?

In acting, storytelling is immersive—I live the story through my character. In photography, it’s observational—I shape the story through framing and light. The difference lies in perspective: acting is from the inside out, while photography is from the outside in. But both come down to truth, timing, and emotion.

Lampros Kalfuntzos – Future Aspirations

Looking ahead, are there any specific genres or themes in film or photography that you’re eager to explore? What excites you about these potential projects?

I’d love to explore more drama and action thrillers in film because they play with tension and nuance—elements I enjoy as an actor. In photography, I’m drawn to fashion editorial styles and underwater projects, which I pursue when I have the equipment, focusing on cultural identity and human resilience. What excites me most is the possibility of blending the two: utilising cinematic storytelling techniques in photography and incorporating photographic sensibilities into film.

Advice for Aspiring Creatives

What advice would you give to aspiring actors or photographers who wish to carve out their own unique path in the creative industry?

Don’t wait for anyone’s permission. Create your own opportunities. The industry is challenging and unpredictable, but your individuality is your strength. Keep experimenting, creating, and telling stories in your own voice, and surround yourself with people who believe in your vision. Most importantly, stay consistent—success often comes to those who keep showing up. Just have a little faith.

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Excited for the future, he embraces the endless possibilities that photography offers, capturing the beauty of life one frame at a time.

In the town of Loughton, Essex, Steve Fox, a dedicated hobby photographer, represents the evolution of passion through photography. His journey began at children’s birthday parties, where he quickly realised that his compact camera couldn’t capture the energetic movements of the kids. This frustration led him to purchase his first DSLR, marking a significant turning point in his photography journey.

Starting with auto mode, he gradually learned about exposure, shutter speed, aperture, and ISO, becoming the go-to photographer for parties. A pivotal moment occurred when he assisted a friend, a carnival clothing designer, with a photoshoot. Nervous yet excited, this first paid assignment ignited his interest in portrait photography.

Skills

To improve his skills, Steve studied and learned from talented photographers online and began reaching out to potential models on Facebook. His collaboration with Maria Valentina in his home studio helped him grow in both skill and confidence. “Working with different people has not only improved my photography but has also helped me grow personally,” he reflects.

Today, Steve continues to experiment with various styles, with each photo shoot telling a unique story. His journey from a shy hobbyist to a confident photographer showcases the power of following one’s passion. Excited for the future, he embraces the endless possibilities that photography offers, capturing the beauty of life one frame at a time.

From Birthday Parties to Professional Shoots  

What was the most challenging aspect of transitioning from capturing children’s birthday parties for friends to taking on paid photography assignments?  

One of the main challenges is the mindset shift. When you’re photographing a party where you know everyone, the atmosphere is quite relaxed. However, when dealing with clients you may not know well—or at all—there’s an added pressure to meet their expectations since they are paying for your services. My first couple of paid shoots were for friends of my sister, which helped me get accustomed to working with new people while still having some connection. One was for a grandmother’s special birthday party, and another was for a christening.

Creative Fox – Learning Curve 

You mentioned starting with auto mode on your DSLR. What specific moment or lesson pushed you to delve deeper into the technical aspects of photography? 

A pivotal moment for me was a conversation with a colleague at work who had previously owned a photography business, specialising in photographing models. We discussed DSLR cameras and the equipment he used to get his shots. He explained the basics of ISO, shutter speed, and aperture, emphasising how a combination of these settings can affect the final image. This conversation sparked my interest in flash photography, where I could control the lighting to “create” an image rather than just capture one.

The Carnival Shoot  

Can you share more about your assignment with your friend, the carnival clothing designer, who inspired you to pursue portrait and creative photography? What emotions did you experience during that shoot?  

This experience, which occurred about two and a half years ago, reignited my passion for photography following the COVID lockdowns. Marion, the clothing designer, had created outfits for the upcoming Notting Hill Carnival and needed someone to photograph the models wearing them. I knew Marion from a local Facebook group and had taken family photos for her in the past, so she reached out to me for help.  

Working with models was entirely new to me, so I felt a mix of excitement and nervousness. I remember struggling to sleep the night before due to my anxiety about the shoot. Fortunately, it went well, and we captured some great shots that are now featured on Marion’s Instagram page (@thunder_mas). After this shoot, I began researching flash photography, equipment, and various lighting techniques, which I gradually applied in my current work.

Creative Fox – Collaborative Growth  

How did your collaboration with Maria Valentina shape your approach to portrait photography, and what specific techniques did you adopt from that experience? 

Building on what I had learned about flash photography, I decided to step out of my comfort zone and seek out individuals I didn’t know who were interested in having their photos taken. I found several photographer and model pages on Facebook and reached out to potential subjects. Maria was the first model I arranged a shoot with.  

As I browsed through her Instagram profile, I noted that she had worked with well-known brands like L’Oréal and Nokia, which made me nervous since I was starting out with a small home studio. When I picked her up from the local tube station and saw her from a distance, I was struck by the reality of working with an established model. 

Treat everyone you meet and photograph with respect. Ensuring they feel comfortable and at ease will result in far better shots. – Steve Fox

Creative Fox – Lighting Technique

Once we arrived at the studio, which I had already set up for a portrait shoot, we began working together. I quickly realised that the lighting setups I had seen for portrait shoots weren’t necessarily flattering for women. My initial approach involved placing lights off to the side, creating shadows on the face, along with additional lights for hair and background lighting. However, Maria showed me that a more centralised lighting setup is often better for showcasing the face and makeup in portraits. After making a few adjustments, we successfully completed the portrait shots.  

Now, I use this lighting technique for portraits, varying it afterwards to create different styles of shot.

Personal Transformation  

You’ve mentioned that your work with different people has contributed to your personal growth. Can you elaborate on how photography has impacted your confidence and social interactions? 

Challenging myself to reach out to and work with various models has significantly boosted my confidence. I have always been a somewhat shy person, and taking on this challenge has forced me to overcome some of these insecurities.

Creative Fox – Artistic Evolution 

With so many styles to explore, how do you decide on the direction for your next photo shoot? Is there a particular theme or story that you find appealing?

My primary focus is portrait photography. Capturing emotion through the model’s eyes is essential to me. I also enjoy creating dramatic images by using lighting to create shadows, rather than simply flooding an image with light. I maintain a mood board filled with various ideas I come across while browsing online, or ideas sent to me from the models themselves. I always prefer to ask the model which looks they’d like to try, allowing them to experiment with something they can cherish rather than just doing it for the sake of it.  

Online Learning  

You’ve learned a lot from talented photographers online. Who are some of your biggest influences, and what valuable lessons have they taught you?

Each of the following photographers has provided me with something beneficial—be it product information, lighting techniques, or ideas.

First off, we’ll start with:

Creative Fox – Influencers

– “Peter Coulson (Australian Photographer)”: He has a distinct style, but what I’ve found most valuable is his approach to interacting with models. His guidance on how to make models comfortable during a shoot is crucial; any discomfort will reflect in their expressions.  

– “Gavin Hoey (UK Photographer)”: He runs a small home studio (though he has more space than I do), which has been helpful in learning how to manage space limitations. Additionally, he offers great ideas for photo shoot themes.  

– “Yuliya Panchenko (Originally from Baku, now based in the US)”: She primarily focuses on boudoir photography. Her lighting techniques and posing methods have been incredibly beneficial, especially for models who are newer to photo shoots.  

While others have influenced my work, these three have made the most significant contributions to my learning.  

Capturing Movement  

Reflecting on your earlier frustrations with capturing energetic children, how do you now approach the challenge of movement in your photography?

Now that most of my shoots involve models, they tend to be a bit more manageable than shoots with kids at a party. If we aim to capture movement, flash can be incredibly useful, as it can freeze the action in a moment. I want to explore some alternative flash settings to create a blurry effect on the movement while still maintaining a sharp image of the main subject in the frame.  

Creative Fox – Future Aspirations  

As you look ahead, what new techniques or styles are you eager to experiment with, and what dreams do you have for your photography career?

I am excited to try movement shots using the flash and drag technique mentioned earlier, as well as multiflash techniques for multiple exposures in one shot to create abstract photos. Another technique I haven’t yet explored is “light painting,” where you use light to illuminate the subject while employing a very slow shutter speed. These methods are more experimental but intriguing.

As for my dreams, I simply hope to continue taking beautiful photographs that are worthy of magazines or suitable for printing as posters. I also look forward to meeting new people along the way. While photography is more of a hobby for me, my main profession is in lighting—albeit in a different field from photography.  

Creative Fox – Message to Aspiring Photographers  

What advice would you give to those just starting their photography journey, especially in overcoming initial hurdles and building confidence?

From a hobbyist’s perspective rather than a business one, I suggest first exploring the type of photography that interests you—be it landscapes, animals, products, or portraits. Look online for tutorials related to your chosen subject to understand how others create their shots.  

Don’t be intimidated by the equipment used by experienced photographers. Many have been honing their skills for years and have gradually built up their gear. Interestingly, my Canon camera is nearly ten years old, lacks eye tracking, and I use very basic flash heads. I primarily work with two prime lenses; you don’t need an extensive arsenal of expensive equipment. The key is to learn how lighting works and how to position it to achieve your desired look.  

Practice

Practice is essential. I started by photographing friends and family, then moved on to friends of friends, and eventually reached out to people I didn’t know. Over the past year, I’ve met diverse individuals with different looks they wanted to try out.  

I’ve learned to set up my shoots more efficiently, troubleshoot when things don’t go according to plan, and consistently capture images that resonate with people. If a shy person like me can achieve this, anyone can!  

Lastly, and perhaps most importantly, treat everyone you meet and photograph with respect. Ensuring they feel comfortable and at ease will result in far better shots.

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Katrina Morgan, a model, shares her experiences that have shaped her career. We also discuss her creative projects, which not only showcase her unique talent but also pave the way for new opportunities.

Interview

A candid conversation with Katrina Morgan about her professional journey. This interview will be available in “Catwalk Diaries” Issue 6 in print and digital edition, check our home page for details.

What initially inspired you to pursue a career in modelling, and how did you get started in the industry?  

It’s something I’ve always been interested in trying since my younger years. As I grew older, my confidence built up and I thought, “Why not give it a go — you might love it!” And I have loved every second since taking that step.

   
Can you share some highlights from your experiences in both studio and outdoor shoots? How do they differ for you?  

For me, there’s a huge difference. My outdoor shoots have mostly been in the busy streets of London — they’re exciting, fast-paced, and even have a famous feel at times when you’ve got 20 photographers following you! That’s all part of the thrill. In contrast, indoor studio shoots have a cosy, creative atmosphere where ideas can flow freely and you can experiment more.

What was it like to be featured in magazines, and which feature are you most proud of?  

It’s always a proud and exciting moment to find out you’ve been featured. My proudest feature is for London Fashion Week with Networking Magazine. Magazines really showcase the creativity, fashion, and the incredible talent behind the scenes — being part of that is very special.

How did participating in runway shows shape your understanding of the fashion industry?  

Runway shows made me realise that fashion is much more than clothing — it’s a form of creativity, expression, and a language that connects us all. Walking the runway showed me that fashion will always be a part of us as humans, because expressing ourselves through style is timeless.

You mentioned taking time away to focus on family and creative projects. How did that period influence your perspective on modelling?

This period of time was challenging as I took a step back after losing my father. But it sparked a fire in me to keep making him proud, and it showed me that I am stronger and more capable than I realised. Dark times test us, but they also reveal our strength. Now I feel like I’m back with a bang.  

What motivated you to write children’s books, and how do you balance that passion with your modelling career?

As a mother raising two young children who both love nature, the environment, and reading, I was inspired to write about my daughter and our adventures. We’ve explored natural medicine and caring for the planet together. I wanted to capture that in a way that educates and inspires others. Writing this book has been a beautiful journey, blending our real-life experiences with storytelling. 

As you make your comeback to modelling, what specific goals or aspirations do you have for your career moving forward?  

My goals are to branch into commercial modelling while continuing to work in fashion.

How do you stay motivated and inspired in an industry that can be pretty challenging?  

By focusing on my own goals rather than comparing myself to others. I’ll always support and cheer for those around me, but I know that we’re all on our own journeys — and that keeps me grounded and motivated.

Are there particular collaborations or projects you’re eager to pursue now that you’ve returned to modelling?  

I’d love to sign with a strong agency this year and begin collaborating with brands. There are so many I’d be excited to work with — too many to list!

What message do you hope to convey through your work, both as a model and an author?

To be true, free, and authentic in everything I do — because that’s a huge part of who I am, and I believe it’s what makes us truly alive.

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By Sanj Saigal

When I think of Pierre Garroudi, I see not just a designer, but a true fashionista – someone on the verge of becoming a prominent icon in the fashion industry.

When I think of Pierre Garroudi, I see not just a designer, but a true fashionista – someone on the verge of becoming a prominent icon in the fashion industry. His innovative designs and unique style reflect a deep understanding of contemporary aesthetics, making his brand a standout in the crowded fashion landscape. With an eye for detail and a passion for creativity, Garroudi is crafting a reputation that promises to leave a lasting impact on fashion enthusiasts and the industry as a whole.

Fashionista Event

On September 20th at 3 PM, a dazzling runway show featuring 40 models took place at St. George the Martyr Church, Hyde Park, WC1N 3AH—photographers were at the ready in what can only be described as a battle to capture the perfect shot. 

Catwalk Diaries 6: We caught up with Pierre Garroudi for a candid conversation about his designs, inspiration and brand.

Your designs often challenge conventional aesthetics. What inspires you to push those boundaries, and how do you define “avant-garde” in your work?

London

Thank you for that keen observation—it’s always gratifying to hear how my work disrupts the expected. As Pierre Garroudi, my drive to challenge conventional aesthetics stems from a deep fascination with the raw energy of London’s streets, the surreal dreamscapes of artists like Salvador Dalí, and the unfiltered pulse of human diversity. Last Saturday’s show at St John the Martyr Church during London Fashion Week was a perfect embodiment of this: inspired by the chaos of urban metamorphosis, I drew from Victorian railway arches—echoing my gallery’s roots—and fused them with futuristic upcycling, like transforming discarded shoes into sculptural heels that defy gravity and tradition. These elements push me to question: Why must elegance be confined to the predictable when imperfection breeds true innovation?

Fashionista – Proving Fashion

For me, “avant-garde” isn’t mere provocation; it’s a manifesto for reinvention—garments that evolve with the wearer, blending haute couture craftsmanship with street-level rebellion. Think hand-stitched turquoise ruffles that cascade like melting clocks, or modular pieces from my latest collection that shift from structured silhouettes to fluid forms, celebrating every body and backstory on the runway. It’s about igniting curiosity, fostering inclusivity, and proving fashion can be a living dialogue, not a monologue. In a world craving authenticity, my designs invite wearers to co-author their narrative, one bold boundary at a time. What boundary would you shatter next?

Please tell us about a specific collection or piece that best represents your unique artistic vision.

I’d point to my latest collection, Metamorphic Echoes, unveiled last Saturday at St John the Martyr Church during London Fashion Week, as the purest expression of my artistic vision. A defining piece is a transformative lingerie ensemble that subverts its traditional role. Drawing inspiration from the haunting elegance of London’s Victorian railway arches—reflecting my Garroudi Gallery’s origins—and the fluid dynamism of urban transformation, this piece is crafted from delicate layers of hand-stitched turquoise tulle and intricate lace lingerie. Designed to reverse lingerie’s conventional private allure, it’s a modular creation that transitions from a structured, corset-inspired silhouette to a cascading, ethereal form with detachable tulle overlays.

Fashionista – Statement Of Power

Worn boldly as outerwear, it challenges societal norms around intimacy and exposure, turning vulnerability into a statement of power. Every detail, from the hand-stitched tulle to the inclusive casting on the runway, celebrates diversity and craftsmanship. This piece encapsulates my avant-garde ethos: a dialogue between past and future, structure and fluidity, where lingerie becomes a canvas for rebellion and self-expression.

Collaboration is key in the fashion industry. Are there any artists or designers you dream of collaborating with, and why?

I thrive on the idea of collaboration as a catalyst for redefining fashion’s boundaries. My dream collaborators would be visionaries who share my passion for shaking up the status quo, particularly with brands like Dior, Givenchy, and Balenciaga—storied houses that, while iconic, could use a bold creative jolt to reignite their edge. I’d love to work with someone like Iris van Herpen, whose fusion of technology and artistry aligns with my own experimental ethos. Her 3D-printed sculptures and organic forms would amplify my Metamorphic Echoes collection’s focus on fluid, transformative silhouettes, blending her futuristic precision with my tactile tulle and lingerie explorations.

Fashionista – Collaborating

Collaborating with Dior, for instance, would be electrifying—to infuse their timeless elegance with my avant-garde rebellion, perhaps reimagining their classic Bar jacket with detachable tulle layers that shift from structured to ethereal, challenging traditional couture. Similarly, Givenchy and Balenciaga, with their rich histories, could be revitalised by injecting my inclusive, narrative-driven approach—think lingerie-as-outerwear that defies convention. These partnerships would spark a dialogue between heritage and innovation, waking up these sleeping giants with daring, inclusive storytelling. Who would you see me collaborating with to push these boundaries further?

Your work is known for its bold concepts. How do you balance innovation with wearability, ensuring your pieces remain accessible to a broader audience?

Balancing innovation with wearability is at the heart of my design philosophy, ensuring my bold concepts resonate widely while retaining their avant-garde edge. My latest collection, Metamorphic Echoes, showcased last Saturday at St John the Martyr Church during London Fashion Week, exemplifies this. Inspired by the fluidity of London’s Victorian railway arches and urban transformation, I create pieces like my transformative lingerie ensemble—crafted from hand-stitched turquoise tulle and intricate lace—that challenge norms by turning intimate wear into empowering outerwear. To ensure accessibility, I design with modularity in mind: detachable tulle overlays allow wearers to shift from dramatic, runway-ready looks to more wearable, minimalist forms, adapting to diverse lifestyles and bodies.

Wearability

Innovation drives my use of lightweight, tactile tulles and inclusive sizing, celebrating every identity on the runway, from size to gender. Wearability comes through practical details—like adjustable fastenings and breathable fabrics—that maintain comfort without sacrificing the narrative. By grounding bold concepts in universal themes of self-expression and transformation, my work invites a broader audience to engage with fashion as art they can live in. How do you think bold design can feel both personal and universal?

In an era where sustainability is crucial, how do you approach eco-friendly practices in your design process?

Fashionista – Design Ethos

Sustainability is integral to my design ethos, balancing eco-conscious practices with my avant-garde vision. In my latest collection, Metamorphic Echoes, showcased last Saturday during London Fashion Week, I used biodegradable tulles and ethically sourced lace for pieces like my transformative lingerie ensemble. I focus on slow fashion: small-batch production minimises waste, and modular designs with detachable tulle layers extend versatility, encouraging reuse. Collaborating with local artisans for hand-stitched details supports fair labour and reduces carbon impact. My inclusive designs, fitting diverse bodies and identities, promote emotional durability, ensuring lasting wear. Sustainability means crafting meaningful art that respects the planet. 

Much of your work celebrates individuality and self-expression. How do you think fashion can empower people to express their identities?

My work is a celebration of individuality, designed to empower people—especially women—to express their authentic selves and innermost desires through fashion, free from societal expectations. In my latest collection, Metamorphic Echoes, showcased during London Fashion Week, I created pieces like a transformative lingerie ensemble with hand-stitched turquoise tulle and lace. Its modular design, with detachable layers, allows wearers to shift from bold to understated, giving them the freedom to define their look on their terms.

Fashionista – Storytelling

Fashion empowers by acting as a canvas for self-expression, breaking the mould of what others think women “should” wear. My designs reject rigid norms—using fluid, inclusive silhouettes that fit diverse bodies and identities, I encourage women to embrace their unique narratives, whether that’s fierce rebellion or quiet confidence. By prioritising sustainable, versatile materials, I ensure these pieces are tools for personal storytelling, not fleeting trends. Fashion becomes empowerment when it amplifies internal desires over external judgment, letting every woman dress as her truest self. 

As a designer, how do you stay inspired in the fast-paced world of fashion? What sources do you draw from?

Evolution

Staying inspired in the fast-paced fashion world means embracing its rapid evolution, driven by constant technological innovation. I draw from the dynamic energy of urban life, surrealist art, and cutting-edge advancements like 3D printing and sustainable textiles. My latest collection, Metamorphic Echoes, shown at London Fashion Week, reflects this—integrating hand-stitched tulle with modular designs that adapt to the wearer’s desires, mirroring the fluidity of modern identity. Technology inspires me to experiment, like using biodegradable fabrics or digital design tools to push creative boundaries. I also find inspiration in the diverse stories of individuals, fueling my commitment to inclusive, empowering fashion. By staying curious and open to change, I keep my work vibrant and relevant. 

Could you share a memorable moment from your career that significantly shaped your perspective on fashion?

Fearless

A defining moment in my career came during my first month in London, the epicentre of fashion creativity alongside the broader UK. I saw three young girls heading to a party, one in a repurposed wedding gown, another in a large bin bag ingeniously cut with holes for the neck and arms, cinched with a belt. This raw, fearless creativity—transforming the ordinary and discarded into bold statements—profoundly shaped my perspective. It reinforced my belief that fashion is not about conforming but about fearless self-expression and innovation. This moment inspired my approach in collections like Metamorphic Echoes, shown at London Fashion Week, where I use modular tulle and lace designs to empower wearers to redefine their identity. London’s boundary-pushing spirit continues to fuel my work, proving fashion is a playground for individuality. What moment has shaped your view of creativity?

What role do you think technology plays in the future of fashion design, and how have you integrated it into your own work?

I see technology as a transformative force in the future of fashion, enabling unprecedented creativity and sustainability. In 20 years—or perhaps sooner—innovations like replicator machines, crafting garments from atomic structures, could revolutionise production, making it hyper-local, waste-free, and hyper-personalised. This aligns with my vision of fashion as a fluid, inclusive art form. About eight years ago, I began researching for a book on the fashion industry, even hiring a ghostwriter from Fiverr.com, but when she was removed from the platform, I lost momentum and abandoned the project. That experience taught me to embrace technology’s potential directly in my work instead.

Fashionista – Latest Collection

In my latest collection, Metamorphic Echoes, shown at London Fashion Week, I integrated digital design tools to craft modular lingerie and tulle pieces, allowing precise experimentation with fluid silhouettes that adapt to diverse bodies. I also explore sustainable fabrics inspired by technological advancements, like biodegradable tulles, to reduce environmental impact. Technology empowers me to push boundaries—whether through digital prototyping or envisioning future replicators—while keeping individuality at the core. 

Looking ahead, what are your aspirations for the future of your brand, and what legacy do you hope to leave in the fashion industry?

Envisioning the future of my brand is challenging given the unpredictable landscape shaped by advancements like Artificial Superintelligence (ASI) and geopolitical shifts. My aspiration is to evolve my brand into a beacon of fearless individuality and sustainability, adapting to these changes while staying true to my avant-garde ethos. I want to push boundaries further, integrating emerging technologies—potentially even early replicator machines—to create modular, inclusive designs that empower wearers to express their unique identities, as seen in my Metamorphic Echoes collection from London Fashion Week.

Fashionista – Legacy

My legacy in the fashion industry is to inspire a world where clothing is a dynamic extension of self, free from societal constraints, and rooted in eco-conscious innovation. I hope to leave behind a blueprint for fashion that celebrates diverse narratives, embraces technological evolution, and challenges conformity—encouraging future designers to prioritise individuality over trends. Despite uncertainties, my brand will remain a space for bold, transformative storytelling. 

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Website cover photography – Sergio Mattioli©

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Helen King, a rising star in the music scene, graces the stage at the Finsbury Pub. Her relentless work ethic has earned her a place among the icons in the making.

Over a hundred people gathered at the Finsbury Pub, a popular North London venue, for an intimate gig. The stage was shared with fellow artists: “Dead Rat Society” and “To the Dogs”. 

Three – A Magic Number

Three – A Magic Number

I wanted to know if any fans made outlandish requests. Suffice to say, that there was. 

Helen: “Someone messaged me to say Are you wearing your leather trousers tonight and I said No, I’m wearing my sequin hot pants. They were the first ones through the door at 7 pm.

Your music sounds more confident as an artist. Is that because you’re now with a label or experience kicking in?

Helen: Both, I think – I’ve been performing on stage for a year now, and I have developed a huge amount in that year. Having fans and label support has really boosted my confidence. I’m learning to vibe and connect with the audience, and that is hugely rewarding.

You had a setback with a relationship; did it impact your music in any way?

Helen: The break-up was really a big blow to me. I thought I couldn’t get up again. But I did.

I noticed that you have a lovely, refined accent. Where did that come from?

Helen: “Grammar school girl!”

When are you most creative?

Helen: Nighttime. I often wake up at 3 am precisely with a lyric or tune in my head.

Are you planning to tour?

Helen: The plan is the 2nd album sometime in 2026, then tour throughout the year, including festivals.

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Her ability to interpret designers’ concepts and bring them to life through makeup artistry not only enhances the visual narrative of fashion shows but also leaves a mark on the industry. – Fashion’s Secret Weapon

In the dynamic world of fashion, where every detail counts, makeup artists play a pivotal role in bringing designers’ visions to life. Among the talented individuals making waves in this industry is Asal Rastgou, a makeup artist renowned for her exceptional ability to create looks that perfectly align with the thematic aspirations of designers. Her work not only enhances the beauty of the models but also harmonises with the overall aesthetic of fashion shows, making her an invaluable asset to any runway presentation.

Fashion Show

It was just a year ago, on the eve of this very day in 2024, that I found myself at the Pierre Garoudi fashion show. As I stepped into the venue, I was instantly engulfed by a whirlwind of activity—photographers hustling around, busy with positioning their cameras and adjusting lighting to capture the perfect shot. 

Fashion’s Opportunity

With my iPhone clutched tightly in my hand, I set out on a mission to encapsulate the essence of the event. The fashion show was brilliantly orchestrated, showcasing a stunning array of designs flaunted by a diverse group of striking models. Each outfit seemed to tell its own story, and I felt as giddy as a child in a candy store as I rushed from one runway moment to the next.

At the end of the evening, in my eagerness, I manoeuvred between established photographers, occasionally interrupting them to snag Instagram handles from the countless models who glided by. Amidst this flurry, I was drawn to a particular person who embodied an essential part of the show’s energy. I seized the opportunity to strike up a conversation. What felt like an hour of deep and meaningful exchange was, in truth, barely a few fleeting minutes—but those moments were rich, filled with insight that remained long after our brief interaction ended.

Asal demonstrates exactly what to do with her editorial. With over 65,000 followers and being an influencer in her own right, she posted this on Instagram today.

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“A human being is capable of doing more than just one thing. So, don’t confine yourself to just one box”. – Rebecca Hanser

Rebecca Hanser – Podcast

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YouTube – Podcast

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Film, Theatre, and Motion Capture

Rebecca Hanser is a multi-talented actor, producer, writer, model and director based in London, working in film, theatre, and motion capture. She has gained recognition for her feature films, including Portal to the Abyss (2024), Parasitus (2021), and Blade of the Assassin (2021), as well as her short films such as Third Life Crisis (2023), the award-winning Ghosted (2022), and A Tribute to Frida (2021). Additionally, she contributed to the BAFTA-winning Netflix series The Witcher Season 3, which received accolades for Best Special, Visual, and Graphic Effects.

Passion For Films

From a young age, Rebecca developed a strong passion for films and credits watching movies as a key factor in learning English. Although she initially focused on writing, her interest in acting emerged later. She pursued an impressive academic career, earning a Bachelor’s degree in International Business Management from The Hague University and a Master’s degree in Anthropology and Journalism from Leiden University. To support herself through college, she worked in modelling and hospitality, which also allowed her to travel extensively. As a result, Rebecca is fluent in several languages, including Spanish, Portuguese, German, and French, in addition to her native Dutch and English.

Rebecca Hanser – Projects

Her growing interest in acting led her to several successful projects in Dutch cinema, such as Poolshoogte (2014). This prompted her move to London, where she trained at the esteemed Drama Centre London, earning a Master’s in Screen acting. The program’s unique structure, which paired actor and director students, provided her with valuable behind-the-camera experience. During this time, she became an in-house cast member of The People’s Company, playing the role of Titania in their production of A Midsummer Night’s Dream (2019) in partnership with the Southwark Playhouse. She also toured the UK with the Extreme Improv Comedy Club, directed by David Pustansky. Her passion for Flamenco dance blossomed during this period, culminating in the short documentary Andalusia (2018). Her latest stage performance was in the show “Pigs,” produced by SweinHaus at the Cockpit Theatre in London.

Skill Set

After appearing in the short film Before You Were Born (2017), Rebecca expanded her skill set by training in filmmaking, screenwriting, editing, and producing. She co-produced and wrote projects like Fallen from Grace (2018). Her horror films Panic (2019) and Tormented (2019) achieved success within London’s film festival circuit, receiving praise at the Raindance Film Festival. Rebecca is also dedicated to martial arts, practising Taekwondo, Muay Thai, Jiu Jitsu, and Kickboxing, as well as gymnastics and contemporary dance, making her a versatile physical actress known for her abilities in stage and screen combat.

Rebecca Hanser – Directing

She launched her directing career with the short film A Tribute to Frida (2021), for which she handled writing, editing, and acting duties. This experience laid the groundwork for her production company, Visualise Productions. After gaining valuable experience in VFX coordination at post-production firms like MPC/The Mill and Cinesite, and working on Netflix’s The Witcher Season 3, as well as films like The Family Plan and The Union, she decided to concentrate entirely on directing, writing, producing, and acting, establishing Visualise Productions as the core of her creative endeavours. Her most recent project, which she produced and directed entirely, is Third Life Crisis.

Credits

Website cover photographer: Amar Chundavadra

Rebecca Hanser – Instagram

Rebeca Hanser – Website

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If you’ve been scrolling through your socials and catching glimpses of stunning outfits, you’ve probably heard rumblings about London Fashion Week (LFW).

Haute Couture – London

London Fashion Week is a prominent event in the fashion calendar, held biannually to showcase the latest trends and collections from top designers. The first event occurs in February, where designers present their Autumn/Winter collections, allowing fashion enthusiasts and industry professionals to preview what will be in vogue for the colder months. The second instalment takes place in September, focusing on the Spring/Summer collections, where designers unveil their visions for warmer weather. This prestigious week draws a diverse crowd, including buyers, influencers, and celebrities, all eager to witness the creativity and innovation that British and international designers bring to the runway.

The world’s leading designers unveil their latest collections in a dazzling display that surpasses a mere runway show, transforming into a vibrant celebration of creativity and innovation that significantly influences the fashion landscape. This spectacle is particularly exhilarating for fashion enthusiasts, especially the younger generation, who are boldly redefining contemporary style and pushing the boundaries of traditional aesthetics. It’s an event that not only highlights exquisite craftsmanship but also represents the spirit of experimentation and self-expression that characterises modern fashion.

A Creative Playground

London Fashion Week (LFW) is a vibrant hub of culture, art, and, of course, fashion. Held in the heart of London, it draws designers, influencers, and fashion enthusiasts from around the world. The city’s iconic venues, such as the historic Somerset House —one of my personal favourites — and the trendy Truman Brewery, serve as the backdrop for runway shows that blend performance art with clothing design. There is an electric buzz in the air as models walk down the catwalk, showcasing a range of looks from flamboyant dresses adorned with feathers to minimalist silhouettes that exude sophistication.

However, LFW is not just about iconic names like Burberry and Alexander McQueen; it also serves as a launchpad for emerging talents. Designers with diverse backgrounds and styles have the opportunity to showcase their creations. This year, for example, we witnessed collections inspired by everything from streetwear to sustainable fashion, reflecting the diverse spirit of today’s youth. It is a celebration of individuality, and that is what makes it truly special.

Haute Couture – The Art of Fashion

The world of haute couture—fashion’s crème de la crème. Haute couture is the epitome of exclusivity, offering bespoke, handcrafted pieces that are tailored to fit the wearer perfectly. It’s the ultimate luxury experience, where every stitch and fabric is meticulously chosen. While Paris might be the traditional home of haute couture, London is fast becoming a contender with its unique twist on high fashion.

London’s take on haute couture embraces diversity and innovation. Designers are pushing the boundaries of traditional craftsmanship, experimenting with fabrics and techniques that reflect modern sensibilities. This is where the magic happens; it’s not just about looking good but feeling empowered. The younger generation is particularly drawn to this idea—fashion is a form of self-expression, and haute couture allows for that to be taken to another level.

Impact on the Younger Generation

As I write this article, I must acknowledge that we live in a society that craves attention from others. There is little time to influence thoughts and decisions, and the social media landscape largely contributes to this phenomenon. This tendency affects decision-makers who invest significant money in the hands of designers.

It’s important to remember that London Fashion Week (LFW) serves not only as a platform for designers but also as a crucial networking event for buyers, retailers, and journalists. Media sources indicate that it generates over £100 million in orders.

Haute Couture – All Eyes On Youth

What is the impact of London Fashion Week (LFW) and haute couture on today’s youth? For starters, it revolves around accessibility. Social media platforms like Instagram and TikTok have revolutionised the way fashion is consumed, allowing young designers to showcase their work directly to the public. They no longer need to rely solely on traditional media; they can build a following and create a community around their brand. This democratisation of fashion means that anyone can engage with it, whether they are attending a show in person or watching it live-streamed from their sofa.

In contrast, LFW has become a platform for activism and social change. Young designers are utilising their collections to address pressing issues, including climate change, inclusivity, and mental health. The fashion industry is notoriously fast-paced and often criticised for its environmental impact. Still, many emerging designers are committed to sustainable practices. For instance, brands are increasingly using recycled materials or adopting zero-waste production methods, appealing to a generation that values sustainability.

The Role of Influencers and Celebrities

Let’s not overlook the significant role of influencers and celebrities in shaping the fashion landscape. With their massive followings, they have the power to elevate emerging designers and trends. At LFW, you’ll spot a plethora of influencers capturing the latest looks and sharing them with their followers. This creates a ripple effect, as what’s hot on the runway quickly becomes a must-have for the everyday fashionista. It’s a reminder that everyone has the power to influence and inspire in the world of fashion.

The younger generation is particularly influenced by the authenticity and relatability of these figures. They’re not just looking for aspirational styles; they want to see real people embracing fashion in their own unique ways. This shift has led to a more inclusive definition of beauty and style, where individuality is celebrated rather than conforming to a singular standard.

Time Machine

As we look to the future of fashion, it’s clear that London Fashion Week and the haute couture scene are evolving. The younger generation is at the forefront of this change, reshaping the industry’s narrative and pushing for a more inclusive, sustainable, and creative fashion world. The runway is no longer just a showcase of clothes; it’s a platform for storytelling and expression.

LFW is more than just a series of shows; it’s a cultural phenomenon that relates to a younger generation. The fusion of haute couture and street style, the emphasis on sustainability, and the embrace of individuality are all part of what makes this scene so exciting. So, whether you’re a budding designer, a fashion enthusiast, or simply someone who loves to express themselves through style, London Fashion Week is a reminder that fashion is not just about what you wear—it’s about who you are.

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Transforming your job title from Model to Published Model can be a game-changer, especially when you’re just starting out. This small adjustment can open doors to exciting new opportunities and help you stand out in a competitive industry!

As a press journalist navigating the bustling circuit of the media industry, I’ve witnessed firsthand the intense competition that defines this field. The rise of Instagram has transformed it into a vast showcase filled with stunning visuals, where creators tirelessly produce captivating content daily. Everything now hinges on one’s ability to fit within the rigid parameters of a reel template, highlighting the pressure to conform to stand out in this crowded digital landscape.

Models – Magazine

Back in 2011, I sparked an idea that would eventually evolve into a unique magazine, primarily in a website and digital format. I recognised that websites offered an excellent way to index and catalogue a collection, serving as essential tools for organising editorial content in a manner that’s easily accessible to search engines. However, I soon realised that standing out amidst the vast digital landscape posed numerous design challenges.

The magazine concept gave me a creative edge, providing a blank canvas to design compelling content that not only captured attention but also inspired readers to share it with others. There was a thrill in creating something visually striking and engaging that would resonate with an audience.

Models – Evolution

In many respects, the journey toward producing a physical copy of the magazine was an inevitable evolution—just a matter of time. My vision was clear: I aimed to create a magazine that would complement fashion events, serving as a dynamic platform for designers to showcase their work and for models to shine. I am proud to say that this vision materialised into reality, and thus, “Catwalk Diaries” magazine was born—an initiative that successfully bridges the gap between the digital realm and the vibrant world of fashion.

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Models – Content

Generating revenue from a magazine is crucial for its survival; this principle holds true across most advertising media. However, this necessity posed a significant challenge from both a professional and a moral standpoint. I understood that without a viable income stream, the existence of the magazine itself would be in jeopardy. The tension between the need for financial support and the integrity of the publication created a complex dilemma, one that weighed heavily on my mind as I navigated the landscape of monetisation.

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Free 

We respect the sense of community that surrounds the modelling industry, and as an organisation, we aspire to give back to the very industry that has embraced us so warmly. In our efforts to support emerging talent, we are pleased to offer complimentary inclusion in our projects whenever possible. However, these opportunities are primarily reserved for models who boast a huge social media following, as their influence allows us to enhance our brand visibility.

With that in mind, we have carefully structured our pricing to be accessible for entry-level models. For just £300, you can secure a 6-page editorial feature in one of our print magazines, along with a digital version and exposure on our website. We believe this pricing represents a valuable opportunity for models to showcase their work and gain substantial industry exposure.

*Prices are accurate as of September 2025.

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Models – Designers

Designers have capitalised on the visibility provided by printed magazines, with models gracefully displaying their creations under the expert eye of professional photographers. To further support these designers, we have broadened our £300 editorial offer to them as well. If their presence across social media platforms is substantial, we are willing to waive the fee, taking into account the level of exposure generated. This initiative not only highlights their designs but also amplifies their reach in the digital landscape.

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Content

As our brands continue to expand and develop, we’ve come to recognise that we’ve organically transformed into a significant source of content within the fashion landscape. While we aspire for our print edition to become widely accessible in the future, it currently exists as an independent publication through a print-on-demand service. In the meantime, we are proud to offer our website and digital formats as complementary resources, reinforcing our commitment to giving back to the vibrant fashion community we cherish.

Models – Worldwide

No matter where you are in the world, we are excited to offer you the opportunity to participate in a conference call for an exclusive editorial interview. Our goal is to compose something truly unique and noteworthy that you can proudly share with your audience. 

As part of our £300 offer, you will receive a complimentary teaser trailer explicitly tailored for your editorial. We will also provide you with embed codes that you can seamlessly integrate into your website, along with direct links for your Instagram profile. Additionally, we’ll create a convenient QR code for your smartphone, making it easy for you to share your editorial with your network.

“Our best advert is the models who have featured in our magazine publications“.

-Networking Magazine

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